@ Alice Balbwin: so beautiful en torching at the same time bet wonderfull akice it makes me tinkng of the most important man in my life 🥹🥲😘

yiure like an angek Alice you have a gift that you use very very well

piano & me

Lionheart

Directed and Composed by IWATA Wataru 
Visual programming by Ryo Kanda
https://vimeo.com/658530813

Two spherical mirrors reflecting the whole world face each other, and the eternally recurring process of reflection is a confrontation of ego and non-ego that continues until the point of convergence. When an individual included in the "whole" tries to recognize the "whole," it is forever unable to grasp the "whole," even if it tries to grasp it accurately, because it is included in the "whole." The work of mutual transformation that occurs when the "I" and the "other" face each other continues endlessly. Using each other as a mirror, we find, circulate, and permeate the image reflected in the mirror. The image reflected in the mirror is a projection of "I" and at the same time it reflects the world around me. In this way, the ego found in the mirror is at the same time the world (non-self) in the outside world, which dissolves into the "whole" through infinite r eflection.

The way in which the vision generated in the spherical mirrors develops into the "world" is this "world" itself, in which the image that arises inside of us develops

Sphere Stereo

Who Tends a Garden

Follow:

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Web: https://stevengutheinz.com

View

View (Prelude)

You can download the sheet music for free: http://bit.ly/1OIFvOc

Huge thanks to Lukas, who put the notes on the paper for me. Check out his music here: http://bit.ly/1JrNW4s

Ich trank Tee mit einer englischen Dame

Movement, Before All Flowers

Winter Vol. 2

Alba's Winter Night

Javi Lobe - Alba's Winter Night

I've been a loyal follower of the 130701 label since its birth date, after which this offshoot from the UK-based FatCat Records has been named. Its celebrated catalogue includes releases by Max Richter, Hauschka, Sylvain Chauveau, Dustin O'Halloran, Resina, and, of course, the late Jóhann Jóhannsson - many of whom have received numerous accolades across modern classical, electronic, and film institutions. I don't think it would be an understatement to claim that 130701 played a pivotal role in the evolution of the crossover genre, blending contemporary classical with experimental and cinematic elements to reach an audience around the globe. Today, I'm happy to share a newly signed artist to the label, who will undoubtedly make an impression on you as past alumni did. Ava Rasti hails from Tehran, Iran, where she composes brooding, emotional and haunting music, blending elements of ambient, modern classical and drone. If the name of the Icelandic cellist, Hildur Guðnadóttir, evokes a particular aesthetic in your heart, you shall immediately gravitate towards her sound. Ava Rasti's new album, titled The River, explores how places can hold onto unreliable memories, often shifting the narrative through a perspective clouded by time. Here, Rasti reflects on Heraclitus, paraphrasing, "We never step in the same river twice, for it's not the same river, and we are not the same human being."

The River

The Dead Horse

TRACK PREMIERE : Ava Rasti - The Dead Horse

Music, piano, synths, mix: Vicente Bueso
Voices: versolun4

Nana de plata (ft. versolun4)

Live Video: https://youtu.be/SUlkvdyt_UU

Hey – it’s me again!
This is Talking to Ghosts — the second release from my ongoing project Cycles I.

I’ve refined my TouchOSC loop engine for this one, making it easier to switch between loops in real time. It’s a quiet but important step forward in my setup — less distraction, more flow.

The piece itself has a strange kind of presence. The loops start talking back. Layers appear, disappear, reappear — like echoes of something that was once there. Or maybe still is.

Over the past weeks, this piece slowly became more personal. As the anniversary of my brother’s death approached, certain memories and emotions began to resurface — quietly, insistently.
I didn’t plan for it to become personal, but somehow it did.
There’s a feeling of reaching out — not knowing who (or what) might answer. A sense of speaking into something unseen, hoping to hear something in return.

Maybe that’s what looping is: a conversation with what’s left behind.

The world is shifting — AI, music, identity, everything. I’m trying to figure out what it means to exist as an artist right now. What can I offer? What am I even trying to say? I don’t have answers yet. But this is part of the search.

Let me know what you think of the piece — and of this format.
It means a lot to hear from you.

Yours truly,
Sebastian

>> Video <<

Talking To Ghosts (Live Looping Session)

Très belle journée à toi et à bientôt bisous  副本 3.m4a

Norden, a sketch. Melody by Edwin. 

_____________

This is about loosing people to their mental illness.



 



Norden

Sheet music: http://bit.ly/1UbO46X
________

Finished an old piece today, which accompanied me for a long time. Feels good to see all the pieces of the puzzle together after all this years. 

I hope you enjoy. Thanks for listening!

Recorded on my electric piano with the 'Giant' VST.

Vater

Für Lena † 2011
___

her short life ended so suddenly and unexpected with only 20. beside the huge pain i experienced through her decision to leave, i think i can now say after years of thoughts and reflection, that it was also the event i learned the most of.

this day changed literally everything. it was the hardest reminder that we only have very limited time together, so early in life. it effected all my decisions, every breath is a deeper one since this day. i see with a clear mind and open heart now. it gave me more passion, the ability for self care, it strengthened my empathy & understanding and created a even stronger will to leave the world better than i found it.

i’m sharing this because i don’t want her to become forgotten and meaningless. so, this is what i learned. maybe you get something good from it, too.

be good to yourself. be good to people, even the ones you think that don’t deserve it. be kind to every other sentient being. everyone has her or his own invisible struggles, be aware of it and respect it. keep the people that don’t make you grow and keep you small out of your life. trust yourself, but be ready to question yourself, too. fight. try to find beauty in the saddest and darkest moments. don’t be surprised of change, because it will happen. don’t live a life of bad compromises, go for the whole. don’t fear insecurity. be more brave than you actually are.

_____

Was am Ende

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

hi! this is alice & her piano. 

here you'll find music inspired by compassion - and its absence.


///

compassion hurts. when you feel connected to everything, you also feel responsible for everything. and you cannot turn away.
your destiny is bound with the destinies of others. you must either learn to carry the universe or be crushed by it. you must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors. -andrew boyd

title picture by Jacob David

Vater

Alice Baldwin

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