Hailing from Germany’s leafy heartland via Leipzig, Nadine Moser has found a spiritual home in Berlin for the last 12 years. The capital has provided space for her to flourish as an artist whose work focuses on both the exploration of new sounds, as well as a political energy so key to the city. From here, she coordinates a schedule which includes residencies at left-leaning haunts Pudel (Hamburg), Paloma and ://about blank, as well as a radio show on Refuge Worldwide and mentorship of women and non-binary artists for Spoon DJ Workspace. For the music itself, she has a preference for deep, organic sounds, subtle build up and introvert melodies (worth noting here is ambient side project M2N2). Rarely will she release cuts from a live set, which makes Bassiani Podcast 153 a lucky exception. If you do want to count your blessings though, this is number two in the Podcast series: a 138 minute mix from her last visit to the club, packed with shuffling basslines, ethereal synths and libertine energy, lovingly dedicated to the Horoom crowd. Resom’s techno return to grassroots.

BASSIANI PODCAST SERIES

Bassiani invites Resom / Podcast #153

Danielle at Organik Festival 2024

"Designing clubs is about understanding psychology." The famed architects talk about bringing emotions, durability and hidden logic into era-defining nightlife spaces.

How do you design the world's best clubs? Studio Karhard, the architecture firm started by Thomas Karsten and his wife, Alexandra Erhard, in 2003, know exactly which ingredients go into a successful nightlife space. The Berlin-based duo are the visionaries behind Berghain and ∄ in Kyiv, as well as a number of private residences, businesses and smaller venues around the world. Their specialty, they say, is salvaging forgotten spaces and resurrecting them to serve a new purpose. 

In this RA Exchange, Karsten talks about first coming across the building that's now Berghain and working tirelessly with engineers and city planners to preserve its neoclassical facade. As he explains, creating a memorable atmosphere goes beyond just designing for aesthetics. There are countless hidden design features that serve to make venues like Berghain comfortable. 

But according to Karsten, Studio Karhard's masterpiece is ∄, which they began designing in 2018. He describes the special experience of first visiting the abandoned  brewery—which was then in extreme disrepair—and bringing the lessons they took away from building Berghain to make this Ukrainian space their most successful project yet. 

This episode takes a look under the hood of the psychology, anthropology and emotional study that inform the venues that have shaped underground electronic music culture. Listen to it in full. -Chloe Lula

EX.775 Studio Karhard

Berlin-based Producer/DJs and Tresor residents, LNS & DJ Sotofett, bring the warehouse vibes with a 3 hour x 3 turntable all vinyl set recorded on June 7th 2025 at the release party of their latest EP on Tresor Records "Globus Trax"

Stream/purchase Globus Trax: https://album.link/globustrax

-----

Follow LNS & DJ Sotofett
Instagram: https://www.instagram.com/Sparrowlaura
Instagram: https://www.instagram.com/sotofett/
Resident Advisor: https://ra.co/dj/lns
Resident Advisor: https://ra.co/dj/djsotofett
Soundcloud: https://soundcloud.com/lauransparrow
Soundcloud: https://soundcloud.com/sophatmixes

Photo credit: Marie Staggat: https://www.marie-staggat.com/
-----
About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

LNS & DJ Sotofett | Live At Tresor - June 7 2025

The Bunker Podcast 235 comes from @erikluebs. This is a live set recorded in Milan on March 28 at the party Acquario.

Erik Luebs is a US-born musician and sound designer based in Japan. Eschewing typical genre tropes, Luebs approaches techno with a playfully disruptive technique, reinterpreting the fundamentals using built-from-scratch patches and labyrinthine sequencing. While the labor-intensive process is inspired by a wide range of luminaries such as Mark Fell and Rrose, the resulting music is firmly tied to the dance floor.

Luebs released an EP on The Bunker back in 2021, and has since released on DJ Nobu’s Bitta label (@djnobu_bitta), and @nousklaeraudio. He also has an upcoming release on the legendary @kompakt imprint.

Erik will be playing an ambisonic surround sound set for a horizontal audience at Going In at Reforestor’s Laboratory in Brooklyn this Friday, and an extended sunrise dancefloor set at The Bunker’s takeover of @nowadaysnyc Nonstop on Sunday morning.

The Bunker Podcast 235: Erik Luebs

A recording of Peter Van Hoesen's hybrid dj/live set at the Labyrinth 2014 (September 14th, 2014).



 

Peter Van Hoesen: Labyrinth 2014 (Hybrid Dj/Live)

[HGD36] Nnau - Cicatrices Urbanas EP

Greetings, Human-Species.
         Today we transmit a new signal from a mind you have already encountered twice in our previous communications. The Earthling Nnau returns to Humanoid Gods with a new message encoded in five sonic fragments, exploring multiple shades of techno and moving like gravitational waves between light and darkness.

These frequencies travel through the subtle planes of your consciousness: at times groovy, at times deep and hypnotic, they morph into dreamlike geometries before turning rough and sharp, like the pulsations of expanding dark matter.
An eclectic language, connecting the earthly dimension with the cosmic vibration from which all things originate.

