Scriabin: 24 Preludes Op. 11 - Medtner: Second Improvisation Op. 47

24 Preludes No. 4 in E Minor, Op. 11

Brahms is Cool

Symphony No. 3 in F Major, Op. 90 - III. Poco allegretto

Grace & G-Eazy - You Dont Own Me (Suicide Squad) piano cover

﻿Improvised piano music. classical base with a touch of Jazz and contemporary piano.
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All cover pictures are by my dear wife Michela Pizzol Giacomini.
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Who will win the eternal battle between Dionysus and Apollo?

Tags for indexing: Improvised piano music, Jazz improvisations, contemporary piano, ﻿improvised piano, classical improvisations, piano impros, crossover piano, Fantasia, Impromptu, Preludio, Prelude, Capriccio, Ad-libbing, Spontaneity, Extemporization, Unrehearsed performance, Jam session, Freestyling, instant composition, Cadenzas, Real-time composition, in the moment, 

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Bedřich Smetana (2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau").

All but a handful of Smetana's compositions before his departure for Gothenburg are piano works. Some of these early pieces have been dismissed by music historian Harold Schonberg as "bombastic virtuoso rhetoric derived from Liszt". Under Proksch, however, Smetana acquired more polish, as revealed in works such as the G minor Sonata of 1846 and the E-flat Polka of the same year. The set of Six Characteristic Pieces of 1848 was dedicated to Liszt, who described it as "the most outstanding, finely felt and finely finished pieces that have recently come to my note." In this period Smetana planned a cycle of so-called "album leaves", short pieces in every major and minor key, after the manner of Chopin's Preludes. The project became somewhat disorganised; in the pieces completed, some keys are repeated while others are unrepresented. After Smetana's final return from Gothenburg, when he committed himself primarily to the development of Czech opera, he wrote nothing for the piano for 13 years.
[
https://en.wikipedia.org/wiki/Bed%C5%99ich_Smetana
].

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24 Preludes No. 4 in E Minor, Op. 11

Alexander Scriabin