http://soundcloud.com/groups/disquiet-junto

2012 all n4tural Junto tracks

newest tracks. well, all of them actually, but in reverse chrono order. you get the idea.

for the Disquiet Junto #4 
using stems donated by http://soundcloud.com/mapmap -- thanks!

http://mapmap.ch/
http://www.tenchrec.com/TCH05.html
http://soundcloud.com/groups/disquiet-junto/

As per the updated Junto FAQ, i include this statement on compositional approach
	My capacity for enjoying ambient mixes has been severely harmed by the three Juntos to date, which have been chock full of depressingly good ambiance to the tune of several hours' worth, so the only a priori goal i set myself in attacking this one was that it be hard, loud and dirty.
	no, wait. fast, hard and dirty.
	
	but then i fell in love with this loop i made (completely by hand in audacity! no SuperCollider!) by streching all the samples to the same length, condensing the result to 6.6 seconds (i don't know why anymore), appending a reverse copy, and downpitching an octave.
	So the return to my heavy metal days will have to wait for a future Junto.
	
	
	


Nearly There (Disquiet0004-mfischer nearly n4tural condensed milk Remix)

for disquiet Junto #13 "wildup"

More on wild Up at http://wildup.la 
Listen to the original recording at http://wildup.bandcamp.com 
More details on the Disquiet Junto at http://soundcloud.com/groups/disquiet-junto/info


Plan: For the 13th Disquiet Junto project, we've been given something special. This is a shared-sample project. There is a tremendous classical chamber-music ensemble in Los Angeles. Its name is wild Up, and it has provided to us the first movement of its recording of the Chamber Symphony, Op. 110a, by Dimitri Shostakovich. Better yet, wild Up has provided to us the individual stems from a live multi-track recording of the symphony. There are 10 tracks in all, ranging from the bass to the woodwinds, and everything in between. There is no isolation between tracks. What there is is an emphasis on different aspects of the ensemble -- and, thus, of the original composition. You are invited to make something new from this source material. Please use only the source material -- as few or as many of those 10 source tracks as you desire.

Samples: The source audio is downloadable from these URLs:
	

http://dl.dropbox.com/u/2293299/WildupForRemix.zip
	
http://junto.havesomemusic.com/WildupForRemix.zip
	
http://lownote.net/audio/WildupForRemix.zip
	
http://vuzhmusic.com/junto/WildupForRemix.zip

is that shostakovich in your pocket or are you just happy to see me [disquiet0013-wildup]

http://soundcloud.com/yuko-parris vs. http://soundcloud.com/all-n4tural

fixed rhythmic syllables applied to moving sets of sounds



turntable sounds from http://soundcloud.com/all-n4tural/random-coil-all-n4tural-my // http://soundcloud.com/random-coil/all-n4tural-random-coil-i-don

yuko n4tural: haikus

&rarr; <a href=http://echolab.de>echolab</a> & all n4tural OSC-based videocousmatic livecoding (quartz composer & supercollider), v0.0002

please see video, it's at least half of the fun: http://vimeo.com/54617039 

for Disquiet Junto #48: Fraternité, Dérivé (disquiet.com/2012/11/29/disquiet0048-libertederive )


sources used:
“Unloop Hullaballoo” off The Fleet’s Lit Up by Alex Charles and Richard Sanderson
http://threelegsduck.bandcamp.com/album/the-fleets-lit-up 
“Etude” off Emosphere by !Kung
http://threelegsduck.bandcamp.com/album/emosphere 
“04:54AM” off Four AM at Dusk Jérôme Poirier
http://threelegsduck.bandcamp.com/album/four-am-at-dusk

echolab & all n4tural [disquiet0048-libertederive]

for Disquiet Junto Project 0050: -…….–.-..-…-


"Junto till you drop"

&rarr; (http://morsecode.scphillips.com/jtranslator.html) (thanks!)

&rArr; ".--- ..- -. - --- / - .. .-.. .-.. / -.-- --- ..- / -.. .-. --- .--."