Prepare to receive.
THEGOD01

HGD36 has been produced and recorded by Nnau, curated and mastered by Franco Cazzola at Nasty Music Basement studios in Turin, Italy.

Artwork: a frame of a real UAP footage, edited by Franco Cazzola.

Nnau - Henko

Después del Ruido

TAVIOS - Ruido Interno

KunstTechnologe - Open Your Mind

From Bio:
"natural/electronic.system. are Antonio Giova and Valerio Gomez de Ayala, a dj/producer duo from Naples, Italy. Both inspired by electronic music since the end of the ’90s, they were later influenced by the florid Neapolitan house/techno scene and inspired by the foreign djs coming to perform in Naples clubs. Over the years they became keen on the old and modern sound coming from another Italian city, Rome, where they started connections with local musicians such as Donato Dozzy, Neel and others."

Links:
www.naturalelectronicsystem.com
https://mnmt.no/podcast/podcast-naturalelectronicsystem/

mnmt.no

MNMT 127: natural/electronic.system

An improvised and mostly unrehearsed three turntable Techno throw-down, performed live at the temporal point in space-time that is Freerotation Festival.

The last time I played an up-tempo Techno set like this at Freerotation was in 2011, and I’ve been pestering Steevio to let me bang it again ever since - this was the year it finally happened. 
Set times aren’t announced until the day, so it was as much of a surprise to me as anyone else to find out that I would be playing the closing set in that room.
After a night of excellent live & DJ sets from the highly talented women I had the honour of sharing the bill with, I had to be on top of my game to maintain the energy levels at the high bar they had set. 
My aim was to keep the tempos up around 137 BPM, make good use of all three turntables, improvise as much as possible in a spontaneous way by keeping the rehearsing to a minimum, and stay as present in the moment as much as I could possibly be.
I worked out the intro and the first couple of tracks, but then kept it mostly freestyle after that, which led to some unexpected twists, turns and inspired moments that kept me on my toes, and the crowd buzzing. 
This was one of those special nights where the amazing and supportive crowd gave so much energy, that it fed straight back into the music, which then began to feel like an energy flowing right through you, that pulled you even deeper into the moment. 
Presence!
I was ecstatic to  have been so well received by the large crowd that had gathered, it was an honour & a privilege to hold the space for 90 minutes, and a joy to have the opportunity close the room on such a high. 
Unfortunately some of the amps developed a fault, causing them to overheat & create a nasty burning smell, so the set had to be brought to an abrupt end to avoid causing a fire. 
An unmet demand for a final tune rampantly ensued, I loudly and regrettably responded “The Amps Are On Fire!!”, to which someone remarked “of course they are, you did a good job”, which I felt was a fitting end to a smoking night of Techno-music, that was pure heat from start to finish! :)

Recorded Live on Sunday 7th July 2019, 
4:30 - 6am, in Sammy String's (Room 3), 
at Freerotation Festival, Baskerville Hall, Hay on Wye, UK.

www.residentadvisor.net/dj/alexdowney
www.facebook.com/AlicksDowney/
www.instagram.com/alyxdowney/
Interview: www.untitled909.com/alex-downey/

Photograph by Calandra Balfour @Calandra
Audio mixdown by Charlie Tear @charlietear

Freerotation 2019

Alex Downey's 'The Amps Are On Fire Mix' Live at Freerotation 2019

Alex Downey has been supporting the UK electronic underground movement as a DJ, record-shop manager and now radio presenter for nearly 20 years. Based in Brighton on the south coast of England, he is arguably the city's most prominent purveyor of all things Techno, where he is a regular fixture at the premier high profile events, alongside acts such as Underground Resistance and Derrick May.  
As the main driving force behind the counter at Brighton's highly respected and much-missed [covert] record store & web-site, he was instrumental in bringing quality Techno & House to the city - and beyond, developing along the way a boundless knowledge, vast record collection and infectious passion for the music that's unmatched by most. 
His musical taste & experience speaks for itself and his nocturnal activities behind the decks have earned him much respect and a great reputation amongst the global electronic community. He has been invited to perform at many key events such as ‘Free-rotation’ in Wales,'The Big Beat Boutique' & 'Stompa-phunk' in Brighton, 'Retro_vert' & 'Wiggle' in London, ‘Labyrinth’ festival & ‘Haus-Tek’ in Tokyo, and at many other far-flung destinations, hundreds of smaller parties and long-forgotten club nights that rocked hard, and kept the lifeblood of the scene pumping. He is currently resident DJ at 'Our Friends Electric' in Brighton as well as the 'Split' / 'B A L A N C E' parties in London where he has recently shared the stage with Red-shape, Dave Clarke, Robert Hood, Luke Slater and Carl Craig, to name a few. You can also hear him spin on the ‘Split Show’ - a globally syndicated online radio show with a large number of keen listeners worldwide that he co-presents alongside techno legend Ben Sims.
Alex’s energetic style and enthusiasm for all things deep & electronic are sure to bring some magic to the party and are matched only by his razor-sharp DJ skills. One of the UK’s treasures, solidly and confidently attending to business while other media-hyped storms have come and gone.