Anomie Belle (they/them) is a composer, producer, songwriter and multi-instrumentalist from the Pacific Northwest (www.anomiebelle.com). A classical violinist and vocalist by training, they perform, loop and manipulate strings, keyboards, vocals, samplers, drum machines, guitar and bass to create cinematic, layered songs. They were featured on Yppah’s “Eighty-One” (Ninja Tune) and collaborated with members of the Sneaker Pimps & Thievery Corporation. Their music appears in film, television, dance art and video games (Xbox, Showtime, MTV) and they have been composing for Sean Dorsey Dance since 2017. Anomie has toured in support of Tricky, Bonobo, Little Dragon, Bajofondo, Blockhead, Emancipator, Album Leaf & Floating Points. 

Licensing Inquiries: fiona@tidynomads.com

The new vinyl 'Pull Up/Ridin' Solo' is out now, including an exclusive unreleased track 
https://NS.lnk.to/PullUpVinylFA


Nocturnal Sunshine is the best known alter-ego of London based, British-Japanese producer, DJ, label owner and visual artist Maya Jane Coles. Ever since the dubstep infused “Can’t Hide the Way I Feel” back in 2010, the project has been another impressive string to Maya’s bow as she continues to carve out a reputation as one of the industry’s most revered producers. 

Listen to all Nocturnal Sunshine releases here 
https://NS.lnk.to/profiles

Our new EP 'We Never Die' is available now on http://unitedvibrations.bandcamp.com/album/we-never-die

New single Everything's Beautiful out now!

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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