chill

September 2015 Faves

Meg Mac

October '15 - Woon & Flo

October Tunes 2015

Sunset Ft. Yuna

BUY IT HERE: http://bit.ly/DreamersAU

Video by Ribal + Gil @ Superteam Studios
https://www.youtube.com/watch?v=-ZimhL9YvzI

Featuring Phoebe Lou
Written and produced by Hopium
Extra beats by M-phazes

Buy it

Dreamers ft Phoebe Lou

Out now on iTunes: http://ales.so/HEROES
UK Released Dec 21 (Pre-Order Now)

Follow Alesso Online: 
www.alessoworld.com
www.facebook.com/AlessoOfficial
www.twitter.com/Alesso
www.instagram.com/alesso 
Snapchat: alesso

Follow Tove Lo
www.tove-lo.com 
www.facebook.com/tovelo
www.twitter.com/iamtovelo


Now! 24

Heroes (we could be) [feat. Tove Lo]

BUY FOREVER 

www.tove-lo.com

Bed stay in bed
The feeling of your skin locked in my head Smoke smoke me broke
I don’t care I’m down for what you want
Day drunk into the night wanna keep you here Cause you dry my tears yeah
Summer lovin’ and fights how it is for us
And it’s all because
Now if we’re talking body You got a perfect one
So put it on me
Swear it won’t take you long
If you love me right We fuck for life
On and on and on
Love give me love
Anything you want I’ll give it up Lips lips I kiss
Bite me while I taste your fingertips
Day drunk into the night wanna keep you here Cause you dry my tears yeah
Summer lovin’ and fights how it is for us
And it’s all because
Now if we’re talking body You got a perfect one
So put it on me
Swear it won’t take you long If you love me right
We fuck for life On and on and on
Bodies! Our baby making bodies we just use for fun Bodies! Let’s use them up til every little piece is gone Let’s go
On and on and on
Let’s go
Now if we’re talking body...

Queen Of The Clouds

Talking Body

If we don’t remember, we cannot understand. 

Hope ya’ll will enjoy this one. Remember to share the love. <3

Premiered by Earmilk : bit.ly/1GhQ3Fb
<3 me of HypeM : bit.ly/1PeXKOY

@fekibeats
facebook.com/fekibeats
twitter.com/fekibeats
instagram.com/fekibeats

Artwork by : 
@sky-tsu

Mastering by :
@omniment 


Free Download

Remember

Goodnight, Spirit (GRRL PAL remix)

Hypercolour

"Sentimental & Monday" is premiered on 10th July 2015 and is the brand new single from Holy Holy's forthcoming album "When The Storms Would Come" - out 24 July in Aus, and 29 Oct in UK/EU. (You can preorder here.. http://smarturl.it/WTSWC)

Carroll, from Brisbane, and Melbournian guitarist/composer Oscar Dawson initially crossed paths as volunteer English teachers in Southeast Asia. They reconnected in 2011 while both again leading transient lives in Europe. Carroll, an acclaimed singer/songwriter, was living in Stockholm. Dawson had transplanted to Berlin with his then band Dukes Of Windsor. When Dawson traveled to Sweden, Carroll asked him to assist with some songs. They ended up with a "suite of demos". The pair continued collaborating back in Australia. "At that stage we weren't even really sure what the project was going to be," Carroll admits. "We were just feeling our way through it." Regardless, the duo began penning darker, more intense material. The newly anointed HOLY HOLY issued the psychedelic, if foreboding, Impossible Like You as their first single, attracting triple j spins – and buzz. And it's been an exciting and event-filled 2 years since... 

In 2014 the "project" morphed into a full live band, enlisting drummer Ryan Strathie (ex-Hungry Kids Of Hungary) and bassist Graham Ritchie (Airling's collaborator). Their reclusive producer, Matt Redlich (Ball Park Music, Emma Louise, The Trouble With Templeton), also joins them as a "special guest", hiding behind a Prophet-08 synth. "He's a bit like our Nigel Godrich kinda character," Dawson quips. 

