using sounds by http://freesound.org/people/jorickhoofd -- bedaankt!

http://sccode.org/1-4Rs

_____________


Disquiet Junto Project 0153: Groove Lock
The Assignment: Record a short sound intended to be set on repeat.

SoundCloud recently introduced the ability for a track to be looped on the website. That is, the listener can hit a button (details at disquiet.com/QVvCF) and the track will play over and over. This week’s project will make use of that feature. This week’s project will also, I should note, inform next week’s project. But you can do next week’s without doing this week’s, and vice-versa.

Step 1: Record a short, original piece of music/sound of between roughly 3 and 9 seconds intended to be set on repeat.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 3 and 9 seconds long.

Deadline: This assignment was made in the evening, California time, on Thursday, December 4, with 11:59pm on the following Monday, December 8, 2014, as the deadline.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0153-groovelock” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 153rd Disquiet Junto project — “Record a short sound intended to be set on repeat” — at:

http://disquiet.com/2014/12/04/disquiet0153-groovelock/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


acousmaloop 2014 [disquiet0153-groovelock]


https://soundcloud.com/tom-anderson-18/louvre-grok-disquiet0153-groovelock
https://soundcloud.com/random-coil/rip-ze-papers-disquiet0153-groovelock

thanks!


More on this 154th Disquiet Junto project — “Create a track from two locked grooves” — at:

http://disquiet.com/2014/12/11/disquiet0154-grooveunlocked/

More on the Disquiet Junto at:

disquiet.com/junto

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums/

Image associated with this project by Risa:

flic.kr/p/7SVf4L

disquiet0154 - grooveunlocked

for the 155th Disquiet Junto project: “Take a track and its remix and meld them into something new”

using:
https://soundcloud.com/yellow-salamandr-4-1/yellow-salamandr-4-waiting

https://soundcloud.com/colab/waiting-a-yellow-salamander-re-hash

-- thanks!

four players are playing tiny pieces of the two tracks in unison.
they've found a groove they like returning to; it's at the beginning, the end, and couple other places.

in between, they explore one tenth of both files together.
"let's explore the third tenth for a while," they might say:
~players.do{|p,i| ~doublefracfrom.(p, 0.3, num: 4)};

http://sccode.org/1-4Rs

More on this 155th Disquiet Junto project — “Take a track and its remix and meld them into something new” — at:

http://disquiet.com/2014/12/18/disquiet0155-mixmatch/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

disquiet0155-mixmatch


for the 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.”

stirred up from ice cubes recorded by https://soundcloud.com/random-coil -- danke!

2012: https://soundcloud.com/all-n4tural/coiled-ice

2013: https://soundcloud.com/all-junto/manster-hardcore-gamelan-cow

2014: oh nooo, i sat out.



More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

disquiet0157-icemusic2015

with http://soundcloud.com/random-coil

for http://soundcloud.com/groups/disquiet-junto/info #11: daily rhythm 

Plan: The eleventh Junto project requires you to make an original field recording, and to then make something of it. This project focuses on rhythm. The field recording should be of some rhythmic mechanical sound from everyday life: a dishwasher, a car's turn signal, a hard drive, a bicycle, whatever you choose. That recording should serve as the main rhythmic element of your track. You can edit the recording, certainly, but it should remain recognizable; you should only edit it to whittle it down to a core rhythmic section. To it you can add whatever sounds you like, but the rhythm should be central and prominent in the finished track.
	
sources 
	a) 1.5 hour recording of random coil's grandmother's washing machine
	b) 15 sec recording of old public hand-operated fountain pump 
		loc: http://toolserver.org/~geohack/geohack.php?pagename=Handfountain_Charlottenburg&params=52_31_2_N_13_18_14_E
		video: http://youtu.be/V4tsoLusHhk
		

process
	- basic loop hand-crafted (coil) from pump sample (n4t)
	- supercollider (n4t) granulations of washing machine cutups piped into FLStudio (coil)
	- recorded live, including on-the-hour chime courtesy of ProdMe 1.1 by Jim Carlson (website defunct), which, it turns out, is from http://www.freesound.org/people/suburban%20grilla/sounds/2166/
	edited in Audacity

random coil & all n4tural : Berlin mechanics [disquiet0011-motoring]

featuring fresh slices of this bamboo flute recording by http://soundcloud.com/caalamus: 
http://www.freesound.org/people/JohnLaVine333/sounds/137834/





