👉 20 Techno Kicks by Bultech: bit.ly/3vr4ANB 🎹

Beatport: https://www.beatport.com/track/spice/14968471
#9 Best New Techno Chart Beatport
#9 Best New Hype Techno Chart Beatport
#12 Future Classics 2021 Techno P\D
#11 TOP 100 Hype Techno P\D Chart on Beatport
#34 TOP 100 Techno P\D Chart on Beatport
#59 TOP 100 Overall Hype Chart on Beatport
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Spotify: https://open.spotify.com/track/1kHqWgsHFOT53UktRWPbe3?si=__amgwKpT32jVCPAvLhOlQ
Spotify Playlist: https://open.spotify.com/playlist/0mkt8EnKlKvNMxoFU5lyYM?si=vjI9kt9MRnaMrNMsR0tXwA
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Follow me: linktr.ee/Bultech
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Spice

Beatport

Bultech - Spice (Original Mix) #11 TOP 100 Hype Techno

My new release is out now! :)
https://www.beatport.com/release/terra/3653341

Jay Lumen - Terra (Original Mix) Low Quality Preview

For eight years in a row, Unrilis has been delivering a very unique compilation under the name of The Blokk and now we're proud to announce the 8th edition of this release that includes a heavy weight tracks from the most talented and most exciting Artists of the techno scene.
The Blokk Vol. 8 witnesses the return of Chris Veron and Franco Smith to the label since the last edition of the VA and Lautaro Gabioud who already has two EP releases on the imprint. The remaining artists such as Lautaro Ibañez, Nahum Korm, Peppelino, Sebastiano Pozzoni, Marck D, Curse DC, Mintech, Luciano Marchese and Black Odyssey.
The artists who feature on this release have individually released music on labels such as Loose Records, AnalyticTrail, Tronic, Set About, EXTIMA, Codex Recordings, Prospect Recordings, Rubik’s Recordings among others.
Enjoy the complet pack of techno music with The Blokk Vol. 8 full of amazing tracks plus an intro track for a perfect kickoff set.

The Blokk Vol 8

Dance To get High

Chris Veron - Dance To Get High (Original Mix)

Lost Proverbs

Lost Proverbs (Cosmic Boys Remix)

Origins

Reference

Buy here

Anna May - Flou (Original mix)

I wish you all Merry Christmas and a Happy New Techno Year!

If you want to play the track, give it a like and follow, and write me to send you the download link.

Horace Dan D. - Let It Snow

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Secret Cinema & Reinier Zonneveld - Pain Thing - Drumcode - DC195

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

06 - I Sing the Body Electric

Headrush

Line of Sight

Part of the new brigade of artists making their mark on the label, Veerus lands his fifth release in two years on Drumcode.

With a pair of EPs and numerous contributions to the coveted A-Sides compilation under his belt since his debut in 2018, Veerus has established himself as a talented go-to producer for Adam Beyer; from his stirring cut ‘Hypnosis’ that highlighted the Drumcode founder’s Cercle performance, to the killer ‘System’ that provided an early 2020 moment for the label. His consistent vein of form will result in a coveted spot at Drumcode Festival Malta 2021 in September.

‘Recovery’ continues the Italian’s talent for crafting powerful melody-led techno projections. The title track is an ace. What begins as a smoky atmospheric cut is quickly elevated to beast status as intergalactic robot stabs shatter the mist, while an acid-underbelly adds to the mood. ‘Dysfunction’ brims with a distinct 90s synth aesthetic, propelled by a crisp and classy bottom end.

Recovery

Buy/Stream

Veerus - Dysfunction - Drumcode - DC237

Booking & Infos
• For worldwide bookings: alex@miraclemgmt.com

Line of Sight

Alex Stein