really caught me off with the Uzi at the end. I love it!!

KOMPANY w/ Smino

Add. Vocals by Phoelix

Mixed & Mastered by Elton "L10MixedIt" Chueng @ Classick Studios

Also headlining my first show in London next month! Playing at Birthday's come thru 🇬🇧

Tickets:
dice.fm/event/monte-booker-6t…thdays-london-tickets

LYRICS:

Intro Phoelix:

She can't leave her friend her friend she can hop right in 
3 peice for the win
Knock on 4 walls with a grin nowwwww

*repeats*





Smino Verse 1:



I’m from thee arch
i treat my nemesis harsh
i spot a lame cross de yard 
booches be parched 
no u kant trap me w boobie 
my pull out game on garage
i Swear fa God 
God wrote my life like a movie 
I’m out here playing my part 
Smeezy Segal 
right now I’m above Law 
Puffin a puffy cigar 
country as FUCK 
i keep a horse on my balls 
i keep a horse on my balls
leaving my mark 
she heard dat smino wuz here
den lemme write on her wallz

cranberry drop

i heard it was good for da pussy 
i heard it was good for da box

kush in my sock 

kuz we headed straight to da gally 
and u know 170 hot

oooohhhhh 

incoming kall 
from dis lil freak from new york 

she said 

she all about da minaj 
plus she gone bring all her barbs

she blessed 

i kiss my rosary 
hopin dese hoes 
a be cold as dis jamo and soda be 
my pockets on Monique 
dese booches all on me 
i feel like i'm Professor Ogalvi 



Hook:



i been pumping dis company 

Keep sumn plump keep me company 

real niggas round in good company

this 



Phoelix:

She can't leave her friend her friend she can hop right in 

3 peice for the win

Knock on 4 walls with a grin nowwwww

*repeats*



Smino Verse 2:



company 

company 

company 

company 

zero that company 

raised all our monthly’s

whoa 

moe booked den kindle  

old flame wann rekindle 

bih mama said i kant have company

so 

booked kuz u know how lil monte be 

i dont 

politic

profit da policy's

I honestly don't do no poliges 

inspiring i got variety 

and yo bitch want my body

i got moe kicks den karate 

cris off da brwn das karauche 

she kallin me smino papi



i feel like she chasing my Dee ee

but real niggas chasing deposits 



da coupe color raspberry tea-ea

interior drip look like honey 



Outro: 



two thangs wimme right now 

bof’um thick

quit playing wimme right now

thow sum bitch

who sayin we gone run out 

no no no no



too many niggas rapping

dey aint saying shit 

dey’on like da mike 

they calvin cambridge 

sound right alright 

i kno i kno i kno

Spotify

Kompany w/ Smino & Phoelix

Don't Take it Personal

Until I Find You

western cape

BE YOU (BILLIE EILISH SAMPLE)

im bacc
produced by SOLSA
mixed by milroze

STREAMING: https://distrokid.com/hyperfollow/milroze/backup

bitch i came out the lil t
so nobody fuck(s) w me
the struggle wasnt the same for me
we had food but we wouldnt eat
i had a nice bed at home but i wouldn’t sleep
crimson on my sleeves, crimson on the covers and crimson on the sheets
bloody bloody so bloody,
but i’m a hound and a wolf still gotta eat
i tell em back straight if you talking shit
and if you don’t ride with it then suck a dick
and i don’t do no risky shit, i been in the business of getting rich
innocent as a lil kid, had some bad friends now they isn’t shit
1990 plus 9 bitch you heard it first here like i’m really it, it’s milly bishh

you aint making money so you sad
you could have that whip
you could have them rings
you can have em bitches if you want
but you wont till you spread those wings
cause a boy gotta fly
pickup the phone when it rings

trap blowin up my phone, cant even hear them noise complaints
there's a party next door, you dont know if it's safe
let it flow through, smoke clouds till the bitch levitate
lift the stress off my back, a boy doing heavyweight

itsa lot in my mind itsa lot in my mind itsa lot in my head

told you don’t do me dirty
i never toted no thirty
on me i don’t play no mercy
they wanna know if i’m working
keep to myself, live in the back of the curtains
that’s where i go
i ain’t the star of no show
they don’t treat me like the goat
industry full of some hoes, that’s on my momma, i sip out the bottle and smoke
cause that’s all a boy ever known
yea that’s all a boy ever known
stuck in my head ain’t no answer disclosed
ain’t been the same since september, fo sho
saying rip for my two big bro’s
another rip for my two big bro’s