_________________________________________________
pic from http://en.wikipedia.org/wiki/Angel_Heart

Sein is die Hand die verletzt (feat. Caalamus)

when i first heard this track i immediately thought of John; 
unfortunately, my asking him whether he'd consider doing a solo for it
caused all of his equipment to implode, and it's taken almost four months
for him to get back up running. 

but back he is -- thanks, http://soundcloud.com/john-mclaughlin!



castrated 7-inch: http://soundcloud.com/all-n4tural/demon-time

source track: http://soundcloud.com/80z/the-wind-howls-ting-ting -- thanks, buddy!

______________________________________________________________________________________________________
pic by ole Jim again: http://www.flickr.com/photos/jimoconnell/213657352/in/faves-48773669@N02/

demon time feat. John McLaughlin

for disquiet Junto #13 "wildup"

More on wild Up at http://wildup.la 
Listen to the original recording at http://wildup.bandcamp.com 
More details on the Disquiet Junto at http://soundcloud.com/groups/disquiet-junto/info


Plan: For the 13th Disquiet Junto project, we've been given something special. This is a shared-sample project. There is a tremendous classical chamber-music ensemble in Los Angeles. Its name is wild Up, and it has provided to us the first movement of its recording of the Chamber Symphony, Op. 110a, by Dimitri Shostakovich. Better yet, wild Up has provided to us the individual stems from a live multi-track recording of the symphony. There are 10 tracks in all, ranging from the bass to the woodwinds, and everything in between. There is no isolation between tracks. What there is is an emphasis on different aspects of the ensemble -- and, thus, of the original composition. You are invited to make something new from this source material. Please use only the source material -- as few or as many of those 10 source tracks as you desire.

Samples: The source audio is downloadable from these URLs:
	

http://dl.dropbox.com/u/2293299/WildupForRemix.zip
	
http://junto.havesomemusic.com/WildupForRemix.zip
	
http://lownote.net/audio/WildupForRemix.zip
	
http://vuzhmusic.com/junto/WildupForRemix.zip

is that shostakovich in your pocket or are you just happy to see me [disquiet0013-wildup]

Disquiet Junto 0014: Sonic Narrative
 

Subject: This project, the 14th in the weekly Disquiet Junto series, is about sonic narrative. 
 

Instructions: You will re-tell a very short and simple story -- an anecdote really, an everyday slice of life -- utilizing sound. It will take the form of a single audio file uploaded to your Soundcloud account. You will construct this track in any manner you choose: with field recordings, music, effects, dialog, or a mix thereof. The story you will be re-telling is this single-page comic strip by Matt Madden:
 

http://goo.gl/6P7eL 
 

In the process of re-telling the story through sound, you may interpret it in any way you choose. You can do it as straight narrative, or do an abstract rendition, or retell it from another point of view, or contribute a score as if it were a movie, or a record series of foley cues. The choice is yours.
 

Background: Matt Madden's single-page comic is the template for a book he created titled 99 Ways to Tell a Story: Exercises in Style. In the book, Madden told that same story 99 different ways, each in a different comic-book style. For example, he told it as a superhero comic, he told it as a manga, he told it as experienced from upstairs, and he told it as if it were overheard at a bar. Madden did this in homage to the French writer Raymond Queneau's own Exercises in Style, which is a key text of the literary movement known as Oulipo. Oulipo approaches the act of writing with intentional constraints, and the movement's approach to creativity was a strong influence on the development of the Disquiet Junto. Oubapo is the name of the comics version of Oulipo. What we're up to is the musical version: Oumupo
 

Length: Please keep your piece to between two and seven minutes in length.
 

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term "disquiet0014-oumupo” in the title of your track, and as a tag for your track.
 

Download: As always, you don’t have to set your track for download, but it would be preferable.
 

