@societys-realization: Thank you so much Vincent, I enjoy your work a lot too.

https://www.estadofosil.art

A pesar de que Ecuador se volvió productor de petróleo en 1972, nunca llegó a ser un país con las capacidades industriales para procesar este producto y convertirlo en sus miles de derivados. Entonces, queda la duda.

¿Será que somos, en realidad, un país productor de petróleo? ¿O un pozo más para la explotación global? ¿O un país industrial que explota sus recursos para su propio desarrollo? 

Este podcast fue escrito por Daniel Lofredo Rota, editado por Sofía Acosta Varea, Ana María Garzón Mantilla y Francisco Hurtado Caicedo, y producido por Daniel Lofredo Rota para el proyecto Estado Fósil. Grabado en los estudios de Quixosis, en Quito, 2023. Agradecemos al apoyo de FES ILDIS.

La Huella Ecológica del Sonido

Phyroporphyllum1.51

Solo live improvisation with synthesizer, grand piano and effects in the Thames Tunnel Grand Entrance Hall.

Lots more amazing music from Sarah here:
https://sarahdavachi.bandcamp.com/
http://sarahdavachi.com/index.html

Sarah Davachi live at Bleep43 - 6th October 2016

Centre and Periphery [excerpt from Tsonami Festival, Concepcíon]

Sinestesia. Diálogos musicales con la colección del Museo Tamayo

Fernando Vigueras (@fernandovigueras) en diálogo con "15 Janvier 1955" (1955), de Pierre Soulages

Foto: Oswaldo Ramírez

*Proyecto apoyado por el Fondo Nacional para la Cultura y las Artes

Fernando Vigueras en diálogo con Pierre Soulages

This fizzing, crackling sound is the sound of the fungus Cookeina speciosa (a cute little pink cup) sporulating in the Bolivian Amazon. 








Recorded by Patty Kaishian and Dylan Ettlinger.

The Sound of Spores

dave phillips
the bridge
released 30 june 2020

recorded on a bridge in the khao sok national park in thailand at sunsets end on a hot day in january 2000, then time-stretched by 88%, is the source file that plays through this whole piece. it found its place when dima zverev asked me for a piece for radio morpheus in moscow who “broadcast dreams in all their audio displays, musical reflections on the topic of sleep, somnambulistic audio performances, the culture of dreams”.
the bridge between wakefulness and sleep, remembrance and oblivion, memory and its loss, dreams and other realities, consciousness, unconsciousness and the subconscious, being and disappearing, here and there, life and death. this is music to slumber to. decomposed in zug switzerland from march to june 2020 while caretaking for parents nearing the ends of their respective cycles.

do not play loud. headphone listening is recommended.
davephillips.ch

the bridge — dave phillips

60 minutes of vivid aural excitement mixed by Ian Murphy.

Resonance Extra - 24/7 sound art, radio art and global music. Listen on DAB+ in Brighton, Bristol, Cambridge, London and Norwich or via http://extra.resonance.fm

The Rottenslushy Show #43 - Ennio Morricone Special - Tuesday 14th July 2020

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

Resonance Extra - 24/7 sound art, radio art and global music. Listen on DAB+ in Brighton, Bristol, Cambridge, London and Norwich or via http://extra.resonance.fm

The Parish News #197 - Friday 17th July 2020

Ancient Indonesian tradition meets doom metal in profoundly Ur ways on Stephen O’Malley and Senyawa’s collaborative commission for choreographer Gisèle Vienne, highly recommended if you’re into Sunn O))), Keiji Haino, Nazoranai, Phurpa, KTL.

Following a decade of creative bonds forged between theatre director and choreographer Gisèle Vienne and doom sayer Stephen O’Malley that spans multiple soundtracks (solo and with Peter Rehberg in KTL) and visual artworks, the pair travelled to Indonesia on a commission to explore the country’s rich culture in 2018. They immersed in a magical world of performative rituals where they encountered Wukir Suryadi, an experimental musician and instrument builder whose acclaimed releases both solo and as half of Senyawa have invigorated the avant and experimental rock scene over the past decade. 

The six tracks of ’Bimi Sakti’ document groundbreaking ventures between Senyawa and O’Malley, yielding an incredibly powerful mix of electric guitar and bass guitar amp worship blended with the remarkable range of tonalities from Senyawa’s custom-built bambuwukir, plus traditional pipes and possessed vocals. Practically without precedent in the modern musical sphere, the 44’ release speaks to a resounding mutuality and common musical philosophy between two musicians who are usually geographically separated by a hemisphere. Slow to start, but culminating in a wholly dilated musical vision, the performance effectively collapses eons of musical practice and thought into a singular yet timeless expression of beauty and anguish that transcends the sum of its parts. 

Fleshing out the frequency spectrum between flighty, avian flutes and sprawling subharmonic bass riffs, they come to inhabit a thrilling mid-ground over the course of the album as O’Malley moves up the registers to thrashing mid-range riffs while Suryadi invokes a range of demonic voices and unearthly tones from his bamboo instrument. The results come to prod the pineal like little else beyond, say, O’Malley’s Nazoranai trio with Keiji Haino and Oren Ambarchi, or the first Phurpa album on his Ideologic Organ label, and we reckon should be hailed among the boldest and most astonishing records of 2020.

SENYAWA & STEPHEN O'MALLEY "Dewi Hera, Part I" (from "Bima Sakti" iDEAL198 LP)

Fatih Tuter - Winterwald
This track is taken from the forthcoming album "Beehive"

CD/Cassette/Digital

Releases 24.9.2020
Pre orders: shimmeringmoodsrecords.bandcamp.com/music

Recording and finalizing of Beehive last almost 4 years because of unavoidable breaks. It can be seen as personal notes from my last 4 years after moving to a new country. At the end, it had been nice to record changes of inspiration which mainly came through nature and the new people in my life.

Written and produced by Fatih Tuter
Mastered by Andrea Porcu 
Artwork by Serhat Kavas

CD
Limited Edition CD / 75 copies / Hand Numbered / Hand Made Packages / Brown Kraft Wallets / Professional duplicated cdr

(Includes unlimited streaming of Cloud Dreaming And Shadows via the free Bandcamp app, plus high-quality download in MP3, FLAC and more)

Cassette
Limited Edition / 25 copies / Full color o-cards / Pro Dubbed / Clear Frosted Cassettes / C51

(Includes unlimited streaming of Cloud Dreaming And Shadows via the free Bandcamp app, plus high-quality download in MP3, FLAC and more)

Phyroporphyllum1.51

Alejandro Tux

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