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I was waiting to find this long version. It was the opening part of one of my best ecstatic dance sets used it for my morning Movement Mantra throuout my devorce.

We are building a recording studio in the forest of Costa Rica to honor sacred music and it's creation. For more information, check out https://bit.ly/3BSSuP4

Song & Vocals by Ema
Tabla: Edgar
Accordion: Mynah
Guitar Arrange & Production: Vismay
Shaker: Sangit
Recorded in Florestral, 2013-2015

ANCIENT MOTHERS

Ancient Mothers 
I am coming home
 
In the shadow of the Moon 
I can see your face 
In the touch of the Earth 
I can feel your strength 
In the deep of my heart 
I can hear you say 
In this infinite road 
I am following the way 

Ancient Mothers … 

To the hidden wisdom 
That we carry inside 
To the living creatures 
That teach us your guide 
To the force of love 
That keeps us alive 
Reconnect to this power 
We must heal from the lies 

Ancient Mothers… 
 
I am calling you my Mothers 
Come fill this space 
Into the source of truth 
Help us pass through the waves 
We are here to work 
We are here to pray 
For the times of unity 
That will come once again 

Ancient Mothers…

Ancient Mothers

Marton Bakai: Piano
Sylvia Kirchherr: Voice, Guitar & Composition www.viva-lavida.de
Christian Amìn Vàrkonyi: Voice & Percussion www.radioamin.com

full album available on bandcamp:
https://aminvarkonyi.bandcamp.com/album/dreamtime

Dreamtime

Sylvia Kirchherr `Spiral Dance´  Pre-Release from `Dreamtime´  Album

Mano Resonante (Feat. Amrit Santokh)

Universal Omm

https://missgreendream.bandcamp.com/releases

Healing Song

This song is in Quechua (the people’s language spoken mainly in the Andes region of South America). I first heard the language when learning about Shamanism from the Q’eros of Peru in 2012. This song uses words that the Shamans use when calling upon energies to open sacred spaces. They use animals to symbolise directions and chakras and call upon the snake (south), the jaguar (west), the hummingbird (north), the eagle (east), mother earth and father sky (masculine and feminine polarities). 
I wrote the melody staring at a fire one late night and then added the words later, inspired greatly by the wisdom of the ancient Inca knowledge.
In 2015 I had the great pleasure of travelling to Peru to work with the Shamans, record this video and learn more about the simple ways of this ancient science.

This song is tuned in 432Hz which therefore means that it is mathematically consistent with the universe. The ancient bells from Peru used in this track were already tuned to this frequency and so we therefore tuned all the other instruments to match the 432Hz tuning. Music that is tuned in 432Hz transmits healing energy because it is in exact mathematical frequency and vibration to the universe, as opposed to the 440Hz frequency tuning that is most commonly used today. Music therefore tuned in 432Hz frequency is known to be more relaxing, healing and softer for the human being. It is known therefore for it's healing qualities.

Esta canción es en quechua (la lengua que se habla en Perú, principalmente en la región andina de América del Sur). La escuché por primera vez cuando aprendía  chamanismo Q'eros en Perú en 2012. Esta canción usa palabras que los chamanes utilizan al convocar energías para abrir espacios sagrados. Ellos usan animales para simbolizar las direcciones, los chakras y el llamado a la serpiente (sur), el jaguar (oeste), el colibrí (norte), el águila (este), la madre tierra y el cielo padre (polaridades masculino y femenino).
Escribí la melodía mirando al fuego tarde en la noche y añadí la letra más tarde, muy inspirada en la antigua sabiduría inca.
En 2015 tuve el gran placer de viajar a Perú para trabajar con los chamanes, grabar este vídeo y aprender más acerca de las formas simples de esta antigua ciencia.


Esta canción está sintonizada a 432Hz. Esto significa que es matemáticamente consistente con el universo. Las antiguas campanas de Perú utilizadas en esta pista ya estaban sintonizadas a esta frecuencia, por lo cual sintonizamos todos los otros instrumentos para que coincidieran con la afinación en 432Hz. La música que se sintoniza a frecuencia transmite energía curativa, porque como vibra en una frecuencia matemática exacta, vibra con el universo, a diferencia de la sintonización en 440Hz, más comúnmente utilizada en la actualidad. Por lo tanto, la música  sintonizada en esta frequencia 432Hz parece ser más relajante, curativa y más suave para el ser humano; es conocida por sus cualidades sanadoras.

OEAHO

Here is it. The 20 minute edition of this song, requested by many of you. I have had feedback from people saying to me that a longer version would be great for those who want to use this song for meditation purposes or to enter into deep relaxation and healing.
This song is in Quechua (the people’s language spoken mainly in the Andes region of South America).
This song is tuned in 432Hz which therefore means that it is mathematically consistent with the universe. The ancient bells from Peru used in this track were already tuned to this frequency and so we therefore tuned all the other instruments to match the 432Hz tuning. Music that is tuned in 432Hz transmits healing energy because it is in exact mathematical frequency and vibration to the universe, as opposed to the 440Hz frequency tuning that is most commonly used today. Music therefore tuned in 432Hz frequency is known to be more relaxing, healing and softer for the human being. 

