"NE ME QUITTE PAS" (Preview) #LaNocheMásLarga

Buy: https://tamikrest.bandcamp.com/album/chatma

'Chatma' is the new album by Tuareg rockers Tamikrest. The album is a fully persuasive sonic document and is filled with sober reflection, moral indignation, musical experimentation, cultural celebration - and the kick of rock and roll. 'Chatma' translates as "Sisters" and the band have dedicated the album, in their own words, to "the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers."

www.tamikrest.net/
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Chatma

Tisnant An Chatma

Tamikrest - Tisnant an Chatma

From Azam Ali's new album: From Night To the Edge of Day

With a career spanning over a decade, Azam Ali is back with her third and latest solo release titled From Night to the Edge of Day, releasing April 12th. On this album, Azam performs unique and gorgeous renditions of various lullabies from the Middle East illustrating the power of life, nature, joy, pain, love and beauty.

To stream the entire From Night To the Edge of Day: 
 http://snd.sc/fJpOyO 

For more info on Azam Ali: 
 http://sixdegreesrecords.com/artists.php?artist=Azam_Ali

Azam Ali - Dandini

Pachamama

A playlist inspired by a movie Dune- trips to the fourth world, esoteric dessert and whispering wind. Vast empty landscape, dark atmospheric vibes with an orient twist

Arabian Folk & Garage Surf Instrumentals

Incense Trade Route - Near East

Hz.Mevlana Buluşması_Konya_26 Ağustos 2014_19.00

Rene Aubry - The Shell

Zulal - Vai Vaveler 2015(by ziruh)

The first single from my new album Aliento. Danit: guitar and vocals, Misha Mullov-Abbado: double bass, Nick Barbachano: clay pot, guitar and backing vocals, Matthew Barley: cello, Paul Clarvis: bass drum, Liam Fletcher: guitar and tamborine, Mao Tatanka: waira and backing vocals, Jonas Winter: backing vocals.
Produced, arranged, recorded and mixed by Liam Fletcher
Executive Producer: Nick Barbachano
Album Artwork: Anika Nixdorf
Photo credit: Chris Baker

Full album available here:
danit.bandcamp.com/releases

Cuatro Vientos - Aliento

Vieux Farka Touré's beautiful latest album was recorded as an homage to his homeland.  Being that his native Mali has been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, his new album, Mon Pays, is devoted to reminding the world about the beauty and culture of his homeland.
 
‘For me it is a statement for the world that this land is for the sons and daughters of Mali, not for Al Qaeda or any militants. This land is for peace and beauty, rich culture and tolerance.This is our heritage, what we must always fight to protect in any way that we can. For me, that means making music that reminds the world of who we are.’
 
Translating as ‘My Nation,’ this predominantly acoustic undertaking had been planned before the invasions began. Inspired by his work with Israeli pianist and vocalist Idan Raichel, Touré initially went into a Bamako studio to honor the acoustic blues tradition of Northern and Southern Mali. Since that time, Mon Pays transformed into an artifact of cultural preservation.

Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational "passing of the torch" as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Their two records together, In the Heart of the Moon and Ali and Toumani, were awarded Grammies. At the 2011 ceremonies, Vieux accepted the prestigious award for his father, who had recently passed from bone cancer.

Mon Pays is the most mature and lovely record yet from one of this generation's most exciting artists to come out of Mali and one of world music's true rising stars.


10 Vieux Farka Toure-Ay Bakoy

San Francisco Bay Area based world music ensemble, Stellamara, travels to the Island of Crete and emerges with their new album, "The Golden Thread."  In collaboration with the European legends, Ross Daly and Kelly Thoma, and with NY-based cellist Rufus Cappadocia, "The Golden Thread" is immersed in otherworldly melodies, deep musical meditations, and astonishing improvisations. With her extraordinarily intricate, siren-like voice, Sonja Drakulich carries the listener on a journey into realms of beauty both deeply known and yet undiscovered. "The Golden Thread" travels beyond any derivations or trends in world music, diving deeply into a felt experience of the divine. This is Stellamara's third CD release, and it exceeds all expectations. It is a truly masterful creation.


Each masterful release by Stellamara has appeared years apart, but the treasures and rewards are well worth the wait. Led by the exquisitely gifted singer Sonja Drakulich, with her Hungarian and Serbian ancestry, this group runs on a feverish energy that always stops sufficiently short of frenetic, although they never lack intensity. Right from the start, the virtuoso playing of the members of Stellamara becomes ever-present, while the stellar interplay lends an even greater power to their wonderful web of sound. You'll find yourself wishing for an even stronger vocal emphasis if only because of the magnificent vehicle of vocal expression that Sonja possesses. Her voice is at a never-ending peak of clarity and luminosity, from soft, distant and tailing off into the night, to lively and ignited by fires that burn brightly within. At times she may bring to mind Lisa Gerrard, Loreena McKennit or Azam Ali, but the magnificent way she uses her voice is hers alone. There is no lack of power or presence in this intricately realized music, and those who favor Balkan, Medieval, Persian, Arabic, Greek, Turkish or Far Eastern music will find themselves captured quite easily in the free-flowing marvel that is created. Gari Hegedus has a repertoire that utilizes various Eastern modal systems, and he plays Oud, Baglama, and Mandocello proficiently, taking each passage to a soulful level of modern passion. Cellist Rufus Cappadocia, percussionist Tobias Roberson and clarinet player Peter Jaques join in the sublime magic, moving the music from evocative to inward while driven with a balance that is carefully maintained yet not controlled. Featured as well are two Lyra players (a small pear-shaped upright fiddle from Crete): Irish-born Ross Daly (who also plays Baglama, Divan Saz, Tarbu and African Rebab) and Kelly Thoma (she is also part of the group Labyrinth w/Daly). There is a deeply devotional sense to this music which ebbs and flows from faraway places and times, making for a listening experience that is quite remarkable and unforgettable.

—Lloyd Barde, Common Ground Magazine 


Incense Trade Route - Near East

Aleksandra Duende