I DEEJAY     

Owner/Operator of Future Follower Records
I run @KeepDeep
contact: naza@futurefollowerrecords.com
    
I use Technics 1210 Turntables, a mixer plus Rane/Serato ScratchLive! or Traktor Kontrol Z2

          Hope you like, NAZA :)

Power is a finished project.

You can find new soundscape and narration projects at: Youtube.com/@DarkDesertAudio

AIA - Artist Intelligence Agency

Submissions: aia.ag/Music-Submissions
Spotify: aia.ag/AIA-Spotify

Tastemaker Brands:
@XXX
@The-Bay
@FirstEdition
@IvoryOasis
@Your_Secret
@Lavish
@DeepSounds
@Wonderlust
@Type91

Discovery Channels:
@Dubstep
@TrapMusic
@HouseMusic
@Future
@Chill
@Hip-hop
@Hardstyle

Artist Collectives:
@Hegemon
@WeArePantheon
@ThisIsEchelon

EDM.com :
@EDM
www.Facebook.com/EDM
www.YouTube.com/EDM
www.Instagram.com/EDM

Instagram - Jacobdemery


Ill post new songs regularly

also any feed back good or bad is always appreciated  

so thanks for listening and i hope you enjoy what you hear :]

Wobbles, Overdrives, Big Leads and stuff like that. That's what we like to mix up.

We're a bunch of kids spread all over Italy producing boucy, ravey and as much fidgety as possible tunes having fun while doin' it. All of us into production, djing, aspiring sound designing and engineering in some kinda way. How do we "tune" like?! Follow us all and you'll see... erhm, we mean... you'll hear. :)

ARTISTS:
Stereoliez, Matteo Lo Valvo, V@LeRiC, Triple Wobble, The "S", Ryko The Drummaker, Rickie Snice, Fresh Foolish, Destroy Gang, Clocker, Twin Stereo, Nobel, Omar Ferrero, MADS, AllDegrees, Dani Galenda, Karasho, Joe Santoro, Phat Pixel, DJ Tokio, Freddy See, Lazarus, Baldo (Italy), Rudemates, Skrtel, The 2000, Aaron Beta, Krylon, Guby, D-Deck, Roberto Molinaro, DJs From Mars, Goingnuts, Tapekiller, Razihel, Mantrastic, Mindbeats, Steffen Aaron, Misclick, Lowryder, Mother Inc, Deface, Delta Labs, Lqd Hrmny, Stiver, Minorstep, Hedron, Hansel Thorn, Thomas Vent, Hard Luck, Countouch, Awesound, Massiw, High Performance


OUR SERVICES:

-ARRANGEMENTS -

Great recordings start and end with the quality of the song. At Head2Toes Studios, we do not use a "one size fits all" mentality when we approach our clients.

Our recordings sound like the artist - not us. They will never sound overly polished or full of things the artist did not intend. They will always have some sort of x-factor to them that makes them unique. This is musical production that serves the purposes of the song. This is how hit songs are produced.

We do not like to charge by the hour. Why? Because at this studio, a production is never done until it is finished. We will never rush the mixing/mastering process simply because the recording ran over. We have had many clients and none of them have ever left here unhappy.




- MIXING -

Mixing is the frequency, panning, and volume calibration process of each sound in order to obtain a homogeneous ensemble, where all the musical instruments, effects, sounds, and voices of a song are comprehensible.

There are several considerations of a final mixing, from the needs of the artist to the objective judgement based upon the genre or comparison of the songs being taken into consideration as a reference. For these reasons the client has to work closely with the sound engineer to obtain the best result possible. To simplify a mixing session, our client should give to us (by web or traditional mail) the separated tracks of the song in singles .wav (44hkz, 16bit) files. All the tracks must start at the same time, and be synchronized in order to open directly in our multi-track mixing system. Please keep in mind that “the best mix starts from a good arrangement”, and the frequency covered by instruments depends on the notes played.




- MASTERING -

The finalization process before cutting or burning of a song is called Mastering, the next step after mixing.

This process is useful for preparing the track appropriately for final media. Sometimes a bad mix can be corrected in the mastering stage, but every case needs to be evaluated individually.




- DIGITAL DISTRIBUTION -

From uploading your songs to accounting the downloads, we will take care of everything.

Anybody can join - you don`t need to have a record label, a company or a record deal.
You can get your money whenever you want to: not biannually, not annually but DAILY. 
Simply request your payout online and anytime you want.
Send your demo NOW and start earning from your music!
Furthermore you can choose on which sales platforms you want to offer your songs e.g. to iTunes, Musicload, MTV, AOL, Beatport, Jamba etc.
Currently we supply 300+ download stores.




- SIAE SCORING (Italian only) -

Devi depositare un pezzo in SIAE ma non sai scrivere la partitura? Ci pensiamo noi!

Scriviamo la partitura melodica del tuo pezzo per il deposito SIAE, anche via mail, inviandoci l'mp3 del brano.

Per soddisfare le esigenze più disparate, siamo anche in grado di scrivere partiture complete di tutto un arrangiamento (ritmica compresa) per l'esecuzione con grande orchestra o per classica band di 4 o 5 elementi.

Ale B. is following