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ELECTRO BITCH

stuff and things

user18081971

Aphex twin

Percussions - KHLHI (TEXT029A)

Martyn + Four Tet - Glassbeadgames (8 Hours at Fabric Dub)

Amon Tobin - Nightlife

This is the stream of 'minipops 67 [120.2][source field mix]' from Aphex Twin's 'Syro', available from Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud

This is the first Aphex Twin dong fore 13 years between the publication of the first a formal music.

If you have preordered Syro on iTunes or Bleep, log in to your account to download 'minipops 67 [120.2][source field mix]' immediately. The song is also available for individual sale.

Bleep - http://smarturl.it/syro?IQparams=IQid%3Asource&IQid=warp%20soundcloud
iTunes - http://smarturl.it/syro-itunes
Amazon - http://smarturl.it/syro-amazon
Google Play - http://smarturl.it/syro-googleplay
Beatkart - http://smarturl.it/syro-beatkart

http://syro2eznzea2xbpi.com/?utm_source=minipops%20stream&utm_medium=soundcloud&utm_campaign=syro

Syro

Available at Bleep

Aphex Twin - minipops 67 [120.2][source Field Mix]

This piece of music is one of my all-time favorites.  I haven't been able to find sheet music for this piece so I decided to just transcribe it myself.  The piano being used is Imperfect Samples' Fazioli Grand.

Aphex Twin - IZ-US (Piano Arrangement)

04. Tiga - Shoes (Mr Oizo Remix)

Francesco Tristano & p41 for Get Physical music

Gaza World Cup

1 Hour Sleep Music Relax- Fall Asleep Meditation Music, Sleep Music, Meditation Music -115

Download

Aphex Twin [AFX] - Every Day (Alcala Edit)

Taken from "Baikal Acid" 12", out January 15—distributed by Rub a Dub and shipping soon!

Buy 12": bit.ly/1mzDD3Q

Buy Digital: bit.ly/1muHekl

Baikal Acid

Khotin - Baikal Acid

Released Oct 3rd. Vinyl Only 12".
Cos-Ber-Zam "Ne Noya" appears courtesy of Analog Africa (www.analogafrica.com)

02 Daphni - Yes, I Know

3 Weeks

3 Weeks (12" Mix)

tapemix style mix and edit / from CHEETAH EP / please don't pirate, it's killing the music industry. Here's the ORIGINAL for reference + awesome video. https://www.youtube.com/watch?v=ZEP-Qpw3lHg

Aphex Twin - CIRKLON3 [SFINGALI Edit]

What You Need

What You Need (Chromeo Remix)

The track I have done for the We Are The Works In Progess compilation that is being released on the 10th January 2012.  Full details here:

http://wearetheworksinprogress.tumblr.com/



Four Tet - Moma

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Death Grips VS Aphex Twin - Guillotine X Ventolin

Plastikman: Pakard (1998) MINUS3

DMX Krew - You Can't Hide Your Love (Aphex Twin remix)

02 XMAS EVET10 [120] [thanaton3 Mix]

Watch the video here: https://www.youtube.com/watch?v=1bMR83ZI7m8

www.ultraista.com 
www.facebook.com/ultraista 
www.twitter.com/ultra1sta 
www.youtube.com/ultraistaTV 
ultraista-laura.tumblr.com/

info@ultraista.co.uk

This track is available exclusively on the iTunes version of the Ultraísta album. Pre-order here: https://itunes.apple.com/gb/album/ultraista-remixes-bonus-tracks/id689968135?ign-mpt=uo%3D4

Purchase concert tickets here: http://www.ultraista.co.uk/Ultraista/Album.html

Ultraísta - Smalltalk (Four Tet Remix)

Don’t Break My Heart (Shiba San Remix)

Manitoba (Caribou) - Lemon Yoghourt

品番：MBIP-5525
アーティスト：µ-Ziq (ミュージック)
タイトル：Chewed Corners (チュード・コーナーズ)
発売日：2013年  6月 30日（日) 
フォーマット：国内盤CD
定価：2100円（税込）
レーベル： melting bot  / Planet Mu 
ジャンル: Electronica / IDM / New Age
バーコード: 4532813635255

