Cyberbrain Dysfunction

Night Run

Crocodile Walls

A Madman Of His Own Design

Safety In The Reflections

On A Lake To Nowhere

Green Castle

The composition of coNNector is a culmination of a rich tapestry of influences. The first and foremost of these influences is a specific section of the interstate in Downtown Atlanta. This is where the two major highways, Interstate 75 and 85, converge. This stretch of road extends all the way from the bustling and dynamic Hartsfield-Jackson International Airport, one of the busiest airports in the world, to the vibrant and lively district of Uptown Atlanta. This road is colloquially known as the Downtown Connector.

The Downtown Connector, a marvel of urban planning and infrastructural development, is notorious for its heavy traffic. It ranks as one of the busiest stretches of interstate in the entire country, accommodating an impressive eight lanes of traffic on both northbound and southbound sides. Day in and day out, it witnesses a flurry of vehicles, making it a significant part of Atlanta's cityscape.

In Atlanta, the act of driving is often compared to racing. There's a certain rhythm to the city's traffic - a symphony of acceleration and deceleration, of quick lane changes and calculated maneuvers. This rhythm, this virtual race that plays out on Atlanta's roads, heavily influenced the creation of coNNector. To encapsulate this atmosphere of speed and adrenaline, synths were heavily used in the work. Their unique sound provides a sense of urgency and velocity, effectively capturing the essence of racing on the city's streets.
coNNector also draws heavy inspiration from the world of video games, specifically racing game franchises. Renowned series such as Ridge Racer, Need for Speed, RUSH, and Midnight Club have all contributed to the atmosphere and themes of coNNector. These games, with their thrilling high-speed races and immersive, competitive atmospheres, have left an indelible mark on the work. Each race in these games, each high-speed chase and nail-biting finish, has found echoes in the composition of coNNector, adding further depth and dimension to the work.

Thus, coNNector is a portrait of life in Atlanta, a nod to the thrill of racing games, and a testament to the transformative power of diverse influences.

Performed by Tristan Keaton

coNNector

Hybrid orchestral soundscape, a simple E major chord progression played on both electronic and acoustic instruments:  4 synthesisers alternating with 4 bowed basses, 2 cellos and a violin.

For this haiku:


pulling light
from the other world . . .
the Milky Way

by: Yatsuka Ishihara

Created by DD in Paris  July 9, 2025
Photo y Alex.

naviarhaiku601  by @naviar-records


Pulling Light (naviarhaiku601 )

Well, a metal song that was turned into a non-metal song through experimenting styles - why not, so please, check it out 🙏 and I will do a couple of more like this.

Re-imagined – Bury me into nothingness 
( Mastered 10.7 - Aurora )
( Vocal update 13.7 )

Vocals: a mix of clean and (silent) metal
Guitar: ambient setting
Bass: bass setting
Wind: wind setting 🤘 
Me: experimenting around a metal song ( spin-off ) 
Image: DeepAI

ORIGINAL metal version:
https://soundcloud.com/tapatorametal/v2-bury-me-into-nothingnesssss

Lyrics:

I am buried in your heart, where your hate tears me apart.
I can hardly breathe, you drain this life away from me.
You drain this life, away from me
You drain this life, away from me
You drain this life, away from me

So take a piece of me
and I wil take… a piece of you
So take… a piece of me
and I wil take… 
a piece of you
So take… a piece of me
and I wil take… a piece of you
So I will take…

Have not been playing the guitar for more than couple of hours the past 4 months - too many reasons to open up here, but this one came through as a force of nature a few days ago.

There are some metal songs that are waiting to come out, the WAR trilogy needs to be completed.

