This piece follows Knockoffs (2010), Soon to be Replaced (2010), and Exclamation (2011) in exploring the relationship between human performers and their electronic counterparts. The electronic component of this piece comprises a variety of different electronic representations of percussion instruments, including 1960s Mellotron samples, FM synthesis imitations, and a variety of General MIDI patches. These alternate “fake” percussion timbres are used to create counterpoint with the real instruments they imitate.

"Channel 10" [2014]

Tim Feeney, Todd Meehan, Alex Wroten, and Doug Perkins talk about creating things on the internet.  We also honor our So Percussion family as Todd goes all wrestling promo on Josh and other fun... 

Check out:
www.vimeo.com/liquidrum
www.welldang.com
https://www.youtube.com/user/timfeeneyav


5 Days w Tim Feeney, Todd Meehan, and Alex Wroten

Concert music, film scores, cerebral rock music?

"Channel 10" [2014]

Alex Wroten

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