HOLY HOLY's "music tragics" bonded over Neil Young (and Crazy Horse), Crosby, Stills & Nash, Bruce Springsteen, Pink Floyd and Dire Straits, as well as contemporary acts like Midlake, Band Of Horses and Grizzly Bear. And these myriad influences have fed into When The Storms Would Come. Indeed, though HOLY HOLY cherish "old, classic songwriting", that nostalgia is juxtaposed with a modern aesthetic. In the studio the band recorded live onto Redlich's two-inch tape, configured to 16-track. "You get this really warm, saturated colour," Dawson enthuses. However, eschewing rigid traditionalism, HOLY HOLY occasionally utilised digital post-production. Redlich encouraged them to follow their instincts in determining the best approach, song by song. "He'll be ballsy with his decisions," Dawson explains. "He will make the decision in the moment as to what the sound is supposed to be… It makes the recording a whole lot more exciting because, as you're recording, you're hearing it as it's gonna sound." As such, When The Storms Would Come – led by the jagged single History – sounds "natural".   Dawson holds that HOLY HOLY's unique sound has evolved into something that's amplified, or "weighty" – their sonorous, sublime melodies augmented by "stronger, more powerful guitars and bigger vocals" and rhythmically-dense drumming. 

www.holyholymusic.com

Sentimental and Monday

Blasé Boys Club Pt. 1 Out Now!
iTunes: http://bit.ly/DDBBCpt1
Spotify: http://po.st/OceanDriveSP
Apple Music: http://po.st/OceanDriveAM
Ocean Drive Music Video: https://youtu.be/KDxJlW6cxRk

Duke Dumont Presents Blasé Boys Club UK and North America Tour on sale: dukedumont.com/live/

Subscribe to Duke Dumont's YouTube Channel: smarturl.it/DukeDumontYoutube

Spotify: smarturl.it/DukeDumontSpotify
Spotify Playlist: smarturl.it/DDSpotifyPlaylist

www.facebook.com/dukedumont
www.twitter.com/dukedumont
www.instagram.com/dukedumont
@dukedumont
www.dukedumont.com

Duality

Ocean Drive

iTunes!

www.jamiewoon.com
iTunes - http://po.st/JWSiSO 
Spotify -http://po.st/JWSharpnessSP 

Never been so inside it
When I give in to you
Never been so existing
You can't know unless you feel it

Come back
Body's aching
From the want and the waiting
I get this pain when you're leaving 
Never felt this before
Never felt this before

Is it written on my back?
Take it back and then let it go
Let it go
Is it written on my back?
Take it back and then let it go

Every day is the day that you save me
Light into darkness
Cut on the sharpness of you

Never been so inside it
And fallen into ya
Never been so resisting
You can't know unless you feel it

Come back
Body's aching
From the want and the waiting
Coming down with a sickness
Staying in control
Steady and in control

Is it written on my back?
Take it back and then let it go
Let it go
Is it written on my back?
Take it back and then let it go

Every day is the day that you save me
Light into darkness
Cut on the sharpness of you

I want to love you, baby

Making Time

Sharpness

Produced, written and performed by JOY.

"About us" is the first single from her debut EP, 'Ode'. 
Available worldwide Friday 28th August 2015

https://www.facebook.com/joy.official.aus

About Us

"Elements EP" Out Now: http://smarturl.it/VTElements

#VoteVicetone for the DJ Mag Top 100 DJ's! http://smarturl.it/VoteVT

Little Boots - No Pressure (Vicetone Remix)
Out Now on Dim Mak: http://bit.ly/NOPRESSREMIX

Find a Show Near You ~ http://vicetone.com

FOLLOW VICETONE
http://vicetone.com
http://facebook.com/VicetoneOfficial
http://twitter.com/Vicetone
http://instagram.com/Vicetone
http://soundcloud.com/Vicetone
http://youtube.com/Vicetone
http://spoti.fi/2hMMT6r

