日程：2024年1月23日（火）19：00開演（18：30開場）

Cabinet of Curiosities 2024 
Korea × Japan Project
会場：  ティアラこうとう 小ホール

プログラム
キム・ウンソン（1984）：音の散歩（2016）
Eunsung Kim: Klangwanderung for Violin [Vn Solo]
シン・ジェウォン（2003）：道に迷った子供のための霧の迷路（2023）
Jaewon Shin: The Foggy Maze for a Lost Child [B-Cl Solo]
ジ・ソンミン（1983）：いくつかの単純さの境界線（新作初演）
Seongmin Ji: some of the borderline of simplicity [B-Fl, B-Cl, Vn, Vc]
ナ・ソクジュ（1981）：燃焼（新作初演）
SukJu Na: incineration for flute, violin and violoncello (2023) [Fl, Vn, Vc]
中瀬 絢音（1999）：インヴィジブル・ライツ　バスフルートとバスクラリネットのための （2021）
Ayane Nakase: Invisible Lights for Bass Flute and Bass Clarinet [B-Fl, B-Cl]
森 紀明（1979）：新作初演
Noriaki Mori: New work [Fl, Vn]
渡邉 香乃（2001）：明るい木（2022-23）
Kano Watanabe: Bright Tree [Fl, Cl, Vc]
渡辺 裕紀子（1983）: 失われたメロディー（改訂版初演）
Yukiko Watanabe: Die Fehlende Melodie [Cl, Sax, Vc]

演奏
齋藤 志野（フルート）、岩瀬 龍太（クラリネット）、森 紀明（サクソフォン）、松岡 麻衣子（ヴァイオリン）、下島 万乃（チェロ）

SukJu Na: incineration for flute, violin and violoncello (2023) [Fl, Vn, Vc]

Jaewon Shin: The Foggy Maze for a Lost Child [B-Cl Solo]

Kano Watanabe: Bright Tree [Flute, Clarinet, Violoncello]

Laboratorio de Música Nueva LaMN
Leonardo Chávez, violin
Alena Stryuchkova, viola
Diego Gutiérrez, cello

The Untitled 3S

'Breath, Contained III' for bubble wrap soloist and large orchestra

Tonia Ko, amplified bubble wrap
Jessica Cottis, conductor
Luxembourg Philharmonic 

Excerpt of live recording from Rainy Days Festival, 21 November 2024

Breath, Contained III for amplified bubble wrap and large orchestra (excerpt)

Perspectives of Growth, for variable percussion ensemble and electronics takes inspiration from “The Limits to Growth”, the philosophical and political manifesto published by the Club of Rome in 1972. This emotionally impactful topic, which has significantly influenced current debates on economy and civilization, serves as a profound and structural poetic guide for the composition. The music is constructed as a series of partially tiling canons performed by a percussion ensemble, with the number of identical sets ranging from one to unlimited. The electronic component multiplies the parts using an array of transposing delay lines. The aim of this music is to simulate, within a purely musical context, an orderly- to-chaotic growth process that evolves toward complete entropy. This process traverses an axis from pure nodal tones (such as tom-tom and bass drum) to metallic sinusoidal tones (such as glockenspiel), creating a progression that transforms any individual sound gesture into a dense, intricate texture. This transformation makes the experience of reaching the limits of a development process perceptually relevant and translates it into an emotionally inhabitable experience, resonant with the themes of systemic complexity and transformation. The live electronics contribute to this accumulation process while also introducing a “glitchy” disturbance.

Ratoci - Perspectives of Growth - Version_2024

AÑÁ (Liturgia de la Transmutación)
for solo percussion and ensemble.
solo percussion: Enric Monfort/AXYZ Ensemble/ Conductor: Jos Zwaanenburg.
Live recording of the premiere. 

AÑÁ

AÑÁ (Liturgia de la Transmutación).fragments.
for solo percussion and ensemble.
solo percussion: Enric Monfort/AXYZ Ensemble/ Conductor: Jos Zwaanenburg.
Live recording of the premiere.



AÑÁ (fragments)

Tr''E''o For Amplified classical guitar (guitar - Nadav Lev)

ESHU (2011) fra Liturgias de Igbodú 
for solo singer/viola
voice+viola: Mina Fred
Live recording of the performance in København, Dk

ESHU (2011)

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 200 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

Tonia Ko has collaborated with leading soloists and ensembles across a variety of media—from acoustic concert pieces to improvisations and site-specific installations. Recipient of numerous accolades including a Guggenheim Fellowship, Ko’s music has been lauded by The New York Times for its “captivating” details and “vivid orchestral palette,” and performed at venues such as Walt Disney Hall, Carnegie Hall, Kennedy Center, and the Tanglewood Music Center and Royaumont Festival. Born in Hong Kong and raised in Hawaii, Ko holds a DMA from Cornell University and is currently Lecturer in Composition at Royal Holloway, University of London.

https://www.elikorman.com/

Eli Korman is an Israeli composer and saxophone player, based in Kibbutz Netiv HaLamed Hey, Israel.

 

He completed his degrees in composition at the Jerusalem Academy of Music and Dance and the Musik Akademie Basel FHNW, studying under Professors Ari Ben Shabetai, Yinam Leef, Caspar Johannes Walter and Yair Klartag.


Eli participated in several master courses for composition such as CEME master course of Meitar Ensemble, the International Young Composers Academy in Ticino, the Workshop for Young Composers of Divertimento Ensemble, the Bludenzer Tage zeitgemäßer Musik and the Uuden Musiikin Lokakuu 2023 festival in Finland with professors such as Franck Bedrossian, Phillippe Leoux, Helmut Lachenman, Mauro Lanza, Samir Odeh-Tamimi, Unsuk Chin, Du Yun, Oscar Bianchi, Eva Reiter, Clara Iannotta, Mark Andre, Lucia Ronchetti,  Nadir Vassena and Carola Bauckholt.


Eli received the Jerusalem Institute of Contemporary Music scholarship (Siday Fellowship for Musical Creativity), the scholarship for musicians in Switzerland from the Stiftung Melinda Esterházy de Galantha, excellence scholarship from the ''America-Israel Cultural Foundation'', as well as an excellence scholarship from the Jerusalem Academy for Music and Dance.


Eli won the Eduard Brunner Kompositionpreis 2023 from the Musik Akademie Basel, the second prize in the Abraham and felicia Klon competition for young composers in Israel (2023), the second prize in the ''Israel Composers' League'' competition for young composers (2018), the Call for piano works by RMN (2020) the Call for Scores of Blank Ensemble (2021) and a Diploma for nonstandard thinking and originality of idea from the 3rd National Composer Competition from the Kazakh National University for Arts (2021).


His pieces are performed by Les Percussions de Strasbourg, Divertimento Ensemble, Quartetto Maurice, Meitar ensemble, Hai Kvartetti, Duo Alto, Tedarim ensemble and various players in Israel, Hungary, the Netherlands, Germany, Switzerland, Chile, North Macedonia, South Korea, Italy, Austria and Finland.

New tracks tagged #contemporary music