Folklore of the Core

Thanks for all your great and encouraging comments on St. Clement (pt 1)!!!

Thanks Alex C-S for blowing your horn on St. Clement!!!

THE WIND KNOWS MY STORY

Thanks for all your comments and playlists, you are all the bestest!!!

Alex Sinfield: Electronic and Jazz Recordings: Thanks for making Tony Turn Around with us!

The first track I created since the band imploded and I took the plunge to write something by myself. 
To be honest, they were scary times. A new horizon indeed.

Horizon

MY DEAR
AS TIME WILL GENTLY MOVE
I WANT TO SAVE THIS MOOD
WITH YOU
CAN’T BUY
WHAT TIME HAS SAVED FOR US
I DEAR THE SMILE YOU GAVE

AND ONE FOR THE BROKEN HEARTS
ONE FOR ALL THE DOUBT’S
TRY TO ENSURE THAT THIS ONE’S FOR YOU MY LOVE
ONE FOR ALL THE LIGHTS
YOU ARISED FROM THE SKY
TRY TO ENSURE
THAT THIS ONES FOR YOU MY

AND ONE FOR THE BROKEN HEARTS
ONE FOR ALL THE DOUBT’S
TRY TO ENSURE THAT THIS ONE’S FOR YOU MY LOVE
ONE FOR ALL THE LIGHTS
YOU ARISED FROM THE SKY
TRY TO ENSURE
THAT THIS ONES FOR YOU MY

Guitar and Vocals: Sascha Bücher
Bass: Philipp Löfflat
Drums: Nicholas Alan Taylor


Music written by: Sascha Bücher, Philipp Löfflat and Nicholas Alan Taylor
Lyrics: Sascha Bücher

Portrait of an inner Landscape

Gently (L.A. Reprise)

George Garford alto sax, Jonno Gaze drums, Tom Leader double bass, Hayden Davies piano.

Wheel Within A Wheel

This is a recording of a live improvised jam we did a while ago, with some overdubbed guitar and piano solo. With me Alex Collett-Sinfield on saxophone and tambournie, Jules Langlois on guitar, Tommy Barlow on keyboards and bass synth and Aidan Bennett on drums and piano solo

Just us In The Rain

this is a big band piece i wrote inspired by Cuban jazz

A Club In Havana

78247253-MOMENT

Techno Ambient no.1

01 - SA - Alev Lenz 3 - Interactive Album - Soul of Runner
02 - OT - TM - Women Choir Sustains Uuh Pitch Slides TM- Harps and Vibes - Pendulum Swells TM
03 - SA - ORBIS - Loops Playable - Balafon ConChaCha - Crunch - Tibetan Bells - Shimmer

Alev Lenz - 3 - Drone

This must be from the 70s. Copy of a song written by Shane Love Appling.

Album

LaterTonight

this track was made for a uni assignment and it is entirely made out of 15v samples re configured many of which were percussive sounds transformed into melodic ones

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

Listen to St. Clement while watching Lance Mountain skateboard in the 1984 skateboarding film, The Bones Brigade Video Show here: https://www.facebook.com/couchkingpresents/videos/715433375670753/

I had been really wanting to make new music with Calebass. I have been making a lot of songs that lean more heavily toward hip hop the last couple years and felt like heading back toward the direction of my earlier years on SoundCloud. Luckily Calebass was willing and ready and the music flowed easily and steadily. Jon did an amazing job adding an element of jazz with his bass and Janine really awakened the psychedelic spirit and Age of Aquarius with her vocals. It was extra bonus to have both Sinfields participate in this song making this a real SC family affair. Lyrically, I was inspired by the children’s book, Ox-Cart Man, which I love, and all the felt mouse toys I recently made for my cat at my daughter’s request. 

Thanks for all your years of listening everyone!

This is dedicated to the joys of making things at home.

Calebass: Guitars and Song Image / Art
https://soundcloud.com/calebass
Jon Lock: Bass
https://soundcloud.com/jon-lock-5
Janine Levinson: Vocals
https://soundcloud.com/janinelevinson 
Alex Collett Sinfield: Saxaphone
https://soundcloud.com/alex_collett_sinfield 
the Couch King: Lyrics, Vocals, and Production
musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics:

Felt
Of natural fibers  
Pelt 
Nature’s the provider  

Sheep and goats and muskoxen
Wool and cashmere qiviut 
Nothing that’s a toxin only
Simply as god giveth
Dyes of plants and insects 
Cochineal that’s rich and intense
I light up the incense 
As you gather up our projects
Single felting needle
Scissors from the cupboard
We are crafting peoples
Churning our own butters

Lalalalalalala
Lalalala
Lalalalalalala
Lalalala

Saint Clement fleeing from his city
Felted wool upon his blistered piggies

Accidentally felted 
From moisture and friction 
It took the shape of
Socks 
Accidentally felted 
From the moisture and friction 
It took the shape of
Socks

I dry skins in my oven 
Till the thin fur turns 
Orange summon 
Urnamman as smoke drifts to heaven
Waking up the legends battling 
Over bragging rights to the origins 
The color of carrot  
Felt hoods dyed and blocked 
To make hats 
I inhale the vapors  
And see the stories come to life 
As a small white cat adhered to a board 
Acts out the dreams of a young child bored 
In a mad scene 
Of scientists looking for a vaccine 
To score points for the lord of carotene 
Off with his head