Little Boots - No Pressure (Vicetone Remix)

Buy/download track here → http://apple.co/1UYSOTM

Produced by Ross James and James Lyell at the ECHO Creative
Mixed by Karl Cash at Studios 301, Sydney
Mastered by Leon Zervos at Studios 301, Sydney
Additional engineering by Elliot Heinrich at Heliport Studios

Additional Musicians:
Luke Davison | drums, percussion

© 2015 Words and Music by Jonathan Bowden, Toma Banjanin, James Lyell and Ross James.

Pieces

Written by Jay Lekat & Danny K
Produced by Danny K

Mixed & Mastered by Michael Szumowski 

Kwler than U

Off RUN DELUXE ALBUM PACKET - buy here - http://AlisonWonderland.lnk.to/RUNDeluxe
or get the original here: po.st/AWRun 

Website: www.alisonwonderland.com.au
Facebook: facebook.com/awonderdj
Twitter: www.twitter.com/awonderdj

Hermitude:
www.facebook.com/hermitude
https://soundcloud.com/hermitude

Games (Hermitude Remix)

Sign up for updates and exclusives: http://auntieflo.in

Auntie Flo Auntie Flo returns with his ‘Theory of Flo’ LP masterpiece, his first release on H+P in over 3 years!

Following his critically acclaimed ‘Future Rhythm Machine’ LP, ‘Theory of Flo’ is a bold step ahead from FRM, as it takes us on the trip of a lifetime; spanning continents, genres, languages and cultures to create a wholly unique listening experience; and one which is only possible in 2015. 

Teaming up with long term collaborator, Esa Williams, the album also features collaborations with the incredible Ghanaian singer, Anbuley (who last appeared on the Autonomous Africa hit ‘Daabi’), Shingai Showina (of The Noisettes / Matthew Herbert / Dennis Ferrer fame) and has experienced a lengthy recording process between Havana, London and Glasgow - with outstanding results. 

‘Theory of Flo’ lands this November, in the meantime, his ‘So In 
Love’ smasher and the spellbinding ‘Waiting For A (Woman)’ drop on limited 10”..

Auntie Flo - So In Love Feat. Shingai

L D R U

www.facebook.com/theldru
www.instagram.com/theldru






Keeping Score (feat. Paige IV)

Matt returned to Berry to perform Monday, live in one take. You can the new video for 'Monday' here: https://youtu.be/pPnA-Vs5ATU

Get the 'Telluric' album: http://smarturl.it/telluric.itunes

Follow Matt Corby -
Website: http://www.mattcorby.com/
Facebook: https://www.facebook.com/mattcorby
Twitter: https://twitter.com/mattcorby
Instagram: https://www.instagram.com/mattcorby/
YouTube: https://www.youtube.com/user/MattCorbyau
Spotify: https://open.spotify.com/artist/7CIW23FQUXPc1zebnO1TDG?si=x5KriS8bTBKiaj-UunFqAA
Apple Music: https://itunes.apple.com/au/artist/matt-corby/268919290
Google Play: https://play.google.com/store/music/artist/Matt_Corby?id=Aigc6ic4xccdc2aig7jipv553bu&hl=
Youtube Music: https://music.youtube.com/channel/UCR2iuWSzShNMhtoRWaMFQdw

#SCFIRST #Soul #Alternative #AltIndie #Indie #R&B #RNB

Monday

Who Are You?

iTunes: http://apple.co/1iaeGcN
Spotify: http://spoti.fi/1Lzee2d
7" Vinyl: http://bit.ly/1R9vxIE

Song by Tarek Musa
Music by Spring King (Tarek Musa, Peter Darlington, James Green & Andrew Morton)
Saxophone by Steve Darlington
Recorded, Mixed and Produced by Tarek Musa
Mastered by Robin Schmidt at 24-96 Mastering
Collage by Dr Me

Many thanks to Claire Southwick and everyone who has supported us. A special thank you to PRS for Music Foundation who helped us make this release possible. 