Linking: When you post your track, please include this information:
 

More on Matt Madden and his book 99 Ways to Tell a Story at: 
 

http://mattmadden.com/
 
http://exercisesinstyle.com/
 

More on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/info

what the hell was i looking for anyway [disquiet0014-oumupo]

for Disquiet Junto Project 0024: Alert Suite

This week's project is about "functional music." You will make four individual sounds that serve as alerts for digital communications. They will be in these categories:
 
1. email arrival
2. incoming phone call
3. new IM received
4. calendar event alert
 
The goal is that the four alerts will work together as a suite — that is, that they will complement each other, yet be distinct and recognizable from each other.

cuts from http://soundcloud.com/all-n4tural/nearly

More info on the @disquiet Junto here: http://soundcloud.com/groups/disquiet-junto/info

____________________________________________________________________________________
Pic: this stencil alerts building owners in Shanghai that their's is due to be demolished

alertsuite [disquiet0024-alertsuite]

but you know it is a lie


using http://soundcloud.com/bad-panda-records/digits-where-do-you-belong-lv
and an open laptop mic

recorded live in/with supercollider.sf.net

Digits - where do you belong (all n4tural rmx)

for @disquiet @djunto Project 0039: Netlabel Derivations 

a bit of a technical departure for me -- no granular :) 
just playing different cuts of the three tracks in a fixed rhythm, randomly constructed from powers of 2 (naturally). No processing of any sort, just playing backwards and forwards at original speed. (some bass boost added globally in post production to smooth things over. and because we like bass.)

Concatenative synthesis i've heard it called, but prefer to think of it as tape music -- if our forefathers had had unlimited tape heads with direct random access. Come to think of it, it's a nondeterministic polynomial time Turing machine gone .. ill.

<a href=https://en.wikipedia.org/wiki/P_versus_NP_problem>P = NP(ill)</a>


Disquiet Junto Project 0039: Netlabel Derivations

This Disquiet Junto project was done as a celebration of the efforts of the Nowaki netlabel, and to support its employment of licenses that allow for derivative works. This track is comprised of three pieces of music: "Irese" by Barascud, "Sumatra" by André D / Christophe Meulien, and "She Likes to Look at the Sky" by Kluge. More on the Nowaki label, and the original versions of these tracks, at 

http://http://www.nowaki-music.org/ 

"Irese" from this Barascud's Summit: http://www.nowaki-music.org/#album151 

"Sumatra" from André D / Christophe Meulien's Archipel http://www.nowaki-music.org/#album153 

"She Likes to Look at the Sky" from Kluge's No Love, Please. http://www.nowaki-music.org/#album130 


More on this 39th Disquiet Junto project at: 

http://disquiet.com/2012/09/27/disquiet0039-remixingnowaki/ 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info

unlimited tape heads [disquiet0039-remixingnowaki]

for @Disquiet Junto Project 0052: Bump Foot CC 

i used the first 20 seconds of all three, because it didn't seem fair to the Bongo otherwise. 

thanks to Bump Foot label and the artists for an enjoyable sunday afternoon and series of mistakes and misunderstandings between brain, fingers and supercollider that led here.

1. The first 20 seconds of "Bongo" off the Aguas Tonicas album Los Desposeídos: http://archive.org/download/foot212/foot212_09-aguas_tonicas-bongo.mp3 
2. "Broken Robots" off the Gridline album Red Music: http://archive.org/download/foot211/foot211_03-gridline-broken_robots.mp3 
3. "The Cat in the Ocean" off the Pics Frunk album Low Voltage: http://archive.org/download/foot206/foot206_01-pics_frunk-the_cat_in_the_ocean.mp3 

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net 

More on this 52nd Disquiet Junto project at: http://disquiet.com/2012/12/27/disquiet0052-bumpcc 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info 


_____________________________
pic: http://www.bumpfoot.net

Broken Bongo Ocean [disquiet0052-bumpcc]

proof of concept OSC-based audiovisual live coding 

quartz composer: echolab.de 
supercollider: @all-n4tural
 

https://vimeo.com/55444467


samples used
- soundcloud.com/ecut/aeolian-hang-of-ecut-free -- thanks again, again, @ecut!
- soundcloud.com/random-coil/all-n4tural-random-coil-i-don // soundcloud.com/all-n4tural/random-coil-all-n4tural-my


echolab & all n4tural v0.0003b ::: ecuthang and plattenspieler

(
Instr.new("StreichWalker", {	|buf,rate=1, dur=0.1, pos = 0.1, amp = 0.9, trigr = 64, randoffset = 0.01, flange = 1 |
_____var clk, pan, chain;
_____clk = Impulse.kr(256);
_____pos = pos + TRand.kr(0, randoffset, clk);
_____Mix.new ([TGrains.ar(2, 	// numChannels
_______________ clk,	// trigger
_______________  buf, 	_____// bufnum
_______________ //rate, 	// rate
_______________ rate + TRand.kr(flange/(-1000), flange/1000, clk), // this is going in a flanger direction, sorta
_______________ pos, 	// centerPos
_______________ dur, 	// dur
_______________ TRand.kr(-1,1, clk), //pan, 	// pan
_______________ amp),	// amp
__________    ]);
});
);

