I started and abandoned this track consistently during 2024, never finished it, never been sure about it but there's something I do like. The modulations are fun and clever, I think,  smooth and yet surprising and effective. I recorded several guitar takes over the year (each time I had a guitar recording session I gave this a fresh tray). I wanted this to be a "guitar" showcase, but eventually made it a full keyboards+bass+guitar+drums track.
The final guitar is an edit from 3 takes I did on a 6 month period, the one with volume pedal is nice.
So the title and the melodic motif (nicked from "Summer of '42") have been on my "to do" list for a couple of years, the actual performance comes  from 2024.
I took that photo in Costa Rica on February 2020.



Drowned Crossing The Rubicon (disquiet0680)

Zoom-Zoom

Wilfried Hanrath - Zoom-Zoom(disquiet0680)

This was my contribution for Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

Here’s a copy of my post on the Disquiet Junto 0680 discussion thread on Lines:

I didn’t realize I had such a large collection of unfinished tracks and musical sketches from last year on my laptop. For this piece, I used a sequence I created last year when I was exploring the new plugin Tela by Fors.fm. I added additional tracks in Ableton Live using Madrona Labs Sumu and Slate+Ash Spectres.  

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680

Gathering Stray Totems [disquiet0680]

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

This assignment was both easy and difficult. Easy because almost all of my music is a more or less spontaneous life recording. Difficult because I usually just save wav. files, so there is no easy way of refining by editing. Also, usually I have no recollection of the process involved whatsoever (it’s not drugs, but maybe age if you’re wondering).

Going through my messy iPad, I found a file named 20240115.wav, so I guess I made this almost a year ago. It sounds like several Plaits voices over a field recording with some glitch effect. To this I live jammed a glitchy beat and some other small bits. So now the track is as finished as it ever will be.

Disquiet0680 - Bleep Boom

reverse resolution disquiet0680

Lines post can be found here: https://llllllll.co/t/disquiet-junto-project-0680-reverse-resolution/70376/21

**Disquiet Junto Project 0680: Reverse Resolution**  
The Assignment: Finish something (musical) you started last year.

This project has just one step: finish something you started last year, likely a piece of music you left unfinished.

#### Background
It's been a long time since I played anything on keyboard. For the last six months, my electric piano has been sitting up vertically against the studio wall, covered with a sheet and pretty much neglected. During my staycation (almost at an end now) I'd come into the studio, and just before I decloaked the keyboard, I'd get distracted or discouraged somehow.

I thought about the keyboard in relation to this week's assignment and recalled that I had a chord progression that I'd been meaning to do something with. So that's where this started.
#### Studio approach

The chord progression itself is very simple and revolves around a Bb Major 7th in second inversion (F-A-Bb-D) which occasionally resolves to a Dm7 and/or G7. This forms the scaffolding for the track, with degrees of improvisation after resolving to the Dm7.

I found a bass melody which could lead into these chords and played these on an electric (Rhodes-like) piano patch, with the chords played on the piano patch. Beneath this was a spare 3/4 click, which once the piano parts were in place, I used an ML-generated drum pattern with tweaked parameters.

An electric guitar largely compliments the piano chords and steadily opens up a bit, whilst a myriad of synth patches are introduced to provide a bit of atmosphere. Lastly, I included a field recording as a backdrop. This was a recording from new year's day in a national park on the Fleurieu Peninsula.

I guess I could sum up the mood of this track as 'wistfully pensive', much like my general outlook for this year.

[Disquiet Junto 0680] Time Removed, Facing Backwards

Recorded, mixed & mastered on 16 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Using an AI-generated drum generator I had put together this week, I generated some midi, used some for bass and some for drums. I won't get into too many details but the sustained sound is a bassoon or sample or something. It reminded me a little of Cale's viola on the first VU.

For this I thought of some innocent with headphones on...in some 80s shock suspense horror film out for a walk after an argument with the parents unaware that they were being followed by some evil thing. Kind of lulled away from intense emotion and zoning out to something not too engaging but not without movement. Maybe the result of the Walkman's radio dial getting stuck after the device was thrown.

This might sound contrived but as I was coming up with this I was thinking of David Lynch's Wild At Heart and the loop of Wicked Game in the car crash scene. This was about 45 min before I knew he had died. I am sad beyond belief.

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 11 Sep 2016

©2025 Jim Lemanowicz

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This original version of “Mars In The Nondeterministic House” was submitted as part of Disquiet Junto Project 0681: Drama Course. The Assignment: Record a piece of music to transform a walk or a run into something theatrical.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 681st weekly Disquiet Junto project, Drama Course — The Assignment: Record a piece of music to transform a walk or a run into something theatrical — at https://disquiet.com/0681/

Check the thread here for a screenshot of the AI "drum machine" (it doesn't actually make a sound, just a MIDI export but I do have a Max For Live version, too). It's influenced by "the current position of Mars." https://llllllll.co/t/disquiet-junto-project-0681-drama-course/70495/3?u=blisterpop

#disquietjunto #disquiet0681 #experimentalmusic #soundart #electronicmusic #sounddesign #ableton #bassoon #mars #house #puppy #drama

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