MIx part II

Nous nous sommes trop longtemps retenus, trop longtemps privés de soleil, de fêtes et de musiques et nous avons menés une vie morne, rêvant mélancoliquement du monde d'after comme d'un désir irréel. 
Eh bien il est là, le monde d'after, et il est ensoleillé et il brille de mille feux, car les gens sont beaux quand ils sont heureux, quand ils dansent et qu'ils font la fête en liberté. 
@Luzdelfuego propose un mix à l'image de ces derniers mois, un voyage au coeur de sonorités toujours plus énergiques et joyeuses de house et de disco pour chauffer le dancefloor !

Luz Del Fuego - The sun is a disco ball

HAUSPLANT ADE 2021 - THYM FLIES - EARLY SET

Spectrums Data Forces LIVE @ Muvi Fest 18-4-2015
Spectrums Data Forces LIVE @ Muvi Fest 18-4-2015

More info here:

https://soundcloud.com/sdforces



Spectrums Data Forces LIVE @ Muvi Fest 18-4-2015

Berlin Hypnotic House XVII - Club Mix

Idler

Used

01 - TB Maniac (Edit) 
02 - James Brown is dead (electro mix)
03 - Disco Sick (Robotnick RMX)
04 - It was like this
05 - My Battery Is Low (edit)
06 - I'm Getting Lost In My Brain (rmx)
07 - Sharper Bluesman (edit)
08 - Le Freak (cover)
09 - Minore Terzo

All tracks composed and produced by Alexander Robotnick
Free Download - Please share!

The Dark Side Of Robotnick - VOL 2

Each show I ask an electronic music producer to select some tracks that are important to them:

(1) Track/s that influenced their starting to make music
(2) Track/s that have blown them away recently
(3) Their favourite own production(s)

Part 1: Interview & selections from Saint Cole, UK

Illektrolab & 4th Genome - Bass Agenda Intro
Saint Cole - Back to my Roots
Saint Cole - Voices
Saint Cole - The Sixth Sun
Saint Cole - I Got Nothing to Give
Green Velvet - Stop Lyin'
Saint Cole - We Commandeer This Club
Clark - To Live and Die in Grantham
Clark - Beacon
The Beatles - Tomorrow Never Knows
Saint Cole - The Spirit Molecule
EDO8 - Future Music
Andrew Red Hand - Bass Agenda 86 (Planet Pluto remix)
Sync 24 & Silicon Scally - Jack Out
-=-UHU=- - Never See
Detroit's Filthiest - I'm Watching You
Saint Cole - Different Frequency

Part 2 - Guest mix from RRKS, USA

RRKS-Bass Intro
Mr. Fingers-Washing Machine
Mike Dunn-Computer Madness
Josh Moseley-Territories Sample
DJ Sneak-The Lights Part 1
K Alexi-Vertigo
Taigo Onez-Fade to Black
David Meiser-Labyrinth
Alavux-Session b06
Alvin Carr-Night Owl
DJ Ze MigL-DX World
Kraftwerk-Numbers Sample
Energun-Born in Digital
Patrick DSP-Pattern Affect
Tim Vitek-From the Valley
RRKS-Slow Burn
Ron Trent-Altered States
Lil Louis-Why'd U Fall
Armando-Land of Confusion
Gary Beck-Backward
Johnny Dangerous-Bitch Sample
RRKS-Bass Outro

Bass Agenda 130: Saint Cole Interview & selections plus RRKS guest mix

This week’s DJ Mag podcast comes from Djedjotronic, and sees the Frenchman drop 90 minutes of electro tinged tough tech jams.

Djedjotronic made a name for himself as a mainstay of the Boysnoize Records crew with a unique sound that relies as heavily on classic Detroit sounds as it does mechanical electro and twisted techno.

The DJ and producer returns to Boysnoize Records for the first time since 2014 on 17th June with his ‘Strapon’ EP, which travels through a maze of lavish metallic ripples, squelching acid flurries and industrial strength textures, in much the same way as his DJ Mag podcast.

DJ MAG WEEKLY PODCAST: Djedjotronic

Demo release

Yuuki Sakai - Up Staire - Hidden Recordings

KILLEKILL is proud to present a live recording of an excellent live set of CARL FINLOW to you, recorded at the KILLEKILL ELECTRIX event on 07. October 2011.
To many CARL FINLOW will need no introduction with over almost two decades of pioneering work in electronic music under his belt. With a talent for creating sounds that are ahead of their time and a scarily robot-like ability to communicate with electronic equipment, Carl has created an extensive catalogue of work at the cutting edge of electronic music. And if you don’t believe us just ask the likes of Radiohead, Herbert, Richie Hawtin, Luke Slater, Francois Kevorkian or Andrew Weatherall, they’ll tell you. 
Maybe it is the fact that some of CARL’s major influences are classic artists that he sets his standards so high, citing experimental godfathers Pierre Schaeffer, Varese and Raymond Scott  as his primary sources of inspiration. Or equally it could be artists a little further up the time-line such as Tomita, The White Noise, Yello, Prince, Thomas Dolby and of course Depeche Mode who have helped to set the bar way up high. 
An early interest in making his own music, fostered by his Dad who bought him a Moog at the age of 13, an early mastering of his Sinclair Spectrum computer and a brief stint as keyboard player for John Peel favourites, The Bridewell Taxis, all contributed to bringing Carl to the point where he is today. Perhaps a pivotal moment was the appearance on stage in a full wet suit daubed with florescent paint with the Bridewells, who knows…. it was certainly hot! 
As original visionary and fellow farm-dweller with Ralph Lawson in Leeds’ Rhubarb Triangle throughout the 90s, Carl forged a production partnership with Lawson that took them onto the international stage, remixing Blaze, Fatboy Slim, Jamiroquai, Swag, Swayzak, Josh Wink and Luke Slater. It was during these days of self-confinement in the Farmhouse (making only vital trips across the rhubarb fields to find food) that Random Factor was born and under this guise Carl began recording exclusively for 2020. But not content with one pseudonym, he is the master of disguise, also recording as Silicon Scally, Voice Stealer, IL-EK-TRO, Circle City, Scarletron and more conventionally CARL A FINLOW to give an outlet to the various sides of his musical palette.
Never quite leaving his roots in playing live behind (apart from the wet suit), Carl has developed a superb live set using Ableton Live (indeed, even demonstrating the software at various UK Universities to music students) to take his sounds on the road as Random Factor or Silicon Scally. He has played Japan, USA, Russia, Australia and Europe extensively.