【国内盤特典】

■ライナーノーツ: 三田 格 (ele-king)
■ ボーナストラック未発表音源4曲

【Tracklist】

01. Taikon
02. Christ Dust
03. Wipe
04. Monyth
05. Twangle Melkas
06. Melting Bas
07. Houzz 10
08. Feeble Minded
09. Hug
10. Mountain Island Boner
11. Tickly Flanks
12. Smooch
13. Gunnar
14. Weakling Paradinas
15. Forger*
16. Smear*
17. New Bimple*
18. XT*

*Bonus Track

90年代よりAphex Twinや Autechreと並ぶIDM / エレクトロニカの巨頭、〈Planet Mu〉の 長、µ-Ziqの６年ぶりとなる最新作！メローでエモな90年代µ-Ziq節がエレガントにカムバック！！

テン年代ニューエイジ的レトロ・アンビエンス、叙情的な旋律、透明感のあるアナログ・シンセ、 アシッディーでメランコリックなサイケデリア、自らの原点へと返り咲いたファン待望の傑作が完成！µ-Ziq生誕祝20周年！！

80年代後期より活動を始め、20年間エレクトロニック・ミュージックのシーンでアーティスト、レーベル・ディレクターとして常にシーンのパイオニアであり続けるMike Paradinas。2007年以来の6年ぶりとなる最新作『Chewed Coners』は、奥さんである Lara Rix-Martin と Gravenhurst (WARP)のユニット Heterotics と同時期に制作され、ホラーで不吉な前作とは打って変わって、よりドラマティックでエモーショナル、幸せもにじみ出た作品へ。  µ-Ziq の特徴でもある破壊的でエクスペリメンタルなビートは薄れ、今作ではここ数年の大きなモードのひとつであるニューエイジにも繋がるみずみずしいアトモスフェアリックなシンセやピアノを多用し、若干ゴシック感もある幻想的でメロディアスなふわふわと漂流するソフトなアンビエント空間を構築、808を骨組にリラックスしたブロークンビート/ IDM、エレクトロ / ファンク、テクノ、ディスコ、時折ジュークやドラムンベースなども織り交ぜ多彩なリズムワークを展開、80年代や90年代のアナログやデジタルの音色をパレットとしながら自身の初期の作風やスタイルをモダンにアップデートした20周年に相応しいアルバムへと完成。 US地下より始まったダンス / エレクトロニック・ミュージックの完全なリヴァイバル、UKでは90年代再評価の波が押し寄せる中、エレクトロニカ/ IDMの郷愁的なサイケデリアもまた新しい局面を迎えています。

▼  ミュージック・ バイオグラフィー 
 
UKはウィンブルドン出身、ロンドン拠点の〈Planet Mu〉を主宰する本名Michael Robert Paradinas (マイケル・ロバート・パラディナス)によるソロ・プロジェクトμ-ziq。80年代半ばよりキーボーディストとしていくつかのバンドを転々としながら自身の楽曲を作り始め、90年代初頭既に数々の名義で名を馳せたRichard D. JamesことAphex Twinの耳にとまり、当時のUKアンダーグランドの最左翼レーベル〈Rephlex〉から93年にデビュー・アルバム、 94年にセカンド、たちまち話題となり95年に〈Virgin 〉へと移籍、子会社として自身のレーベル〈Planet  Mu 〉を設立、99年までに〈Virgin 〉や〈Universal〉といったメジャー傘下のレーベルから立て続けに4枚のアルバムを発表、Aphex Twinとのコラボレーション作『Mike & Rich』など、90年代よりエレクトロニック・ミュージック・シーンにおいて不動の地位を築く。98年に本格的にレーベルを始動、IDM、ブレイクコア、グライム、ダブステップ、ジューク / フットワーク、時代の流れと共振しながらオルタナティブなダンス・ミュージックを中心にリリースを重ね、近年ではチル・ウェイヴ、インディ・ダンスといったインディ・シーンへのアプローチもみせるなどA&Rとしても遺憾なくその才能を発揮。レーベル・ディレクターとして15年、アーティストとして20年、 常にシーンのパイオニアであり続ける、未だその勢いは衰えること知らない。

μ-ziq:
https://soundcloud.com/mikep
_____________________________________________

Released by melting bot
https://www.meltingbot.net

Manufactured & Distributed by Inpartmaint inc.
https://www.inpartmaint.com

(P)&(C) 2013 Planet Mu Records
Under exclusive license from Planet Mu Records
https://www.planet.mu