(
SynthDef(\clusterboom, {| out = 0, freq=55, dur=1, amp=1|
_____Out.ar(
__________out,
__________Splay.ar({SinOsc.ar(exprand(freq-(freq/128),freq+(freq/128)),0,0.1)}!33)
_______________* EnvGen.kr(Env.perc,1,1,0,dur,2)
_______________* amp
__________)		
}).add;
);

1.do{|i|  ~streicherList = ~streicherList.add(~streichCh.play(Instr.at("StreichWalker")));};


(
~baseamp.isNil.if  {~baseamp  = 1};
~waitroot.isNil.if {~waitroot = 1};
~direction.isNil.if {~direction = 1};
~jumpPosition = 0;
~cleanBufNum.isNil.if {~cleanBufNum = 0} {(~cleanBufNum > (~buffers.size - 1)).if {~cleanBufNum = 0}};
(
~rateChooser.notNil.if {~rateChooser.pause};
~rateChooser.free;
//~rateChooser = Task({inf.do{~rate = [1/32,1,1,1].choose;0.1.wait;};}); 
//~rateChooser = Task({inf.do{~rate = [1/32,22/24,22/24].choose;0.1.wait;};}); 
~rateChooser = Task({inf.do{~rate = [1/32,1/16,1/8, 1,1,1,1,1,1].choose;(~waitroot/8).wait;};}); 
//~rateChooser = Task({inf.do{~rate = [1/32,1/16,1/8,1/4, 1].choose;(~waitroot/8).wait;};}); 
~rateChooser.play;
);  
(
~rateSetter.notNil.if {~rateSetter.pause};
~rateSetter.free;
//~rateSetter  = Task({inf.do{~streicherList.choose.synth.set(\rate, ~rate);(~waitroot/4).wait;};});
~rateSetter  = Task({inf.do{~streicherList.choose.synth.set(\rate, ~rate);(~waitroot/8).wait;};});
~rateSetter.play;
);
(
~posChooser.notNil.if {~posChooser.pause};
~posChooser.free;
//~posChooser = Task({inf.do{~jumpPosition = ~buffers[~cleanBufNum].duration.rand;0.1.wait;};});
//~posChooser = Task({inf.do{~jumpPosition = (~jumpPosition + 0.001)%(~buffers[~cleanBufNum].duration);0.001.wait;};});
~posChooser = Task({inf.do{~jumpPosition = (~jumpPosition + (0.01 * ~direction));(~waitroot/64).wait;};});
//~posChooser = Task({inf.do{~jumpPosition = (~jumpPosition - 0.01);(~waitroot/8).wait;};});
~posChooser.play; 
);
(
~posSetter.notNil.if {~posSetter.pause};
~posSetter.free;
~posSetter = Task({inf.do{~streicherList.choose.synth.set(\pos, ~jumpPosition);	(~waitroot/32).wait;};});
// thought this might get rid of the clicks, but no:
/*
~posSetter = Task({inf.do{
	var chosen = ~streicherList.choose.synth;
	chosen.set(\amp, 0);	
	chosen.set(\pos, ~jumpPosition);	
	chosen.set(\amp, ~baseamp);	 
	(~waitroot/32).wait;
};});
*/
~posSetter.play;
);

(
~bufSetter.notNil.if {~bufSetter.pause};
~bufSetter.free;
//~bufSetter = Task({inf.do{~streicherList.choose.synth.set(\buf, ~buffers[~cleanBufNum]);0.5.wait;};});
~bufSetter = Task({inf.do{~streicherList.choose.synth.set(\buf, ~buffers[~cleanBufNum].bufnum + 1);(~waitroot/2).wait;};});
//~bufSetter = Task({inf.do{~streicherList.choose.synth.set(\buf, ~rectoBuffer.bufnum + 1);0.5.wait;};});
~bufSetter.play;
);
(
~randominterference.notNil.if {~randominterference.pause};
~randominterference.free;
~randominterference = Task({inf.do{~streicherList.choose.synth.set(\pos, 33.0.rand); (~waitroot/2).wait;};});
~randominterference.play;
);