&rarr; <pre>(
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;~morsedurs = { |morsestring|
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;var durs;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;morsestring.do{|x| 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;durs = durs.add(switch (x.asString, 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;".", {1/16},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"-", {1/8},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;" ", {1/4},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"/", {1/4}, {} ));
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;};
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;durs;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;};
)</pre>

&rArr; [ 1/16, 1/8, 1/8, 1/8, 1/4, 1/16, 1/16, 1/8, 1/4, 1/8, 1/16, 1/4, 1/8, 1/4, 1/8, 1/8, 1/8, 1/4, 1/4, 1/4, 1/8, 1/4, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/16, 1/4, 1/4, 1/4, 1/8, 1/16, 1/8, 1/8, 1/4, 1/8, 1/8, 1/8, 1/4, 1/16, 1/16, 1/8, 1/4, 1/4, 1/4, 1/8, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/4, 1/8, 1/8, 1/8, 1/4, 1/16, 1/8, 1/8, 1/16 ]

Those are my beats (for aesthetic reasons i ended up adding a \stretch of 2, so everything's twice as long; bar length 2 * 9.8125 seconds).

There are two voices playing these beats:

↻ turntable sounds recorded with http://soundcloud.com/random-coil (for <a href=http://disquiet.com/2012/08/16/disquiet0033-turntable>Junto # 33 & 1/3</a>) (http://soundcloud.com/all-n4tural/random-coil-all-n4tural-my // http://soundcloud.com/random-coil/all-n4tural-random-coil-i-don )

↻ http://soundcloud.com/ecut/aeolian-hang-of-ecut-free -- impossible to count the countless hours of fun this recording has provided me. thanks, http://soundcloud.com/ecut !


Disquiet Junto Project 0050: -…….–.-..-…-
This week’s project explores Morse Code for its rhythmic content. The instructions are as follows: Select a word or phrase. Encode that word or phrase by the Morse method. Record a rhythmic foundation in which the dash is represented by a long beat and the dot by a brief one. Use that rhythmic foundation as a loop for the length of your track, at the speed you desire — speed can vary over the length of the recording. Record accompanying drone/melodic material that takes the underlying rhythm as its compositional foundation.

More on this 50th Disquiet Junto project at: http://disquiet.com/2012/12/13/disquiet0050-morsebeat 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto

junto till you drop [disquiet0050-morsebeat]

so i have this mindboggling toothache -- funny story, last time i had one was exactly one year ago, same place, same people, same christmas eve -- and i'm whiling the night away and @Troente sends over this http://soundcloud.com/troente/reutels-na-kerstmis

So this is me howling at the moon mother of godawful why do i need to suffer this are we not in the 21st century psalm 69.



Trönte & all n4tural: Reutels en Keulen na Kerstmis (hymnal)

for @Disquiet Junto Project 0052: Bump Foot CC 

i used the first 20 seconds of all three, because it didn't seem fair to the Bongo otherwise. 

thanks to Bump Foot label and the artists for an enjoyable sunday afternoon and series of mistakes and misunderstandings between brain, fingers and supercollider that led here.

1. The first 20 seconds of "Bongo" off the Aguas Tonicas album Los Desposeídos: http://archive.org/download/foot212/foot212_09-aguas_tonicas-bongo.mp3 
2. "Broken Robots" off the Gridline album Red Music: http://archive.org/download/foot211/foot211_03-gridline-broken_robots.mp3 
3. "The Cat in the Ocean" off the Pics Frunk album Low Voltage: http://archive.org/download/foot206/foot206_01-pics_frunk-the_cat_in_the_ocean.mp3 

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net 

More on this 52nd Disquiet Junto project at: http://disquiet.com/2012/12/27/disquiet0052-bumpcc 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info 


_____________________________
pic: http://www.bumpfoot.net

Broken Bongo Ocean [disquiet0052-bumpcc]

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
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headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
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51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
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newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
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new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
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&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
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thanks for the kind comments, kemosabes!
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