Before the left brain logically determined and categorized things, everything was one.

Pure experience, it is a state where the subject and the object are undivided and there are no boundaries.

1. Ameagari (雨上がり) - After the rain
2. Rakusui (落水) - Waterfall
3. Usuakari (薄明かり) - Dim light
4. Yudaneru (委ねる) - Entrust
5. Syouyou (逍遥) - Saunter
6. Haiiro (灰色) - Gray
7. Shibuki (飛沫) - Splash

All tracks are produced by Hidekazu Imashige
Cover Photo by Hidekazu Imashige

Pure Experience

Syouyou

Nastayashchaya Padruga

Wrong place. Wrong time. This is what I keep telling myself about us. At least, that's what I'd like to believe is the only thing that keeps us apart. But deep down, I know it's so much more. Yet I'm being drown again and again to your flame, like a naive firefly. So be it. If I burn, I burn. I'll be waiting for you. Always.

It's getting dark again

Waiting for you

Waiting For You

This is a deep space ambient electronic soundscape, greast for deep meditation, and even sleep.

Galilean Moon

Fallen

sequestered

Taken from 'And His Many Seas' by Moss Covered Technology. Out today via Fluid Audio. Copies available from myself as Fluid's have sold out.

Follow to buy tab to purchase limited CD or digital version. X.

'Sea #2' - And His Many Seas - [Fluid Audio, 2018]

‘Invisible Forest’ is a reminiscence of fleeting moments of quiet happiness dissolved in everyday life and anxiety. It features such themes as overcoming loss, seeking solace and humble contemplation of every passing second. 
You can buy the whole album here: https://hiddenvibes.bandcamp.com/album/invisible-forest

Reflections Of Yesterday

A much more ambient track , this is based around looping synth parts and a minimal piano performance. 
Cheers
Spinger

Redshift

Lesa Listvy is back with their Second album on Cryo Chamber. An analogue heavy album with beautiful textures on warm subs.

Behold, the sacred coding of the lapsed Planeteers. They have committed their knowledge to musical intonations, to semblances of intellect in aural constructs, to the language of drones. The Saviour god-ship surface-to-air vessel has been encoded with several encrypted editions of the Preservation Directive. The divine loops of the source materials undergo their perpetual gyrations on the reel-to-reel of their venerable sound bursts. The Covenant of Analogues propels its drone-scripts, the hieroglyphs of the perished few, from the proto-dwellers of the Maxime Cataclysmus. They are the principal invocations of the forgotten, the diagnostic prophecies of the regeneration of the civilised world. The proto-dwellers have projected their immaculate permutations of the sacred message through rifts in time. But it cannot exist without being received by a conscious entity. The Saviour is a voice in the darkness that says: "Absorb our codices. We are the remnants of a lost species. Until you receive us, we are nothing."

Recommended for fans of Steam, Grit and Ghostly Ships flying through polluted skies

Unheard Of

Bandcamp

Machine's Waltz

John Rose is a composer working out of Lexington, Kentucky. John has worked for many years doing live radio, outdoor festivals, art openings and planetarium performances. John has been a pioneer of electronic music in Kentucky since the 1970s. He continues to work on solo recordings, and is a sound tech and stage hand. He recently started recording and producing music for other people. John also loves to teach wilderness survival and awareness and has been doing so at camps and workshops around Kentucky and Tennessee.

John Rose’s music is created primarily from his own experiences, what he calls “life’s soundtracks”. He utilizes elements from his diverse musical background, which includes early music (especially the Medieval and pre-Renaissance era), Baroque (owing to his direct musical lineage to J.S. Bach through oral teaching tradition), Middle Eastern Music, Gregorian chant, traditional Celtic and Appalachian music, and experimental electronic music.

Music and musicians who are of interest to John Rose are J.S. Bach, Arvo Part, Tangerine Dream, Dead Can Dance, Gregorian chant, Cantigas de Santa Maria, Alan Stivell, Morton Subotonic, John Jacob Niles, Debussy, and Chopin. He considers Nature and Silence to be the foundation of all music.

John’s music is timeless and pensive, interwoven with images of nature, expressive rhythms, deep space pulses, and industrial ambience. Other compositions contain intricate piano passages dancing across waves of geometric ostinatos.

“Music is structured in silence and has its foundations in the rhythm of nature, out of which springs the language of humanity and reflections of the energy of life. I wish to express this to the listener through my music.”

JOHN ROSE SOLO DISCOGRAPHY (cassette format):

Evening Thoughts (90min)
I Could See Them In The Distance (60min)
Rainsongs--also available on LP
Oceans of Contradiction (90min)
Reflections (90min)
Chemical Dreams (90min)
Night Songs (90min)
Meditations (90min)
Zeitreisen (90min)

The Natural World (90min), a recording of live music from the woodland art fair in lexington
Diane Timmons Live at ArtsPlace in Lexington.

CD Format

Cosmogenesis  April, 2001 on SpaceForMusic.com Records
Conversing With A Rainy Night 2004
Unsound 2023


with Tony Gerber
2001 - Airwaves (Electronic Instrumental, Released in January 2000 on MP3.com)

with SPACECRAFT
1997 - Spacecraft: "Spacecraft" (Lektronic Soundscapes LS97009 CD)
1998 - Spacecraft: "Hummel: Live" (Lektronic Soundscapes LS-1012 CD)
1999 - Spacecraft: "Earthtime Tapestry" w/Giles Reaves (released August 4th, 1999 on Lektronic Soundscapes)
1999 - Spacecraft: "Kaleida Dreams" w/Giles Reaves (released November 25th, 1999 on SFM Collective at MP3.com)
2000 - Spacecraft: "20th Century Mix (Best of)" (released January 12th, 2000 on SFM Collective at MP3.com)
2001 - Spacecraft: "Musical Meditation for World Peace" (released January 1st, 2001 on SpaceForMusic.com Records via mp3.com)
2001 - Spacecraft: "Summer Town" (release Feb. 15th on SpaceForMusic.com Records SFM12001)
2001 - Spacecraft: "Cybersphere" (released May 19th on SpaceForMusic.com Records SFM22001)