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E-Mail: seamoon86@web.de
Skype: seamoonskype

Dado aka Frédéric Holyszewski repeatedly woos crowds and longtime fans to the beat of his new productions. Ranging from solo projects as Deedrah, as he is known in the circuit since 20 years now, or the most recent band formed little over 7 years ago, the KromeAngels, , he stands to face anywhere between 5 to 30 thousand eager fans on gig!!.
Once in the scene in the mid 90’s as a self-made rock band, Vision Quest, Dado met Christophe Drouillet with whom he would form the legendary group Transwave. In only 2 years they reached mind blowing success releasing 4 full length albums in total. The duo gained first hand experience selling and producing the entire CDs themselves from creating the sleeves, recording the albums, and even directing the first video for the international trance hit “Land of Freedom”. 
The band, more active than ever, performs relentlessly in front of music thirsty dance floors!!
All this experience eagerly propelled Dado to create his first ever studio in a Paris basement. In ’97 he created QuestionMark records to form a structure for French and international artists providing not only a label for promotion but also supporting a recording and production system. The first Deedrah album “Self-Oscillation” was released under this label, as well as 3 compilations “The Groovebox”, “ Anologique” and “Digitale”. The first album “Cypher” was released with the cooperation of TWISTED Rds. UK. Under QuestionMarks label Dado worked alongside artists like TSUYOSHI, SUZUKI, ASTRAL PROJECTION, TALAMASCA, GMS, TOTAL ECLIPSE and remixed for bands like THE DELTA, HALLUCINOGEN , ASTRIX ,KOXBOX and KILLING JOKE.
As if not enough, Dado created another alias “SYNTHETIC” first releasing the fantastic Metalgear with TWISTED Rds, then releasing the first album on SOLSTICE MUSIC. Synthetic being now the alias of choice for more techno 125 bpm oriented recordings ( on labels like IBZ recordings or Mago Mago RDS )
The Dado snowball picked up momentum growing like an avalanche and he, together with DMT NAKOV and SERGE SOUQUE of Total Eclipse came together to form GBU (The Good, The Bad & The Ugly ) still playing at the most important festivals of the techno scene: Sonica, The Glade Mother and Solstice Music Festival in Tokyo. Dado kept busy through contracts with Sony to compose the opening tune and sound effects of the ps2 game Grand Turismo3. Parts of his studio activitIes being nowadays designing loops and sounds for IOS applications ( alongside japanese company "total immersion" based in tokyo )
Instantly his presence became known through his sexy melodic beats, Dado inevitably began attracting world-wide attention to his DJ sets and Lives in destinations all over the world, gaining the opportunity to work alongside different talent who still regard him as a master in the engineering and technical aspect of music production…. His talent and knowledge of music is wide spread as his versatility in style. This is reflected in his multiple groups or ‘personalities’!!! Soon to be released this year a series of Synthetic ep s with is  mate Matt king and and the long awaited second opus from ‘Federico Baltimore’ alter ego!! Loyal fans can be pleased to know that he is hard at work with new and fith Deedrah album to be released april 2014 on top trance label UNITEDBEATS records .catch him around the word during kromepressings label parties or during this summer biggest festivals !

Description:
DEEDRAH is the main name Frederic dado Holyszewski is using for his PSYTRANCE productions, together with other nicknames/alias like SYNTHETIC ,GBU ,TRANSWAVE .....

free tracks from the heart :)

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For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Yiannis S. aka Tromo born and raised in Athens has shown great interest in music and music production from a very young age.
He studied guitar and synthesizer and after experimenting with various rock and metal bands, he eventually was convinced that music is his calling.

Around 1997, he discovered the magic in electronic sounds and psytrance music by going to parties and festivals around Greece and Europe.

Influenced by the psychedelic trance scene, in 2007 he created the Tromo project and released his first track on Mighty Quinn Records.

In 2011 he joined Sonic Loom and continued experimenting with his unique sound and atmosphere.

In the process of creating and exploring, two side projects were born "Quadraphonic" with Antonymous and "OhmInside" with Drury Nevil.

On 9 March 2018 Yiannis released his debut album with title "Harmonies of Randomness" on Sonic Loom Music.
More info at https://www.sonic-loom.com/releases/slm010

Presently he is in full productive & creative mode and concentrates on his solo and side projects.

ALL REQUESTS to:
Annie Zaremba
annie@supdub.eu

Genre : PsYcHeDeLiC
Labels  : Warm Bookings / Black Out Records / Master of Puppets  

Mentalecho is a solo project from Bernardo Fialho, a basic form of expression to dream and exile yourself from everything else, getting lost in dreams and memories, basically a sonic mental biography made by the main character himself .
Had the pleasure to play among side some of the best producers like Technical Hitch, Paralocks,  Terranoise, Pastor John, Gotalien, Akés, Mimic Vat, and manny other great founders of the Hitech Scene in Hungary, Turkey, Germany, Brazil, Austria and manny other beautifull spots.


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