you aint making money so you sad
you could have that whip
you could have them rings
you can have em bitches if you want
but you wont till you spread those wings
cause a boy gotta fly
pickup the phone when it rings

trap blowin up my phone, cant even hear them noise complaints
there's a party next door, you dont know if it's safe
let it flow through, smoke clouds till the bitch levitate
lift the stress off my back, a boy doing heavyweight

itsa lot in my mind itsa lot in my mind itsa lot in my head

BACKUP (prod. SOLSA)

Damn the man.

Wallbangers = @VENMC + @The_At_Night

White Lies Remix

At The Cross / Motoaki Yasutake

A chant / hymn song collection from Japan. This is Japan's first album piece that expresses and records only the chant poetry song on saxophone. Sho Kamijo (G)  and Kenshi Takimoto (B) who plays an active part at the forefront such as support of Miura Daichi and EXILE, and Masaya Wada (Vo) who is famous as a producer of many major artists, and gospel singer Ayumi Hiraishi (Vo) have participated in friendship. Appointed Osamu Fukuzawa and Kengo Ishibashi for sound production. In addition, singers who are active in the Japanese gospel first line participate. Gospel smooth jazz work that has never been seen in Japan. (C) RS

[Guest Musicians]
 Sho kamijo                  [G]
 Isamu Nishida            [G]
 Kenshi Takimoto       [Ba]
 Masaya wada            [Vo]
 Yuya Watanabe         [Vo]
 Soichiro Oura             [Vo]
 Tsuguru Nakayama  [Vo]
 Ayumi Hiraishi           [Vo]
 Shoko Peppa             [Vo]
 Ayame Kondo           [Cho]
　　　　　　　　        
[Sound Produced]
Osamu Fukuzawa      [key, mix,mas]
Kengo Ishibashi         [G]

[Track List]

１.At The Cross / すみよりもくろき心なれど(聖歌458番)

２.Where He Leads Me / 慕いまつる主の(聖歌581番)

３.Amazing Grace / 驚くばかりの(聖歌229番)

４.I Surrender All / みなささげまつり(聖歌541番)

５.Leaning On The Everlasting Arms / 主の御手にたよる日は(聖歌503番) 

６.Softly And Tenderly / われにこよとイエスきみは(聖歌409番)

７.Jesus Loves Me / 主われを愛す(讃美歌461番)

８.What A Friend We Have In Jesus / いつくしみ深き(讃美歌312番)

９.Come Thou Fount Of Every Blessing / 今日まで守られ(聖歌292番)

１０.He Leadeth Me / 主がわたしの手を(聖歌651番)

１１.Jesus Keep Me Near The Cross / 十字架のかげに(聖歌396番)

[profile]

Motoaki Yasutake (Motoaki Yasutake, March 2, 1981)

 is a smooth jazz saxophone player from Fukuoka Prefecture. The tone is a mellow saxophone that combines western classic and jazz sounds. 
In 2009, he studied under the world's best SAX player Ron Brown, who played with Diana Ross and Stevie Wonder. The debut album "Break Through" recorded in Los Angeles in 2010 produced by Ron Brown was released nationwide. In 2016 November 24, the 2nd album "GREAT LOVE" was released and produced by Dwayne “Smitty” Smith who is the world-class saxophonist Boney James's current bandmaster and bassist.  Also, since 2011, He has a feeling for the Tohoku region through the earthquake, and He often visits it and hold a reconstruction support concert every year.

At The Cross / Motoaki Yasutake (Gospel Smooth Jazz) - Produced

Based on the award-winning finale season of the greatest television-drama of all time.

Featuring:
@VENMC
@Zach-Spound
@Alex-Segal

I Am the One Who Rocks

Tread Lightly

Roll out the Barrell

business : saeedali694@gmail.com
Instagram/Twitter @alisaeedmusic
FOLLOW ROTN ON INSTAGRAM
@rotnworldwiderap

BE YOU (BILLIE EILISH SAMPLE)

ALI

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