Hampue Sachamama - Invocating the energy of the snake - Invocación de la energía de la serpiente

Hampue Kenti - Invocating the energy of the hummingbird -  Invocación de la energía del colibrí

Hampue Aquila - Invocating the energy of the eagle -  Invocación de la energía del águila

Hampue Pachamama - Invocating the energy of the mother earth -  Invocación de la energía de la madre tierra

Wiracocha - Father Sky - Padre Cielo

Hatun Sonko - Big Heart - Gran Corazón

Los Q’eros - The Q’eros - Los Q'eros

Munay Sonko - Heart of love - Corazón de Amor

Otorongo - Jaguar - el Jaguar

OEAHO - (20 Min version)

Yoga + Music + Mentoring: https://pureflow.yoga/

"Wise In Her Ways" - written by Lena Moon: www.lenamoon.com 

If you love what I'm sharing, please consider buying me a coffee! https://www.paypal.me/PureFlowYoga

---

...For all the siSTARS, mothers, friends, daughters, lovers.....  So grateful to you.  Please sing with me.....

You're wise in the ways
in the ways of the ways
of a woman by far
That's what you are

Sing my sisters sing
Sing out loud of all you bring
For how you sing is what you are

Dance / Fall in Love and make romance

Dream / Dream your own reality

Pray / Giving thanks for each new day

Grow / You have a bed to reap and sow

Walk / Don't waste time with all that talk

Live / Receive all that you give

Love / Letting go we rise above

Wise In Her Ways

Ilya Dragunov - music production, recording, guitar, drums
Daniil Korolev - vocals, flutes
KeeRa Kush nirova - vocals

Strong Wind - Om Allure (KeeRa & Daniil Korolev)

A musical space for healing. relaxation and meditation; played by Gerhard Fankhauser & Einat Gilboa, Kalimba: Amir Yacobi

Samadhi Station

All is Well

Samadhi Station - All is well - Gerhard & Einat

Trust. No plans for the future. Go with the flow. Not exactly catch phrases for today’s calculating, media savvy and self-promoting generation of musical artists, but a way of life for singer-songwriter Alexia Chellun. Eight albums into a productive 12 year journey, she has ridden her wave of trusting and practicing life from a different angle into an entirely new recording experience that has yielded her latest EP, Who Am I? 

As a performing artist Chellun has the ability and patience to follow her instincts without expecting immediate results. This doesn’t mean Chellun lacks a diligent work ethic, but substantiates her belief that having a plan is not necessarily a guarantee for success. Chellun says she “ doesn’t exactly have a ‘calculated vision’, or a lyrical agenda, but she trusts her creative process and that her artistic unpredictability will lead her where she needs to be at any given moment. I’m relaxed. I’m not trying. I’m just singing!” Chellun effortlessly switches between traditional song-writing and the more structured mantra based recordings and she admits the creative process still confuses the hell out of her. “It's all about flow and wherever it takes me I follow.” 
Throughout her song-writing, Chellun exhibits a unique melodic pop sensibility combined with lyrical themes that examine the human race, consciousness, and awareness. She makes an unarguable point when she says “Oneness has no genre.” 

Letting go of constraints, welcoming new experiences without expectation, self exploration, and complete trust in the creative process have been the cornerstones of Chellun’s musical philosophy and life. Her deep and soulful vocals, uncluttered arrangements, and natural dynamics are the perfect companions for her enlightening observations. 


Discography-

"Who Am I?"  - Who Am I? spotlights Chellun’s introspective artistry, and her song-writing exhibits a unique melodic pop sensibility combined with lyrical themes that examine the human race, consciousness, and awareness. (2019)

"Just Before I Sleep" - Create for yourself a new reality with these calming affirmation songs. (2018)

"Open" - A "feel-good" thought inspiring album that fuses pop, jazz and world music. (2016)

"Oeaho" - (Single) - Oeaho is sung in Quechua and is inspired by the Q'ero Shamans of Peru. (2015)

"I am Grateful" - Affirmation songs: To Heal, Uplift and Inspire (2014)

"Together we Roam" - Roam with Alexia in her kaleidoscopic world; it's like sunshine in a CD (2013)

"The Joy of Sadhana" - Mantras used for Aquarian Sadhana (A morning kundalini yoga practice) (2012)

 "Har" - A collection of ancient mantras used to assist deep meditation practices, with a captivating voice and lush multi-instrumental arrangements"(2012)
"Mirándote" - Mantras recorded live at Livingston Studios. (2011)

 "Ella Es Amor"  - One guitar. One voice. A raw set of acoustic songs (2010) 

"This Heart" - A collection of songs written and composed by Alexia. (2008)

 "Jap Hari" - Alexia's debut album, presenting acoustic mantra lullabies with alt-folk influence. (2006)


 

 “Deceptively simple songs sung by a captivating artist” – Phil Jackson, specialist BBC music presenter

"Alexia has a beautiful voice delivered with incredible honesty, bringing to life her sweet songs" Po'Girl

"In the past 5 years I have been engineer for South Live, Alexia is one of the most open and sincere person I have ever met. Her songs and lyrics are a reflection of her inquisitive and compassionate nature" Dan Bridge - Session Engineers for BBC Sussex Radio

OEAHO - (20 Min version)

Alexia Chellun

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