RE-IMAGINED - Bury me into nothingness

RE-IMAGINED - Bury me into nothingness (Vocal update 13.7) - Lyrics

produced in Bitwig Studio on a 199€ Windows 11 laptop with 4GB of RAM and an Intel N5030 CPU lol
used Analog Lab, Palindrome, Pivot, Icarus & impOSCar
my usual deconstructive serial in the vibe arrangement of Noise & space, hope you like it

vegan (˶ᵔ ᵕ ᵔ˶) love

Windowlicking at GRM

Contravariance Network

This episode features music made by Naviar's community inspired by Takarai Kikaku’s poem “rain rituals - / if the gods are here now / to see the paddies”.   

Tracklist:   

tetkik ve tedavi · KiKaKuKaKi  https://soundcloud.com/tetkik_ve_tedavi/kikakukaki-naviarhaiku599
mike shockley · the gift of rain  https://soundcloud.com/user-209675219/the-gift-of
Seramind · Oryzae  https://soundcloud.com/seramind/oryzae-naviarhaiku599
Tuonela · Ta-no-Kami  https://soundcloud.com/tuonela-1/ta-no-kami-naviarhaiku-599
Daniele Marx · Rain rituals  https://soundcloud.com/user-537291530/rain-rituals-naviarhaiku599
Robert Knote · rice and rain  https://soundcloud.com/robertknote/rice-and-rain-naviarhaiku599

Credits:   

music intro: “This ruined house”by Tuonela  
voice intro: Ian Joyce  
cover image: Micah Hallahan   

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.  

To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku  

Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #375 – Rain rituals – Wednesday 9th July 2025

Nasi Chavchavadze and Alexander Khokhiashvili as NASI & ALEXANDER are a Georgian duo specializing in experimental electronic-acoustic music. Nasi is a musician, cellist, percussionist, composer, and DJ who enjoys pushing the boundaries of sound and performance. Alexander, also a musician, drummer, composer, and DJ, shares a passion for experimental sound exploration. 

Together, they are part of the electro-acoustic-experimental music project “Metastasis,” which has made waves in the Georgian electronic music scene. In 2023, “Metastasis” performed at prominent venues like Bassiani/Zenaari and TKESHI, earning acclaim for their dynamic live shows. 

Beyond this project, Nasi and Alexander are active in other musical endeavors, including the popular alternative band MokuMoku, which blends hip-hop, jazz, funk, soul, and rock. Their collaborative and versatile approach to music makes them a unique and exciting duo to experience at any festival. 

NASI & ALEXANDER are artists of the SHAPE+ platform for innovative music and interdisciplinary art, co-funded by the European Union and Pro Helvetia. 

URBAN SESSIONS x SHAPE+ - Nasi & Alexander #86

IN   THE   BEGINNING

Tamesem Writesone

Selected for presentation at Sonic Saturday, part of the ZKM | Hertz-Lab concert series within ARS ELECTRONICA 2025 — a renowned international platform for experimental and spatial sound.

"S'Animu" is an acousmatic composition that explores the inner soundscape as a space of resistance and transformation.

Born from a personal migration experience — from Sicily to Sardinia — the piece confronts the tension between deep-rooted cultural memories and the uncertainty of new territories.
In dialogue with the festival theme, "S'Animu" inhabits the space between revelation and concealment: material and ritual sounds dissolve into electronic abstractions, while the sonic landscape builds and disintegrates, evoking both lost memories and emerging possibilities of listening.
Through a tapestry of organic and synthetic textures, enhanced by psychoacoustic spatialization, "S'Animu" creates a space of suspension — neither pacifying nor alarming — but open to the ambiguity of a world in transition.

In a time of structural collapse and invisible fractures, "S'Animu" questions our relationship with loss, identity, and belonging, crafting a fragile sonic refuge between ritual and emptiness.

S'Animu

THE  DAO

Join URBAN FM, where sound meets vision, for the hottest music, talk shows, and innovative features.

TAPATORA is a freestyle metal / alternative rock artist and heavily influenced by 80s music in general. 