(
~lag.isNil.if {~lag = 1/8};
~lagger.notNil.if {~lagger.pause};
~lagger.free;
~lagger = Task({inf.do{~streicherList.choose.synth.set(\pos, ~jumpPosition - ~lag);	(~waitroot/8).wait;};});
~lagger.play;
);

)
(
~bufSetter.notNil.if {~bufSetter.pause};
~bufSetter.free;
~bufSetter = Task({inf.do{
_____~streicherList.choose.synth.set(\buf, [
__________//~buffers.choose.bufnum, 
__________~buffers[~cleanBufNum].bufnum, 
__________~liveBuf.bufnum].choose 
_____+0);
_____(~waitroot/16).wait;};});
~bufSetter.play;
)

(
~silences.isNil.if 	{~silences = [1/8,1/4,1/2]};
~bassmidis.isNil.if	{~bassmidis = [9,21,22]};
~boom_p.isNil.if         {~boom_p         = false};
~bass.isNil.if           {~bass            = 15.midicps}; 
~boomamp.isNil.if        {~boomamp         = 4         }; 
~boomdur.isNil.if        {~boomdur         = 1/2       }; 
~boomcoin.isNil.if       {~boomcoin        = 1/2       }; 
~silencer.notNil.if {~silencer.pause};
~silencer.free;
~silencer = Task({inf.do{
_____~streichCh.preSends.first.level_(0,false,false);
_____~streicherList.do{|i| i.synth.set(\amp, 0);};
_____(~silences.choose * ~waitroot).wait;
_____if (~boom_p && 0.75.coin) {
__________0.25.coin.if {~bass = ~bassmidis.choose.midicps};
__________~longClickCh.play('clusterboom', ['freq', ~bass, 'amp', ~boomamp, 'dur', ~boomdur * [1,1,1,4].choose]);
_____};
_____0.25.coin.if {
__________~reverbCh.mute(true);
__________((1/8)* ~waitroot).wait;
__________~reverbCh.mute(false);
_____};
_____~streichCh.preSends.first.level_(0.1,false,false);
_____~streicherList.do{|i| i.synth.set(\amp, ~baseamp);};
_____(~silences.choose * ~waitroot).wait;
};}); 
~silencer.play;
);





_______________________________________________________________________________
pic: http://www.flickr.com/photos/jstar/2826035495/in/faves-48773669@N02 

what song

endless @nofi

RIP Jeffrey Melton from Indiana, United States
http://www.legacy.com/obituaries/fortwayne/obituary.aspx?page=lifestory&pid=163988588#fbLoggedOut


.
.

made from
http://soundcloud.com/nofi/unwndiir-v-02r 
http://soundcloud.com/nofi/testing-devices-v-01r 
http://soundcloud.com/nofi/spliintr-v-02r 
http://soundcloud.com/nofi/over-dub-v-02r 
http://soundcloud.com/nofi/number-none-v-01r 
http://soundcloud.com/nofi/midnight-run-v-01r 
http://soundcloud.com/nofi/bit-flipp-v-01r 
http://soundcloud.com/nofi/antipode-v-02 
http://soundcloud.com/nofi/theoretician-v-02r 
http://soundcloud.com/nofi/polymath-v-01r 
http://soundcloud.com/nofi/papa-ghede-v-02r 
http://soundcloud.com/nofi/dirty-math-v-03r 
http://soundcloud.com/nofi/dark-lord-v-01r 
http://soundcloud.com/nofi/concept-club-v01r 
http://soundcloud.com/nofi/clickr-v-01r 

.
.
.
.





http://sccode.org/1-4Rs


endless nofi

≡ hang sample by @ECUT  -- thanks!


http://sccode.org/1-4Rs



hey now

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
_________________________________

headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
_________________________________

51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
_________________________________

newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
_________________________________

new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
_________________________________

&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
_________________________________

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