Performed by Mari Kimura - April 1, 2023 mix

CHASALOW The Wings That Bear The Night Away (2022) Violin And Fixed Media

Ensemble Dal Niente
for Large Ensemble and Electronics 2023
Michael Lewanski, conductor

Toxic Positivity for large ensemble and electronics (2023)

Düş Kapanı - Performed by Ums'n Jip ( May 2023 Istanbul/Turkey)

Written for and Performed by Benjamin Kronk

Bates Recital Hall, March 5th, 2024

Gasping in the Weighty Distance (2024) for Violin and Electronics

Marcel Beekman Soloist
Dutch National Opera
With the support of ENOA, European Network of Opera AcademiesCo-funded by the Creative Europe Programme of the European Union

Manolyam Aria from Zeki Opera Project (2023)

Codex de Monsieur Günter Brus 
for vocal quartet (2024)

performed by Cantando Admont 
Cordula Bürgi, Conductor
April 30, 2024, Wiener Hofburgkapelle, Vienna

Elina Viluma-Helling - Soprano
Aleksander Rewinski - Tenor
Benjamin Harasko - Baritone
Ulfried Staber - Bass

Audio by Mehmet Ali Uzunselvi

Codex de Monsieur Günter Brus

Violin: Alexandrina Boyanova.

Inspired by the tumultuous landscape of the post-truth era, Drowning in Post-Factual Waves delves into the intricate fabric of contemporary human existence, particularly within the digital epoch of the 21st century. Through a nuanced exploration of sound, it seeks to unravel the existential quandaries and societal complexities that define our modern reality. This work was commissioned by SEAMUS and is dedicated to the violinist, Alexandrina Boyanova.

Drowning in Post-Factual Waves

Composed by Utar Artun
Lyrics by Nazan Nihal

Soprano: Ayse Senogul
Conductor: Serdar Yalcin
Performed by Izmir State Symphony

Hiclik

Boston Microtonal Society Award Winner Microtonal String Quartet
Composed by Utar Artun

Performers:
Ethan Wood, Justin DeFilippis, violins
Ashleigh Gordon, viola
Ben Swartz, cello

4-Quest - Microtonal String Quartet (Live Concert)

Performed by Conference Ensemble: Barry Crawford (flute/piccolo), Benjamin Finland (bass clarinet), Adda Kridler (violin), Chris Gross (cello), Steve Beck (piano), Matthew Gold & Alex Lipowski (percussion), and James Baker (conductor).
A Commission from BMV

2019 Slosberg

Germinate (2019)

Refer to my YouTube page for my recent works as they contain videos. 

Turkish-American composer and violinist Ali Can Puskulcu has been recently awarded a Charles Ives Scholarship Award from the American Academy of Arts and Letters, a Fromm Foundation Commission from Harvard University and a Copland House Residency Award. His debut album “Gibberish Shreds” was released by New Focus Recordings, and he also performed the “Gibberish Shreds Vol. 1,” from his album, at the MATA Festival in New York City. Ali’s chamber music piece “Wired” was premiered by wild-Up ensemble at Los Angeles Philharmonic’s Noon to Midnight series in Walt Disney Hall. He has also received the ASCAP Morton Gould Young Composer Award for his ensemble piece “Broken,” and as a chosen composer, he performed his solo violin piece “Point G” at Lincoln Center in New York City. Additional performances took place at Gaudeamus Muzikweek (Netherlands), Saint-Martin-Vésubie (France), Rutgers University, and the University of Southern California.
        	In 2007, Ali entered the Robert Schumann Musikhochschule in Dusseldorf, Germany under the instruction of Professor Ida Bieler.  In 2010 he was invited to the renowned Schwetzingen Festspiele as a guest artist to perform music by contemporary Turkish composers.  In July 2012, Ali graduated from the violin class of distinguished pedagogue, Rosa Fain.  He holds both a Bachelor and Master of Arts Diploma from the Robert Schumann Musikhochschule. In March 2013 Ali made his Carnegie Hall debut as the Second Prize Winner of the American Protégé Strings and Piano Competition. He was the winner of the Ereprijs Commission at YCM 2017 and wrote a new piece for Orkest de Ereprijs, which was premiered in March 2018.
        	Ali completed his Master of Music in music composition at the University of Southern California under the guidance of Andrew Norman and Donald Crockett. He is currently a PhD candidate in composition at Brandeis University.

Drowning in Post-Factual Waves

Ali Can Puskulcu

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