死ん団待ちの診殺書 - senketsuakochan

LA CUCHILLA LAS HERMANITAS CALLE

The Black Parade

Cancer

Tokyo 1980s mixed by DJ Notoya&#13;
&#13;
Ichiro Nitta / Bi-Sexual ('83)&#13;
Kingo Hamada / Gipsy ('85)&#13;
Yoshihiro Naruse / One Night Scene ('83)&#13;
Junko Ohashi / Sensual Night ('83)&#13;
Momoko Kikuchi / Mystical Composer ('86)&#13;
Aru Takamura / I'm In Love ('85)&#13;
Kiyotaka Sugiyama &amp; Omega Tribe / River's Island ('84)&#13;
Noriko Miyamoto / Woody &amp; Diane ('82)&#13;
Hiro Tsunoda &amp; Jap's Gap's / Dancin' ('83)&#13;
Issei Noro / Moon Dance ('85)&#13;
Keiko Project / Midnight Shuffle ('85)&#13;
Kimiko Kasai / Very Special Moment ('85)&#13;
Casiopea / Dazzling ('83)&#13;
Hitomi Tohyama / Exotic Yokogao ('83)&#13;
Fujimal Yoshino / Who Are You? ('82)&#13;
Toshitaro / Best Of My Love ('84)&#13;
Toshiki Kadomatsu / Never Touch Again ('84)&#13;
Koh Suzuki / Welcome, Tokyo Night ('82)&#13;
Yasuhiro Abe / Night Fish ('86)&#13;
Tyron Hashimoto / Livin' Inside My Love ('88)&#13;
The Voice &amp; Rhythm / Dance Freak ('83)&#13;
AB's / By The End Of The Century ('85)&#13;
Masaki Ueda / Just Dance The Night ('83)&#13;
Makoto Matsushita / This Is All I Have For You ('81)&#13;
Junko Yagami / Jealous ('83)&#13;
Akiko Mizuhara / What's Going On ('82)&#13;
&#13;
Vinyl live mix.

Download

Tokyo 1980s mixed by DJ Notoya

Eurotrip

Scotty Doesn't Know

Apocalypse

Heavenly - https://cigsaftersex.lnk.to/heavenly

taken from the album 'Cry' available now: https://cigsaftersex.lnk.to/cry

website: https://cigsaftersex.lnk.to/web

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Recorded June 2017 in Mallorca, Spain

Written by Greg Gonzalez

Vocals, Guitar - Greg Gonzalez
Bass - Randall Miller
Drums - Jacob Tomsky
Keyboard - Phillip Tubbs

Produced & recorded by Greg Gonzalez
Mixed by Craig Silvey
Additional Engineering by Max Prior
Mastered by Greg Calbi

Cover photo: “Underwater - two females” by Kate Bellm
Graphic Design by Randall Miller

Lyrics:

Wanting your love to come into me
Feeling it slow, over this dream
Touch me with a kiss, touch me with a kiss

Now you’re above feeling it still
Tell me it’s love, tell me it’s real
Touch me with a kiss, feel me on your lips

Because this is where I want to be
Where it’s so sweet & heavenly

I’m giving you all my love

Needing you now to come into me
Feeling it slow, over this dream
Touch me with a kiss, feel me on your lips

When you’re above feeling it still
Tell me it’s love, tell me it’s real
Touch me with a kiss, touch me with a kiss...

& when you’re far away I still feel it all
& when you’re far away I still feel it all the same...

Heavenly

taken from the album 'Cry' available now:  https://cigsaftersex.lnk.to/cry

website: https://cigsaftersex.lnk.to/web

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subscribe: https://cigsaftersex.lnk.to/subscribe
listen: https://cigsaftersex.lnk.to/listen
fb: https://cigsaftersex.lnk.to/fb
tw: https://cigsaftersex.lnk.to/tw
ig: https://cigsaftersex.lnk.to/ig
uk store: https://cigsaftersex.lnk.to/UK-store
us store: https://cigsaftersex.lnk.to/US-store

-----------------------------------------------------------------------

Recorded June 2017 in Mallorca, Spain

Written by Greg Gonzalez

Vocals, Guitar - Greg Gonzalez
Bass - Randall Miller
Drums - Jacob Tomsky
Keyboard - Phillip Tubbs

Produced & recorded by Greg Gonzalez
Mixed by Craig Silvey
Additional Engineering by Max Prior
Mastered by Greg Calbi and Steve Fallone at Sterling Sound

Cover photo: “Mare 345 - Seascape” by Alessandro Puccinelli
Graphic Design by Randall Miller 

Released on Partisan Records on October 25th, 2019

Lyrics:

It’s making you cry every time you give your love to me this way
Saying you’d wait for me to stay, I know it hurts you, 
But I need to tell you something
My heart just can’t be faithful for long
I swear I’ll only make you cry

Maybe I’d change for you someday, but I can’t help the way I feel
Wish I was good, wish that I could give you my love now…

repeat to yourself that they're not really gone
time has proven that fooling yourself into believing
a lie is the most effective way to deal with
things you have no control over

keep listening to the mixtapes they made you
overanalyse every single word you hear
"was this a sign that things were going wrong"
no no, you were the one that cared too hard, not them

stay up every single night staring at your phone
either attempting to gather up the courage to
turn these demons, these constant reminders of
your loneliness into nothing more than a bad dream
or praying just for one second you could feel
the warmth of equally returned love

go out for coffee four times a week by yourself
always bring your notebook, never stop writing
leave little comics and thank you notes with your tip
watch them smile as you get in your car

always talk down on yourself whenever possible
my life is shit because i deserve it, right?
you must have done something real bad
its nearly impossible for you to cry now

avoid your friends for weeks even though
they're the only sense of consistency you have
left in your life, if they really wanted
to see you they'd come, but they won't (who cares?)

allow yourself to lose interest in the things you love
watch as you begin to take a backseat to the
world around you, don't fight it
become a secondary character in your own motion picture

but most importantly drown every single one of
your feelings in old stolen rum, learn to
love the taste of it dripping down your throat
find comfort in the warmth coming from your
stomach, you're drinking bottled love now

you don't need other people to drive away your loneliness
you just needed to find a way to talk to it

how to never stop being sad

someday ill get it

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

死ん団待ちの診殺書 - senketsuakochan

kyle

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