Great - it's like deep-diving in an ocean of strange sounds (and creatures)

really great listening experience, immersive

mrs timbertoe captioned a photo of ray harryhausen with a clash of the titans prop -say what you see

Here's Me With The Decapitated Medusa Head

"In Engulfed, sound becomes both a refuge and a force of suffocation, as I drown in my own mind."

"Engulfed" for Acousmatic Music (2024)
Composer: Shih-Lin Hung
Photographer: MEUM MARE （Pexels: https://www.pexels.com/zh-tw/photo/11...

#electronicmusic #electroacoustic #electroacousticmusic

Engulfed for Acousmatic Music (2024)

Music by https://soundcloud.com/marcolucchi 
Sonopoem and mixing by Ilaria Boffa
This piece is included in the work 'Intrusion' by the EAPS Collective.

+1
'I might embody the igneous bodies, carbon and non-carbon-based, forced through existing formations.
Settle like the dregs of the liquid left in thousands of bottles plasticizing the oceans.
I might recycle into non-recyclable thermal paper and coat with dyes and sensitizers and stabilizers and vaporise with heat. I’d roll.
Rolling and rolling, squeezing, a can, at each kick a bounce forward, future-ing. 
I can sense myself hovering, the +1 part per millions of CO2 trying not to take it personally and resent when you decarbonize and diminish me.
I can feel myself being tape, sticking things together, taping wires and mouths, un-taping, warping and buckling up.
I might emerge from a liquid solution, a precipitate, an insoluble solid suspension ejected and fallen at the bottom of a vial.
I might flat on the soil and bituminize to carry all steps on me and all of a sudden, tragically crack and let us plummet, crash.

Potrei assumere sostanza di corpi ignei, a base di carbonio o meno, spinti a forza attraverso
formazioni esistenti.
Depositarmi come fondi di liquidi rimasti in migliaia di bottiglie che plastificano l’oceano.
Potrei riciclarmi in carta termica non riciclabile e cospargermi di tinture e sensibilizzatori e stabilizzatori e poi evaporare per calore. Rotolerei.
Rotolare e rotolare, schiacciarmi, una lattina, a ogni calcio un balzo in avanti, futurizzare. 
Posso percepirmi fluttuare, la parte per milione di CO2 aggiuntiva, cercare di non prenderla sul personale e risentirmi quando decarbonizzate e mi diminuite.
Posso sentirmi essere scotch, scotchare le cose insieme, adesivare cavi e bocche, staccarmi, deformarmi e accartocciarmi.
Potrei emergere da una soluzione liquida, un precipitato, un solido insolubile, sospensione espulsa e caduta sul fondo di una fiala.
Potrei appiattirmi al suolo e bitumare per caricarmi di ogni passo e d’improvviso, creparmi tragicamente e lasciarci precipitare, schiantare.'

+1  (Ilaria Boffa & Marco Lucchi)

‘aqua aeterna’
Modular Eudemonism.
Track created in 2023.

Columbo on the beach.

Fully generative.

Tools :
Marbles (with jitter).
- E352 Cloud Terrarium (Morph+Phs) > Data Bender > Monsoon (Clouds mode).
Ochd, Batumi, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Ocean Reflections [modular eudemonism]

We invite you to hear the 2nd of three album preview pieces.

“Practical guide to shamanism for young people”,
Is from the album “Above a Darkness of Earth.”

Paulo Chagas initiated this trio piece with his wind instrument part. Henry Koek added many sound textures in addition to his voice, I finished with percussion and my MaaTeeSaa1 sounds.

This piece continues the shamanist inspired tone of the album.

Hear and/or download the album from BandCamp: 
https://darkpebble-bluewave.bandcamp.com/album/above-a-darkness-of-earth

Enjoy!
Wilhelm Matthies

A practical guide to shamanism for young people

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

time's arrow broken [disquiet0682]

soundcloud.com/velvetsomethingsuperdark/sets/cold-city-soundtrack
-----------------------
Snow*Omen/Velvet Something Superdark collaboration.
Music: Snow*Omen @snow_omen (Recording of an improvised live performance. Electric guitar: VSS, voice: Y.A.). Field recording, percussion, mixing and production: VSS. All sounds Snow*Omen and VSS. Image: Möckernbrücke Subway Station, Berlin, at night (videostill: VSS).

Cold City: Vanishing

In A Room

Lateral Movement

‘lex naturae’
Modular Eudemonism.
2025 live performance.

I'd like to dedicate this little track to a young man with Asperger’s Syndrome. He loves bees and honey. His father has collected donations so that he can start his beekeeping business with at least five first hives.
Congratulations to both of them!
https://fr.tipeee.com/les-ruches-arthur

Save the bees.
https://thebeeconservancy.org

Tools :
Pam’s, SIG, Varigate.
- 0-Coast > FX Aid (#28 reverb black hole).
- Plaits (granular formant oscillator) > Fold 6 > Sisters > DSP (mono delay).
Batumi (saw), Zadar.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Live and Pollinate [modular eudemonism]

KERSHUFFLE

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
—
我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

Engulfed for Acousmatic Music (2024)

Shih-Lin Hung 洪世霖

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