Haydn

The last movement of Beethoven's immortal 30th piano sonata (played by me).

Beethoven Piano Sonata No. 30 In E Major, Op. 109  final movement

Please visit us at http://www.reverbnation.com/thesydneyconsort for concert info, tickets, music and more. 
All comments appreciated :)

ARTIST BIO

The Sydney Consort is one of Australia’s most energetic music ensembles devoted to early music of the 17th and 18th Century. 
Originally consisting of three members the group brings together Australia’s finest musicians and singers to a small chamber orchestra of up to fifteen performers. Formed in 1997 and led by artistic directors Monika and Stan Kornel, the Sydney Consort is an ensemble dedicated to bringing beauty and wisdom of Baroque music to a rapidly growing audience. The ensemble has performed music ranging from the 16th to 18th Century, as well as contemporary Australian music, and with concert themes such as English, French, German and Italian Baroque, Music and Poetry, and the Johann Sebastian Bach concertos. 

In the year 2000, the Sydney Consort celebrated the vocal and instrumental music of Bach, commemorating the 250th anniversary of the composer’s death with spectacular concerts at the St James’ Church. Frequently, the ensemble invites other well known and talented Australian artists, instrumentalists, and vocalists to further enrich performances and broaden the repertoire. The Sydney Consort performs regularly with Sydney actors and poets as a consequence of an ongoing relationship with the Poets and Writers Society. A concert of 17th Century English music and Shakespearian sonnets was a particularly successful product of this union of arts. 

The ensemble appears regularly on classical radio programs and on Sunday Live ABC Classic FM. From 2004 the group appeared for Musica Viva Australia with concerts in Sydney and NSW (countrywide program), and in June/July 2005 and 2007, the Sydney Consort performed on their European concert tour in Italy, Germany, Luxembourg, Denmark and Poland. The ensemble has been invited to return to Europe in 2009 and will perform in Luxembourg, Germany, Denmark, Prague and Poland

JOHANN SEBASTIAN BACH - Sonata for harpsichord & violin in C minor (Siciliano)

Gustav Mahler: Symphony No.5. in D major, 3. Rondo-Burleske

Performance at Persian Sound City
12th June 2025

A performance of Second Portrait
Kamancheh: Amin Naseri
Piano: Sepand Yekrang Safakar

اجرای شهر صدای پارسیان
بیست دوم خرداد هزار چهارصد و چهار

اجرایی از پیکر دوم
کمانچه: امین ناصری
پیانو: سپند یکرنگ صفاکار

Second Portrait-Duet|پیکر دوم-دوئت

#schubert #franzschubert #mind #freedom #serenade

Franz Schubert. Serenade to Free Your Mind.

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Hungarian Rhapsody, No. 11

Liszt - Hungarian Rhapsody No. 11 (Live)

Borodin - Polovetsian Dances

01 joseph haydn

Guest conductor, Marcelo Lehninger, leads the New England Conservatory Philharmonia in a performance of Haydn's Symphony No. 88. Recorded live October 26, 2011 in NEC's Jordan Hall.

Haydn: Symphony No 88 in G major- Adagio - Allegro

New England Conservatory Chamber Orchestra, coached by Donald Palma performs the first movement of Joseph Hadyn's Symphony No. 49 In F Minor, "La Passione". Recorded live in 2005 in NEC's Jordan Hall.

Joseph Haydn: Symphony No. 49 In F Minor - Allegro Di Molto

Expressions: Haydn, Szymanowski, Chopin

Sonata in A-Flat Major, Hob. XVI/46 - I. Allegro moderato

Haydn - Sonata in A-flat major Hob. XVI: 46 - I. Allegro moderato

Sonata in A-Flat Major, Hob. XVI/46 - II. Adagio

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Sonata in A-Flat Major, Hob. XVI/46 - III. Finale - Presto

Haydn - Sonata in A-flat major Hob. XVI: 46 - III. Finale. Presto

Extrait de "Amandine Beyer / Portrait"
J.F. REBEL, C.P.E. BACH, N. MATTEIS, R.de VISEE
J.S. BACH, A. VIVALDI, A. CORELLI
Amandine Beyer, violin

Buy here: http://www.outhere-music.com/en/albums/portrait-zzt-325
ZZT 325

BACH : Concerto in E major BWV 1042 / Gli Incogniti, Amandine Beyer

Chicago Symphony Orchestra
David Afkham, conductor

Brahms Symphony No. 3 in F Major, Op. 90 (October 2019)

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Haydn - Sonata in A-flat major Hob. XVI: 46 - I. Allegro moderato

Aleksandra Mikulska

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