Calebass, Jon Lock, Janine Levinson, Alex and Russell Sinfield & the Couch King - St. Clement

Tree by RosesAreBlue. All right reserved. Copyright 2020

If you happened to miss my mini home concert on youtube here's the link x
https://www.youtube.com/watch?v=mZ7T1lg2ikc

Tree | RosesAreBlue

I’ve Seen That Face Before feat. Vocalatti
I am very happy to present my first collaboration with Vocalatti.
Vocal Vocalatti
https://soundcloud.com/vocalatti
A huge thanks to Paploviante for remastering
https://soundcloud.com/paul-racle
Music and Production Lillithe
Lyrics:
Strange, I've seen that face before
Seen him hanging 'round my door
Like a hawk stealing for the prey
Like the night waiting for the day
Strange, he shadows me back home
Footsteps echo on the stones
Rainy nights, on Haussmann Boulevard
Parisian music drifting from the bars
Tu cherches quoi, rencontrer la mort?
Tu te prends pour qui?
Toi aussi tu détestes la vie
Dance in bars and restaurants
Home with anyone who wants
Strange he's standing there alone
Staring eyes chill me to the bone
Dans sa chambre, Joel et sa valise
Un regard sur ses fringues
Sur les murs, des photos
Sans regret, sans mélo
La porte est claquée, Joel est barré

I've Seen That Face Before feat. Vocalatti

Hey, here is another mix of @specialececilia No Turning Back.  

It’s a bit nuts!!

Enjoy 
Dx

NO TURNING BACK ** NUTSO MIX ** CECILIA AND RICØ

WRITTEN,PRODUCED,VOCAL MELODY ARRANGED AND PERFORMED By: DOMINIQUEFRENCH aka DOMINIQUE SOTO
INSTRUMENTAL PRODUCED AND ARRANGED By: DANKE NOETIC
MIX, MASTERING and ADDITIONAL BACKGROUND VOCALS By: BRUCE CONOVER

https://open.spotify.com/artist/0OrwkzkJmZFIddiRKlr6Cd
https://music.apple.com/us/artist/1526692470
https://amazon.com/music/player/albums/B08FCX2KYS?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_O8BFaqevrgYH0HXIAMCvwqkd4

"WELCOME"

"WELCOME" By: DOMINIQUEFRENCH Collaboration with DANKE NOETIC 6-4-20

Freedom / Paploviante 2020
Lyrics and Vocals:  www.Ghosthack.de

„I’m like freedom  Walk a lot
I can be kind  But sometimes 
I can fight  Don't be afraid to be near
 I'm always here boy I'm always here 
And despite everything that can happen to us 
I will still try to be freedom at last“

Music and Bass Paploviante 2020

Freedom - Paploviante

ANOTHER WORLD
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2015/2020
Re-Mastered by Andrew Borderick OCT 2020

I'VE HIT THE ROAD, TO FAR TO SEE
WITH ALL THE LONELINESS, IN FRONT OF ME
IT'S GREAT TO SAY, I AM YOU
AND TAKE MY LOVING TO, ANOTHER WORLD
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD

OUR LIVES ROLL BYE, WHERE ARE YOU
I'D TAKE THE CHANCE ON YOU'D, FALL OVER SOON
WILL TIME LET GO, THIS PART IN ME
I GUESS THE BAR MAN, WILL REMEMBER ME
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x2
(break)
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x4

2020 From the Vault

ANOTHER WORLD

All For Nothing
Vocal: Brandon
www.Ghosthack.de
Bass and Mastering: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Music, Arrangement, Production

All For Nothing (Collaboration with Paploviante)

I still remember when I heard "Smells Like Teen Spirit" for the first time. I actually saw the music video on MTV in the middle of the night. "What a weird video!" is what I thought. (Sports/Club/College culture is very different in Germany lol). But the music blew my mind. 
At that time I was a singer in a Stoner Rock band, while recording Pop tunes for my solo project. This song was just a perfect fusion of my two worlds. 
Here is my take on it. It's song number 4 on my EP "My Own Crazy". 
The original is perfect, so I did not seek to copy it. My goal was to reimagine it within my own style. My wonderful friend Bettina plays the saxophone on the song, which gives it just what it needs, I think. 
With the lights out, it's less dangerous … Thank you, Nirvana! Let me know what you think!

Written by Chris Novoselic, David Grohl, Kurt Cobain
Performed, produced and mixed by She's Excited! 

Load up on guns, bring your friends
It's fun to lose and to pretend
She's over-bored and self-assured
Oh no, I know a dirty word

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it's less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us
A mulatto, an albino, a mosquito, my libido
Yeah, hey

I'm worse at what I do best
And for this gift I feel blessed
Our little group has always been
And always will until the end

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it's less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us
A mulatto, an albino, a mosquito, my libido
Yeah, hey

And I forget just why I taste
Oh yeah, I guess it makes me smile
I found it hard, it's hard to find
Oh well, whatever, never mind

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it's less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us
A mulatto, an albino, a mosquito, my libido
A denial, a denial, a denial, a denial, a denial
A denial, a denial, a denial, a denial

My Own Crazy

Download Full EP

Smells Like Teen Spirit (Nirvana Cover)

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman