Soulful & elegantly groovy

 Windswept Highway (Kinny) 4:52

Rod Kinny: Vocals, Bass, Rhythm Guitar. Brian Reidinger: Drums, Percussion. Jimi Behringer: Guitars. Donnie La Marca: Keyboards. Engineered & Mastered by Brian Bart. Produced by Brian Bart & Rod Kinny. C2023 Our Kay Songs.

Windswept Highway

℗© Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic.
Guitar played: Taylor 714CE in standard tuning 
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
Song Notes and Lyrics:
This song imagines one of those occasions when you by chance find yourself in a place where there is some great live music that somehow just seems right.....
Lyrics:
Somewhere in New York City
Or was it down in New Orleans 
Could have been in San Francisco
Or maybe it was all a dream
I was walking by an old blues bar-room 
When I heard somebody playing with some style
So I bought myself an ice cold beer
And listened for a while

Looked like he’d lived a whole life-time
Beard gone silver grey
The people in the place seemed spellbound
Happy just to hear him play
At home on stage under the spotlight 
Keeping time with his heel on the floor
I bought myself another beer
I stayed and Iistened some more 

He wore a fine silk waistcoat
Jacket on the back of his seat
Hat pulled down to his cheekbone
Boots tapping out that beat

He played until the bar-room closed
Right sound right time right place
He walked off into the night
With his old leather guitar case
Never knew his name
Don’t even know if he still plays
But I’ll picture that stage and hear that sound
For the rest…of my days

He wore a fine silk waistcoat
Jacket on the back of his seat
Hat pulled down to his cheekbone
Boots tapping out that beat

Fine Silk Waistcoat

Sessions bei Kulikslinas & Apfelgünthers Party

Apfelblues - Petra Köhler (FL)

Banishment 135 BPM

https://open.spotify.com/track/1bkQqBIWOTcQVT9y7po5Bi?si=cab37a960b6c4f87
Watch the video on Youtube:
https://youtu.be/ao8ng4mFeXE

Why So Serious? (Now on Spotify)

Here is a demo with added vocals recorded today 4 Sep 2024 by myself, of my song LOST IN THE LIGHT.
 I used to sing and play the piano many ages ago jazz standards and Evergreens at my gigs and events, Hey! I even had some concerts!

     However, this is after 40 minutes of rehearsing only, and I recorded sitting with my laptop on my lap with my Airpods :) 

Here's a challenge! Because I know I like a good challenge! 😉

I have a list of people who want to sing this song,

So here's your chance to send me your demo. You can forward it here on SoundCloud. (You can find the track of the piano from this recording here on SoundCloud)

And then we will see what's going to happen.

Thanks 

Enjoy!  😊


( I've done some mastering on the vocal track, I am currently a rookie but I am a fast learner But for the 4th, or 5th time in my life doing that, it doesn't sound the worst I guess. 😁😁😁

Lost In The Light Piano + Voice Demo.

J'aime Pas Le Poulet - Alexia - Sarah - ktio 2024
Very often I transcribe the stories of my life into music.
Jazz house 2024

J'aime Pas Le Poulet

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
Mistermark – @the user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began its life as a hauntinly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the bajo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones - The Eclectic Collective

@netsu-music
@paqueta_que
@deezaro
@hoani-teano

• Varamudra •
FORMAT: MP3/WAV
LABEL: KOSA RECORDS
CAT. No.: KOSA204
RELEASE DATE: 01/10/25
GENRE: Chillrave/Downtempo/Organic House/Spiritual Deeptech
COVER DESIGN: Kosa.designs
BUY LINK : https://go.protonradio.com/r/rlb_y6lbQu770
BEATPORT : https://www.beatport.com/release/varamudra/5405165
BANDCAMP : kosamusica.bandcamp.com/album/varamudra

TRACKS :
Netsu, Mago (PL) • Varamudra • kośa
Netsu, Organic Sounds • Yumaha • kośa
Netsu, Mago (PL) • Varamudra • Paqueta Remix • kośa
Netsu, Mago (PL) • Varamudra • Hoani Teano Remix • kośa
Netsu, Organic Sounds • Yumaha • De:zarø Remix • kośa

Get it!

Netsu, Mago (PL) • Varamudra • kośa

Oro is a mystical Deep House track by Tom Lysar, blending ritual energy with hypnotic club sound. Driven by a warm pan flute, earthy tribal percussion, and flowing pads, it creates a golden, cinematic soundscape that feels both spiritual and danceable.

The track is warm, organic, and trance-like, with no harsh edges – perfect for late-night sets, meditative journeys, or simply losing yourself in a deeper state of sound.

Enter the magic of Oro – a fusion of Deep House, Organic House, and Cinematic Soundscapes that moves your body while immersing you in a mystical atmosphere.



Teardrop - Womack & Myself Instrumental Mix

Alexia Fredsteres Caouette -  I'm just a girl playin' some music.
Influences : 70's, 80's, 90's, jazz and funk music.
Bass, piano, learn to play guitar. compo and remix. Sometimes DJ :)

J'aime Pas Le Poulet

Alexia Caouette and friends