NEW: Follow me on vine! My name is Cirby beatbox.

Everything on this channel is made by me and me only. I can guarantee you that all beats are purely done by my mouth and nothing else. 

Don't forget to subscibe to my youtube channel, that would make my week! 

And btw, feel free to send me messages on anything! You can send me your tracks and see what I think. Or we could send beatbox-beats to each other, and help each other out. Don't hesitate to say hi :)

Los Angeles, California serves as home base for the concept group called Vitamin String Quartet. The group is made up of studio musicians who are brought together to interpret and record orchestra style covers of music from all types of genres ranging metal, techno, country, pop, rock and hip-hop dance music. While the quartet uses a wide assortment of artists and instruments, one fairly constant member of the group is violinist Tom Tally. Tally has been intimately involved in the composing, arranging and conduction of many songs on approximately 50 of the albums that have been recorded by the group. While the group is referred to as a string quartet, the reality is that more individuals are usually involved, using instruments such as violins, cellos, percussion, brass and woodwinds. The group was originally brought together in 1999 as an experimental project. They wanted to determine the effects of using classical style instruments to create new and different sounds on popular recordings. Early on, the FM broadcast station WWHK in Concord, NH would play the group's music 24 hours a day, every day, for a period of time. The popularity of the group's music has led to the music being featured on TV and in the movies. Credits include So You Think You Can Dance (2008), TV show The Vampire Diaries (2010), the 100th episode of Gossip Girl and the fifth season finale of Modern Family (2014). Throughout the years, the group has been involved in the recording of over 200 different albums. In 2009, the group stepped out of the box a bit and recorded some original material provided by some of the various musicians on the album Per_Versions.

Young Croatian cellists Luka Sulic and Stjepan Hauser, known as 2CELLOS, achieved sensational success by taking the cello to a new level and breaking the boundaries between different genres of music. Their unique cello version of Michael Jackson's 'Smooth Criminal' took the world by storm. Within only a week, this YouTube video became a huge viral sensation leading to a record deal with Sony Masterworks and an invitation to join Elton John on his worldwide tour. 

Since then, the duo has appeared on major TV shows such as The Tonight Show with Jay Leno, The Ellen DeGeneres Show (multiple times), Lopez Tonight, TV Total with Stefan Raab and many others. 2CELLOS recently performed with the Red Hot Chili Peppers, and are releasing their second album IN2ITION in January 2013. The album was produced by the legendary Bob Ezrin (Pink Floyd, Alice Cooper, Kiss, Deep Purple) and features an eclectic group of vocal and instrumental guests including Elton John, Steve Vai, Lang Lang, Naya Rivera and Zucherro. 

Experimental Trio from Venice (Italy)
Nicolò Ferrazzo (Guitar)
Flavio Bevacqua (Guitar)
Carlo Zulianello (Drums)

Kiri霧  is a solo project that with its instrumental rock tries to create atmospheres and connections with different dimensions, a sort of "Yume no Hashi"(夢の橋).


I also play the guitar/bass and I sing in another project, the indie rock band 春Fall(HaruFall) -the two tracks from our acoustic live in Venice belong to that project-.

Lunga vita all'Arte -libera-.

“Des oiseaux de nuit au chant hypnotique et transcendant”. Si la mélancolie ne semble pas faire bon ménage avec l’ambiance électrique et fiévreuse d’un live, les Indigo Birds nous prouvent pourtant qu’une telle osmose est possible !
Leurs mélodies fiévreuses et tourmentées, interprétées par une voix délicatement impure et naturellement profonde, vadrouillent sur une rythmique ciselée et énergique.
Ces rythmes imprimés par les quatres musiciens, qui s’échangent à tour de rôle les instruments, prennent leur inspiration dans un trip-hop perturbé par une énergie résolument punk, mais toujours éminemment poétique.
Une musique singulière, où peuvent se rencontrer simultanément Nick Cave, Portishead ou encore Arcade Fire.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

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