Elena Rykova: electric guitar, electronics
Etienne Nillesen: extended snare drum

7 fish in a desert is the first piece in our album, which is going to be released very soon. Stay tuned!

More info on the artists:
https://etiennenillesen.com/​ 
https://www.elenarykova.rocks/

Elena Rykova & Etienne Nillesen - 7 Fish In A Desert

SenSen are : Senmove & Braille
Field recordings : Noxin

SenSen - One 2 Thin

SenSen - Andonandon...Nekorb

SenSen - Steps

12 clarinets (4 basses, 2 basset horns, 6 Bflat clarinets)

performed by Jérôme Voisin and his students

13/05/23, Boulogne-Billancourt (FR)

photo ©BChampeaux

Byword (2023) | 12 clarinets

Face To Face With The Submarine And Its Shiny Iron

performed by Schallfeld Ensemble at the Klangspuren Schwaz Composers Lab

live recording, September 18, 2023, Schwaz, Austria

conductor: Pierre-André Valade
recorded by ORF Austrian Public Radio

Before you were born | for piccolo/alto flute, saxophone, accordion, piano, violin, and cello (2023)

Codex de Monsieur Günter Brus 
for vocal quartet (2024)

performed by Cantando Admont 
Cordula Bürgi, Conductor
April 30, 2024, Wiener Hofburgkapelle, Vienna

Elina Viluma-Helling - Soprano
Aleksander Rewinski - Tenor
Benjamin Harasko - Baritone
Ulfried Staber - Bass

Audio by Mehmet Ali Uzunselvi

Codex de Monsieur Günter Brus

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Comment les sons s'écoulent.
Comment les sons découlent, les uns des autres.
Comment les sons s'écoulent-ils les uns dans les autres.
comment un son, d'abord contenu, peut-il se déverser
Et nous offrir une surface
Sur laquelle nous pourrions pratiquer divers sports.
Comment une corde pincée pourrait-elle devenir
Le support mouvant de nos déambulations

pièce instrumentale pour 14 musiciens:Clarinette Basse; Contrebasson; 2 Trombones Basses; 2Timbaliers; Harpe; Piano; 2 Altos; 2 Violoncelles; Contrebasse)  
joué au CNSMDP par les étudiants
enregistré par le service audio visuel

Comment les sons s'écoulent

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=129

for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: 21'
commission: Ensemble InterContemporain
first performance: 4.9.20, Paris, La Scala, Ensemble InterContemporain, Matthias Pintscher (conductor)
publisher: Edizioni Suvini Zerboni
catalogue number: S. 16215 Z.

Eufaunique - 1st and 2nd part - Ensemble InterContemporain, M. Pintscher -  live. Paris 3.9.20

Freelancer Composer
http://egemen-kurt.com
Contact: infoegemenkurt@icloud.com

Codex de Monsieur Günter Brus

Egemen Kurt

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