fave listenings of this month

*

in the pic: Anna von Hausswolff

"musica assoluta" (agosto 2025)

[UNDER CONSTRUCTION]

Funky tracks series no. 298

creation date: 2025/09/04

These tracks were uploaded to SoundCloud in 08/2025 and 09/2025, except for the following older ones:

. . - (#__): _ years,
. . - (#__): 1 year*,
. . - (#__): _ months,

[TO BE COMPLETED]

Hugs & Kisses.

* SoundCloud time: 1 year = 12 -23 months.

hk_funky_tracks_298

UNDER CONSTRUCTION]

Tradacoustic series no. 425

Music, mostly recent, a few days old, a few weeks.

created: 2025/09/10

hk_tradacoustic_425

Recital (HD Remastered)

Deep River

Polyend tracker programmed from my score.

Adagio - Polyend

Néo B

Eile mit Weile

2. Nurse's Song

0925 with Shanyio

A Compendium of Beasts Volume 4

Beware the Claws of Palug

Sun Bathe

short semi-improvised piano piece for a garden-video, see
https://www.patreon.com/posts/new-harvest-135018838 

https://youtu.be/jzGvHOd8sbY

Garden piano

Composer and Harpist Anne Vanschothorst’s music has been described as innovative, minimal, lyrical, cinematic, and touching yet intense. The same rings true in THAT I DID ALWAYS LOVE, the artist’s musical ode to the great American poet Emily Dickinson. Featuring seven of the poet’s works set to music, Vanschothorst fosters an intimate listening space where two art forms reach a soothing synthesis, amplifying the elegance of Dickinson’s texts with the graceful nature of the harp, a perfect pairing. linktr.ee/thatididalwayslove

05 There's a certain slant of light ft. Annie Einan (voice)

Man with a Movie Camera (excerpt) -Dziga Vertov 1929 - live sound in Timișoara, Ro

Sergiu Cătană - drums
Irinel Cârlan -saxophone
Emil Kindlein -guitar
Shanyio - tape mix & prepared cimbalom

Man with a Movie Camera (excerpt) - live sound

Live improvisation - hardware synths. No AI but pure RHI

In what century?

Marco Lucchi : synthesizer and tape

*

playing with
https://soundcloud.com/agnosturaelwar/in-what-century

Carnac

“PLUVIORIS” falls like a rain-dream, delicate droplets of lo-fi warmth merging with cinematic haze. Flowing at ~74 BPM in A#, the track drifts between soft beats and airy harmonics, its 32 dB dynamic range allowing every element to breathe. The balanced stereo image places subtle textures in motion, while the -17 LUFS loudness captures an intimate yet expansive feel, as if sound itself is raining down in velvet layers.

It’s the perfect companion for rainy nights, deep study sessions, or quiet reflection. Jazz and neo-soul undertones ripple beneath atmospheric textures, while experimental edges keep the piece alive and evolving. “PLUVIORIS” is not just a track, it’s the spirit of rain turned into sound.

Technical Details:

Genre / Style Primary: Lo-Fi Chill / Ambient
Genre / Style Secondary: Cinematic Ambient / Jazz Influence
BPM: ~74
Key / Tonality: A#
Loudness (LUFS): –17.4
Peak Level: –3.9 dBFS
Crest Factor: 13.5 dB
Stereo Image: Balanced stereo field
Fusion Breakdown (%): 40 Lo-Fi Chill / 25 Cinematic Ambient / 15 Jazz / 10 Neo-Soul / 10 Experimental

PLUVIORIS

Shanyio explores the use of prepared traditional instruments, everyday objects and electronic sounds.