℗ & © 2015 Spring King / Distributed by [PIAS] / Highs and Lows / SK001V

Who Are You?

The new single from First Aid Kit is live favourite "Wolf". 

It will be released digitally on the 16th September.

An expanded boxset edition of the album which adds "Wolf" and two more bonus tracks, as well as a DVD with tour documentary and three videos, poster and guitar pick will also be released on the 17th September.

First Aid Kit on tour:

AUGUST
09 – Way Out West Festival, Gothenburg
11 – Oyafestivalen, Oslo
17 – Pstereo Festival, Trondheim 
23 – Dognvill, Tromso
24 – Ratt og rade, Stavanger
26 – Zurich Open Air, Zurich

SEPTEMBER
02 – End Of The Road, Dorset
06 – Boileroom, Guildford
07 – Bestival, Isle Of Wight
08 – Berlin Festival, Berlin
25 – Blind Pig, Ann Abor, MI
26 – Danforth Music Hall, Toronto
28 – Royale Boston, Boston,  MA
29 – Irving Plaza, New York, NY
30 – Music Hall Of Williamsburg, Brooklyn, NY

OCTOBER
02 – Sixth & I Historic Synagogue, Washington DC
03 – Orange Peel, Asheville, NC
04 – Buckhead Theatre, Atlanta, GA
05 – 3rd & Lindsley, Nashville, TN
06 – Firebird, St Louis, MO
08 – Waiting Room, Omaha, NE
09 – Granada Theatre, Lawrence, KS
12 – Austin City Limits, Austin TX
13 – The Kessler Theater, Dallas, TX
16 – The Fonda Theater, Hollywood, CA
17 – The Fillmore Audiotorium, San Francisco, CA
19 – Roseland Theater, Portland, OR

NOVEMBER
11 – Vega, Copenhagen
12 – Voxhall, Arhus
13 – Gruenspan, Hamburg
15 – Zakk, Dusseldorf
16 – Crossing Borders Festival, Enschede
17 – Crossing Borders Festival, The Hague
18 – Crossing Borders Festival, Antwerp
20 – Shepherds Bush Empire, London
22 – Ritz, Manchester
24 – QMU, Glasgow
25 – Vicar Street. Dublin
27 – Academy Bristol
28 – Trabendo, Paris
30 – Rietschule-Dachstock, Bern

DECEMBER
01 – Viadukt Club, Zurich
03 – Hansa, Munich
06 – The Circus, Helsinki
30 – Falls Festival, Marion Bay, Tas, Australia
31 – Falls Festival, Lorne Vic, Australia

JANUARY
05 – Southbound Festival, Busselton, Australia


Wolf

First Aid Kit - Wolf

She's My Baby

My Gun - EP

The Rubens - My Gun

www.tove-lo.com

"I eat my dinner in my bathtub
Then I go to sex clubs
Watching freaky people getting it on
It doesn't make me nervous
If anything I'm restless
Yeah I've been around and I've seen it all 

I get home, I got the munchies
Binge on all my Twinkies
Throw up in the tub, then I go to sleep
And I drank up all my money
Dazed and kinda lonely 

You're gone and I gotta stay high
All the time to keep you off my mind
Ohoh ohoh
High all the time to keep you off my mind Spend my days locked in a haze Trying to forget you babe, I fall back down I gotta stay high all my life to forget I'm missing you 

Pick up daddy's at the playground
How I spend my day time
Loosen up their frown, make them feel alive Oh make it fast and greasy I'm numb and way too easy

You're gone and i gotta stay high
All the time to keep you off my mind
Ohoh Ohoh
High all the time to keep you off my mind Spend my days locked in a haze, tryin to forget you babe, I fall back down I gotta stay high all my life to forget I'm missing you

