Čao Laru, c'est la rencontre de six musiciens du Centre de Formation des Musiciens Intervenants de Rennes, c'est un dialogue entre six voix et une ribambelle d'instruments d'ici et d'ailleurs : violon, cavaquinho, violoncelle, pandeiro, saxophone, zaboumba, contrebasse, maracas, accordéon, caxixi, ...
Čao Laru, ce sont des chants d'ici et d'ailleurs, d'Europe (de l'Est) et d'Amérique (du Sud)...
Čao Laru, c'est un carrefour entre polyphonies macédoniennes et cirandas brésiliennes, entre chants occitans et rythmes des Balkans, entre compositions harmonisées et morceaux traditionnels ré-arrangés
Čao Laru, c'est ce qu'on se dit quand on se rencontre aussi bien que quand on se sépare.
Čao Laru, c'est une exclamation,
une invitation à partager, à découvrir, à s'évader, …

Čao Laru, c'est aussi un projet de voyage sur les routes d'Europe de l'Est cet été, et sur les routes d'Amérique du Sud à partir de cet automne. Nous partons mi-juillet à bord de notre merveilleuse maison à roulette pour sillonner l'Europe. Notre itinéraire traverse la Suisse, la Croatie, le Monténégro, la Macédoine, la Roumanie, la Hongrie, la Slovaquie, et la République Tchèque. De coins de ruelles en places pavées, de marchés colorés en troquets bondés (on l'espère!), de stations balnéaires en villages reculés, on part à la rencontre de ceux qui croiserons notre route pour partager un peu de nos vies grâce à ce formidable lien qui ne connaît pas de frontières, la musique.

Des entretiens pour inspirer les leaders du changement

Kamari & Manvir envelop Sacred Mantra with a vast range of styles. Ranging from devotional fusions of high energy dance genres through to the more conventional acoustic ensemble.


“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Sin Ross, né des entrailles de Dr Silex, vous invite vers des destinations oniriques. Mélangeant les codes de l’indietronica d’aujourd’hui avec une tension venue du rock, ce collectif vous embarque dans un univers envoûtant, dans un écrin visuel hypnotisant, qui résonne comme une ode au voyage et aux cultures ancestrales.  

- Contact -
contact@sinross.com

- Booking -
booking@sinross.com

- Press -
press@sinross.com

Yemenite Folk n’ beats by 3 sisters Tair Haim, Liron Haim & Tagel Haim.

Alexandre Trocmé is following