Premiered on July 30, 2021 at DePaul University
by the members of @Ensemble-Dal-Niente:

Constance Volk, Flute
Kyle Flens, Percussion
Jesse Langen, Electric guitar
Theo Ramsey, Viola

Conductor: Hannah Barnes

in memory of Ahmad Zerang

unbearability, for flute, percussions, electric guitar, and viola

Written for, and premiered by @annaelder at @SICPP (Summer Institute for Contemporary Music Practice) 2021

On three poems by E. E. Cummings

- I -
ringed
with monstrous
a doomed world's huge how
thunders are
(s lowl y
but certainly)crum
bl i ng
each more silent than each
remind
ers of this or of that
once(who knows)maybe
fearless him or beautiful
possibly her
and even lov ing
est youme


- II -
Cri
C
k
et
in
-visible every whereish;faint.ly shrill most
(keen)
bell Of,shy a
spirit :twisting cry!ex
transparent
-din-
or
arywish;quick- liest universal whis
per(Wis
p
)hearable
Like un
thing
oar in a such tre men
dous Sea
who
our
s e l v e s be ing,Call "
t
I M e
"SometimeS


- III -
s(
there out of in finite no where,who;arrive s trollingly
:alight whitely and.
)now flakes:are;guests,of t wi
ligh
t

Three pieces for solo soprano

Abhanden - Klangforum Wien

composer: Ali Balighi
www.alibalighi.com

Hamed Shadad, clarinet in b-flat
Ali Balighi, electronics


I composed this piece based on a poem, and I incorporated the poetic atmosphere into the composition.

گردباد که آمد
همه چیز را با خود برد
جز درخت یادت
که ریشه در زمین داشت.


When the tornado came,
It took everything with itself,
Except for the tree of your memory,
Which had its roots in the ground.

Form:

In this piece, the form is theme and variations. This piece has a duration of 231 seconds, which is three minutes and fifty-one seconds. I used the abjad system for a Persian word from the poem " گردباد," which means tornado, for this duration. An abjad is a system of notation in which each letter of the Arabic alphabet is assigned a numerical value.

Gerd-bad for clarinet in b-flat and fixed media

@alibalighi
Ali Balighi, is an Iranian composer, sound designer and sound engineer. In general, his compositions are inspired by Iranian folklore and traditional music. He is primarily interested in microtonality, new approaches to instruments, electronic and electroacoustic music. Besides writing music for solo instruments, chamber ensembles, orchestras, choirs, and electroacoustic media, he has also composed music for acclaimed films such as “Light gray, Dark gray”, “When Sanam wept”, and “18 111 81”. His music has been performed in many contemporary concerts and music festivals throughout the world, including the United States, the United Kingdom, Germany, Finland, Portugal, Canada, Poland, Lithuania, Belgium, and Iran. He is a DMA student at Texas Tech University.

Noise a Noise 23​.​3: Tolerance

Liberation Rhapsody

Ali Balighi - Liberation Rhapsody

Ali Balighi is a composer, sound designer and poet born in Tehran, Iran. You can listen to his most recent album Radif of Iranian Music: Home Is Far Away, available now on Bandcamp. Ali's compositions draw from his poems, sound explorations and experimentations with electronics. These elements combined have led to the creation of many opulent multidisciplinary works and albums. His works have been performed internationally at festivals and conferences such as Sonic Matter, New York City Electroacoustic Music Festival, Hot Air Music Festival, Tehran Contemporary Music Festival, NoiseFloor UK Contemporary Music, Research On Contemporary Composition Conference, ClarinetFest, Cortona Sessions For New Music, Audiovisual Frontiers Festival, ICSC 2022 6th International Csound Conference, and Tehran International Electronic Music Festival.

Music included in this episode:
01:12 – Dastgah: Algorithmic Explorations of Persian Microtonality and Serialism (excerpt 1) Composed by Ali Balighi, March 2025 
9:35 – A Song Below Water (excerpt) Composed by Ali Balighi, 2022 
16:25 – Who am I? Composed by Ali Balighi, Performed by Kathryn Vetter, 2020 
28:39 – Corridor Composed by Ali Balighi, February 2025 
33:38 – Home is Far Away Composed by Ali Balighi, February 2025 
40:28 – Dastgah: Algorithmic Explorations of Persian Microtonality and Serialism (excerpt 2) Composed by Ali Balighi, March 2025 
46:33 – Walking in the Darkness (excerpt) Composed by Ali Balighi, 2018 
61:26 – Dastgah: Algorithmic Explorations of Persian Microtonality and Serialism (excerpt 3) Composed by Ali Balighi, March 2025

For more information: 
● Ali Balighi 
  ○ Website: https://alibalighi.com/ 
  ○ Instagram: https://www.instagram.com/ali_balighi/?hl=en 
  ○ Bandcamp: https://alibalighi.bandcamp.com/

5.3: Ali Balighi

Stück für 
Schlagzeug: Ginsberg 
Violine (plus Handyklavier): Langenbach 
Live im Keller.
Ulrich Langenbach  on.soundcloud.com/MrvDJ

Recorded with an old Roland Edirol. Mixed with Logic.

Langenbach_Ginsberg

Another venture into the sound-world of atomization. This work endeavors to present a narrative of sorts with its contrasting material and by its rondo form.

Virtual Particles Nr 2

This is a recording that the amazing Keith Kirchoff and I did his last December of Dreams Unwind. It's amazing how much this piece has grown after a year of touring performances, and I'm so happy to be able to have been able to work on this with Keith!

Dreams Unwind (Studio Recording)2018 ASCAP/SEAMUS Award Winner

Mit Hilfe von Algorithmen morpht der Komponist Orm Finnendahl alle Werke von BIG ORCHESTRA zu einer ungewöhnlichen Klangkulisse. Die variierenden Aufnah­men sind während der Lauf­zeit im gesam­ten Ausstel­lungs­be­reich zu hören. Hier ein Ausschnitt!

MUSIC FOR EXHIBITIONS BY ORM FINNENDAHL

Forklaret Nat

Ali Balighi, a composer, sound designer, and sound engineer, was born in Tehran, Iran. He graduated from The University of Art in 2011 with a Bachelor’s degree in Music Performance. A passion for composition led him to pursue a Master’s degree in Composition at Texas Tech University, where he is currently a student for a Doctor of Musical Arts (DMA) in Composition.

Gerd-bad for clarinet in b-flat and fixed media

Ali Balighi, Composer