Staying in my play pretend
Where the fun ain't got no end
Can't go home alone again
Need someone to numb the pain
Staying in my play pretend
Where the fun ain't got no end
Can't go home alone again
Need someone to numb the pain

You're gone and I gotta stay high
All the time to keep you off my mind
Ohoh ohoh
High all the time to keep you off my mind Spend my days locked in a haze Trying to forget you babe, I fall back down I gotta stay high all my life to forget I'm missing you"

Truth Serum

Habits (Stay High)

ALI BARTER: A SUITABLE GIRL

Growing up is kind of like a pop song.
The structure is familiar; you know how it goes. But the ebbs and flows — the bold, uplifting highs and softly-tread lows — they’re quite another thing to really feel. Australian musician Ali Barter knows all about those pop-induced moods.
From the heart-stirring catharsis brought on by the anthems of her youth, to her own candid musical outpourings today, the artist understands a thing or two about capturing frank, sometimes messy emotions in memorable song form.
Her debut album,  A  Suitable Girl, is the result. And a new generation of music fans get something they need now perhaps more than ever. A kind of mirror. A voice that says simply and authentically “I get it.” Ali Barter is that voice.
The former choirgirl and triple j unearthed winner has been in no great rush to push out a full-length album. Sin ce 2015’s  AB-EP she’s been busy living, and it was through living that she captured a couple of formative years worth of emotional growth. But the kind of scruffy growth that only comes through raw honesty — imperfect and unfiltered.
On her debut single ‘Girlie Bits,’ it manifests in frustration. Written on her holiday in a moment of beachside insecurity that most people could relate to, Barter says she was thinking “’I’m not skinny enough or not pretty enough’ and it just f*cking pissed me off that I was thinking that way.”
With its wry lyrics on gender expectations and bold, burning rallying cry of “you don’t understand what it’s like to be a man,” (uttered by an ex in a moment of amorous ignorance, apparently) the track is already being blasted in thousands of bedrooms across the country.
The melodic sway of ‘Cigarette’ conjures the puncturing experience of romantic invalidation (“I’m not the girl you wanted me to be”) with graceful command and rattling guitar. Meanwhile ‘Please Stay’ captures the gentle pleading of a woman feeling messed up and craving affection, with an adeptly Nina Gordon-like, almost cinematic affectation — both sweet and muddy.
In fact, those filmic sensations are the curling, pulsating waves Barter rides across the whole record. “I kind of wanted to write an album like a movie soundtrack,” she says. “When I have too much time on my hands I imagine what part of the movie each song would play in.”
The scene in which ‘Live With You’ plays would be right at the film’s climax — a revelatory moment that calls for long, breathy vocal highs and blistering guitar solos. The kind of song that could make anyone burst into a liberating run while out walking.
 
The honeyed crescendo of ‘Tokyo’ on the other hand, showcases Barter at her most vulnerable, emotionally — hurt and even hopeless. Yet there is power even here. With her heart on her sleeve and electric guitar strapped, Barter’s poignant yet common meditations become her listener’s medicine.
And in that sense, the entirety of  A Suitable Girl, with all its nuanced emotional snapshots, becomes one big cleanse. Kind of like the feeling you get when you cry bittersweet tears at the peak of your favourite movie.
Takin g its name from Vikram Seth’s novel, A Suitable Boy, the album is also about the power of self-acceptance. Like rock music, that’s a power that reverberates. It can spread out and touch listeners like a wave. And it’s as simple as “owning the thoughts that go through your head,” says Barter. “I have them, you have them. We can let them go.”
She continues: “I just want a song that makes me feel good. I wanna know that the chorus is going to lift me up, and it’s going to be big and bright. Like a release.”
And if that involves turning up the volume, jumping on your bed and screaming the lyrics, even better.
Ali Barter’s debut album,  A Suitable Girl, is out now.