Some wonderfully delicate and subtle textures that pass by in a very unhurried manner, great build up and decline.  Great to listen to!

Now remastered and available on  CD at https://electrocd.com/en/album/5849/Alistair_MacDonald/Cabinets_de_curiosité
The matter lies before the eyes of all; everybody sees it, touches it, loves it, but knows it not. It is glorious and vile, precious and of small account, and is found everywhere... But, to be brief, our Matter has as many names as there are things in this world; that is why the foolish know it not.

[from The Golden Tract included in the Musaeum Hermeticum, Frankfurt. 1625.]

The tincture of physical things

version for 6 trombones and tuba

Friction is the force that resists motion in materials in contact. The piece explores many sounds and motions that act as a metaphor for various aspects surrounding friction such as a sense of kinetic energy and the resulting release of heat. In particular the piece references internal friction, the force resisting motion in solids which are undergoing deformation.

I imagine this process in the sliding trombone sounds which seem to push against some kind of imaginary sonic barrier. The materials become less and less stable as the musical atoms making up the piece distort and split up. Once separated the material reforms into new but related shapes. It is as though the new material shows us inside the original.

Friction is dedicated to Richard Greer and was composed as part of a cultural exchange between the Royal Conservatoire of Scotland and Paris Conservatoire and waspremiered by De Profundis in February in Paris. 

commissioned by Diaphonique, Franco-British Fund for Contemporary Music

De Profundis, trombone, tuba and percussion ensemble
Clément Carpentier, conducting

recorded at Saint-Louis des Invalides, Paris, February, 2. 2012
sound engineer : Alice Legros

The tincture of physical things

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