The link below is a COLLAB with Chris Schlue - Industrial / Electronic / Speed / Dark Metal vibes ... really enjoyed writing the lyrics and doing the vocals - Big Thanks to Chris - CHECK OUT  Programmed Minds

https://soundcloud.com/chris-schlue/programmed-minds

I do have an excellent drummer on my corner who blasts the beats and with whom I compose the tracks.

THEN

In Gaza / Ukraine / Russia and the rest of the conflicted world, people die - day in day out, we as a human race could care a bit more.

The raging wars serve as a catalyst for the lyrics in most of the existing and upcoming songs. It seems that killing each other is the only way forward as written in the lyrics on the song - The Violent Ones. 

The human suffering is beyond belief, it needs to END now. War Metal as I see it, is to write lyrics about the insanity of war and not to forget those who died ... 

These are some of the dark layers of life

TAPATORA name has multiple meanings. It is an ancient name for a male that was mainly used in Finland. It is also the name of an island near Tampere and if you translate it in English, it means kill the quarrel / dispute / wrangle.

#thrash #thrashmetal #trash #trashmetal #metal #peace #war #metalli #metallia #suomiprkl #metalforpeace #heavymetal
#heavy #metal #metalmusic #metaljourney #metaldrums #80smetal #gritty #warmetal #grittymetal #programmedminds #finland #acoustic #topfans #community #alternativerock #alternative #acoustictunes #cool #soundcloudartist #darklayers

Lost the password to my old account, so I will be uploading more music to this account.

Have been making music in multiple different genres for over a decade and a half (2009-present), have recorded 300+ Cassette Tapes and CD's, plus 200+ digital only albums.

Also a Radio Host under the moniker “The Sound Traveler” for the show “Both Sides of Midnight” on KMSU every 3rd Wednesday of each month.

www.youtube.com/@flowerbloom4609

www.youtube.com/@theretrobro5016

https://soundcloud.com/flower-bloom-54452212

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

--all tracks are under CreativeCommons0/PublicDomain and free to download
--feel free to sample and re-use them, no need for asking
--account reset #6
--Soundcloud is dead

--i maxxed out in trying to offer new ideas and approaches to contemporary musik making for all but noone cares so here will now be more Noise and stupid shit

peace and
ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧ vegan love <3

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Composer, Jazz Pianist, Electronic Musician

CONTACT: 
www.rosariodirosa.com
mail:rosariodirosa@yahoo.it

​Nicholas J. Cannady (ASCAP) is a composer based in Athens, Ohio, has had their work featured at SEAMUS, SCI Region V Conference, the North American Saxophone Alliance, and the International Saxophone Symposium. A native of Valdosta, Georgia, Nicholas is known for his diverse range of compositions. With a background in music composition from Ohio University School of Music, Nicholas has honed his skills under the mentorship of composer Dr. Robert McClure.

Nicholas's compositions span various genres, including solos, chamber music, wind ensemble pieces, marching ensemble, and electroacoustic compositions. His works showcase his mastery of musical expression and his ability to captivate audiences with his unique and innovative compositions.

In addition to his musical pursuits, Nicholas holds a Masters in Sociology and Bachelors in Sociology and Anthropology from Valdosta State University. This interdisciplinary background enriches his compositions, as he draws inspiration from a wide range of social and cultural influences.

As a composer, Nicholas is dedicated to creating music that evokes emotion and tells a story. His compositions have been performed by renowned ensembles such as The Unheard of Ensemble, Valdosta State University Blazin’ Brigade Marching Band, The University of Incarnate Word Cardinal Marching Band, and a host of high school marching band programs. He continues to actively compose and collaborate with musicians.
​
Nicholas currently serves as a Student Success Advisor and instructor for the College of Fine Arts at Ohio University. He is a member of Phi Mu Alpha Sinfonia Fraternity of America, Inc. and Alpha Kappa Delta National Sociology Honor Society, reflecting his commitment to excellence and his contributions to the musical and academic communities.

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

New tracks tagged #electroacoustic