KILLEKILL PODCAST #03: CARL FINLOW aka SILICON SCALLY live at KILLEKILL ELECTRIX@SuicideCircus 2011

On Thursday 11th April, Absolut and RA join Manchester's High Hoops to host Motor City Drum Ensemble at Soup Kitchen. He’ll be deep diving in a genre that’s been a huge influence on him musically, but that he doesn't get to play out so often - classic techno.  High Hoops resident Robbie and Marcos have put together this mix of low-slung smoky groovers to get you in the mood.

Alternate Cuts: High Hoops

Matas Bernotas or @Mountak came a long way. From being an active member of Lithuanian music forums while playing Breakbeats under Matthew Glow moniker to crystallising his sound and actively contributing to DJ crew and party series Tarp Dviejų Aušrų. Did we mention he’s also a member of Berlin Bass Collective? The group is responsible for spreading House music around Berlin in a form of wild dances and spreading House music around the world in a form of a music label. Mountak has both of these activities under control – whether he’s playing at the legendary Watergate club or releasing his first track on Berlin Bass Collective imprint.
Check what Matas has hidden up his sleeve for Supynes Festival 2019 music series. Try your best not to dance!

follow @mountak

Supynes Festival 2019 music series

You can find the event here:
bit.ly/Supynes2019
bit.ly/Resident-Advisor-Supynes2019

Mountak – Special for Supynes Festival 2019 // 14

Rinse FM - Podcast 

Download

Present Perfect Festival: The Menendez Brothers b2b FBR - 27th July 2019

Browse the full collection: https://kompakt.fm/earquake

The 90s: Directed by a techno bass-drum, a freaked-out decade is rushing towards nirvana, coma, freedom. Forward and forget. Right in the middle of it: Wolfgang Voigt, fully into it. The magic machines of the hour are called 303 and 909. A bass sequencer and a drum machine are putting the dancefloors of the planet into ecstasy. Acid, Baby! Wolfgang Voigt’s best mate is the sampler. The omnivorous sound-transmitter is made for the artists genre-transgressing quotation-pop-art-expressionism. Under a countless number of aliases and projects, Wolfgang Voigt connects old with new artistic visions, he is creating hybrid experiments and concepts on the way to musical new ground. Everything is possible. And everything is techno, as long as there’s a four-to-the-floor bass drum. From Schlager to Polka to Classical music. From Jazz to Pop to Ambient. Via sampling, everything loses its meaning and is reincarnated to a new digital life. From early hardcore-acid and Gabber-projects like Mike Ink, Love Inc. & Co, crossing abstract-dadaistic Profan drafts like M:I:5 or Wassermann, to the form-restricted minimalistic discourse techno-classics Studio 1 and Freiland – Voigt celebrates the freedom of art and his very own Loveparade.

EARQUAKE! The name says it all. Even, if it costs your ears. 20 years of 99. It’s time to throw an enraptured eye back on a decade of unlimited possibilities, a retro-free rush of memories, for the energy of tomorrow …

For the very first time, EARQUAKE! summarises in chronological order almost all of Wolfgang Voigts musical work of the 1990s. A surreal voyage through ten years of ravenous, multi-layered creativity, that, considering it from the present’s bird’s-eye perspective, offers the view on a fascinating entirety.

„Tonight we’re gonna party like it’s 1999“

Prince

---

It contains every single solo-project, the most important compilation-pieces as well as unreleased material. It is not containing explicitly: GAS, artistic collaborations, releases with external copyrights.

EARQUAKE comprises 303 single pieces, 75 are previously unreleased. Additionally it contains the unreleased album "Wolfgang Voigt - Mit Maschinen Sprechen" from 1995. 33 abstract electronic arpeggiator sound frescos.

EARQUAKE is being released in two different versions, available exclusively on KOMPAKT.FM:

1. A USB 3 stick in noble casket plus booklet. 303 pieces (plus 33 bonus tracks) (as AIFF) for 303.- Euro.

2. Single download (as 320mp3s) via the Kompakt website, 1.- Euro each track.

Additionally, EARQUAKE is going to be supplemented by reissues and new pressings of selected limited vinyl-releases.

Wassermann - Fackeln Im Sturm - Rauch Mix

Alexander Robotnick is the artist name of Maurizio Dami, an electronic musician, DJ and producer living in Italy.

|| lover of electro music, with passion for the video editing - an invisible art. ||

The Dark Side Of Robotnick - VOL 2

Alexander Robotnick

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