roughmix of a piece we recorded in February 24 
Dr Nojoke: https://on.soundcloud.com/xtAXfgV1fnUpVrxTA

Dr.Nojoke_Ginsberg_rough_Sept23

https://30gradx.bandcamp.com/track/planet-x
https://soundcloud.com/30gradx/planet-xtra
w/ IPG1:
https://soundcloud.com/30gradx/planet-x-with-ipg1

planet x

So happy to make music again and share it on soundcloud, after my lung surgery and I can still play wind instruments, like here on this new track, xaphoon.

Luna On The Horizon Blade

Cast of Characters:
Mistermark – @user-432503709 – Mark – drums, VST upright bass, electric vibraphone, horns, high organ in the last section, percussion (shaker, hand claps), production, editing, mix, and composition
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Tele Thinline electric guitar and mastering
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – PRS semi hollow body electric guitar

This song began its life some 20 years ago recorded on Mark's old skool keyboard workstation as a bass line and drum beat, accentuated by a synth melody playing over some electric piano. It sat as that basic version until just recently, when Mark had gotten into horn arrangements, and wanted to try some out, thus creating the impetus for reviving this old tune. Plus, he wanted to get the Eclectic Collective to play the guitar and keys parts on it for a little extra jazzy pizzazz.

He turned it over to the rest of the EC gang with a pretty clear vision of what he wanted structurally. Stephen was first up, adding his driving guitar to the fist part of every verse. Josh deftly chimed in with the response line in every verse. JJ then came into the mix last and sprinkled his magic electric piano and other keys throughout. After all of our parts were in the can, Mark went to work dutifully editing and mixing what you hear as the final product. Stephen then did his pro mastering work on it to add a little bit more shine.

This was a lot of fun to put together. It doesn't feature all of the EC, but the other guys will be on many upcoming creations. We hope you enjoy listening to this as much as we enjoyed creating it.
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***Just for fun, here is link to just the horns isolated (something I'm going to be occasionally doing on certain songs):
https://soundcloud.com/user-432503709/clydes_horns-isolated

Clyde's Glide (with The Eclectic Collective)

Loxapine te ghoste

Musical benches are the main source for this fun little track.
Cobalt8x and Reverb/Distortion for the other sounds.

Daily Tous Les Jours (DTLJ) is a montreal based art and design studio from Montreal. The piece shown is the Daydreamer: Kinetic Musical Benches piece from 2023, available at the NC Museum of Arts in Raleigh, NC.

Daydreamer on a bench

Close to Robert, a hypermelodic, crooner computer and fan of Bowie and McCartney, unveils Gaia Mantra. This downtempo synthpop instrumental journeys through nostalgia, dissonant tensions, and hope, intertwining melodies from the Roland JX3P, Arturia MiniFreak, Minimoog synthesizers, and cimbalom. The video portrays a mise en abyme, evoking Ziggy lost in smog, searching for his China Girl.
A vocal version will be released on January 31, adding full meaning to the title Gaia Mantra.

Close to Robert, ordinateur crooner hypermélodique fan de Bowie et McCartney, dévoile Gaia Mantra, instrumental synthpop downtempo cheminant entre nostalgie, tensions dissonantes et espoir. La composition entrecroise les mélodies au cymbalum et synthés Roland JX3P, Arturia MiniFreak, Minimoog. Le clip évoque dans une mise en abîme Ziggy perdu dans le smog et cherchant sa China Girl.
Gaia Mantra marque le retour de Close to Robert sur les plateformes, avec un son retravaillé propice aux moments calmes, rêveurs ou introspectifs. Une version chantée sortira le 31/01/25, donnant son sens au titre Gaia Mantra.

Close to Robert

Gaia Mantra (instrumental)

Other versions:
https://soundcloud.com/albobbidwell/why-couldnt-you-hear-it
https://soundcloud.com/albobbidwell/why-couldnt-you-hear-it-2

Why Couldn't You Hear It? III

Al Bob Bidwell