FUNK ON STEROIDS .... sample based music, free edits and original fresh funky grooves made to move people all around the world !

-------------------------------------------



/// RELEASES /// 

Kaninchenbau
PALP
Whiskey Disco
Saint Wax
Editorial Records
Furious Mandrill Records
Samosa Records
Tropical Disco Records
Smokecloud Records
Legofunk Records
Discoweey
Boogie Bodega
Hotbox Boogie
Midnight Riot
Masterworks Music
Hot Digits Music
Daje Funk Records
Super Spicy Records
DiscoDat
Moiss Music
Hive Label
Sundries
Spa In Disco
About Disco
Paper Disco
Deep Sense
Whiskey Pickle
Cauldron
I Records
Wonderful Times
Aid to the SouLLess
Kultus Musiek Records
Solid State Disco

/// Label Boss ///

@kaninchenbau-sounds
@furious-mandrill-records

/// Booking & General Enquiries ///
the.funk.district@hotmail.com

Pre-save CRY BABY with Anne-Marie & David Guetta, out 9th August
https://CBxAMxDG.lnk.to/CryBabysb

Cafe Mambo is Ibiza's most iconic sunset bar, sitting in the heart of the famous sunset strip in San Antonio. 

Since opening in 1994, many of the worlds most famous DJs have played here; Pete Tong, Paul Oakenfold, Roger Sanchez, Eric Prydz, Frankie Kunckles, Fatboy Slim and Groove Armada to name just a few, sound-tracking those amazing sunsets and creating some incredible memories.

The Sound Of Cafe Mambo Ibiza.
Online & with the free app. 

Don't forget to follow us on all your favourite social channels.

Francis Owens professionally known by his stage name DJ Magic Flowz, he's a Nigerian born and a Canadian citizen based in Toronto. Was at the age 17 year old with the ambition and goal oriented to bring music to the people, and he started off different. Between 2002-2003 in Rome Italy he learned to expand his Music loving ventures and learned to produce House-Music combined with Afrobeat bringing originality to his style, performing with top European DJ’s like: Paolo Bolognese, DJ Emix, and DJ Emanuele Inglese, DJ Mystical Kut from Paris, DJ Jeckey from Spain (EU Top DJ's). Known for his versatile style embracing many cultures and as well adapting to any giving crowd. Performances with various International Arts.
 
Description:
CLUB DJ, RADIO MIXSHOWS, MUSIC PRODUCTION & EVENT COORDINATOR
 
Interests:
HIP HOP. R&B, TECH HOUSE, TRIBAL, AFROBEAT, TRAP, JAZZ, REGGAE, SOCA
 
Recognitions:
 
Best DJ 2011 At The SWAG WATCH Dj Competition
Best DJ at the 2nd edition SWAG WATCH RELOADED DJ Competition
Best DJ at The Annual African Entertainment Awards 2012
Best DJ at The Annual African Entertainment Awards 2013
Award Of Excellence Abedorc Production 2013

Following a sabbatical of some years, Nathan made a much anticipated return to the scene in 2013. In that time he has filled dance floors across the north west with DJ and live PA Sets. Highlights of the year include a huge DJ set and live PA at separate events at the infamous Bowlers Exhibition Centre. Always one to put on a show for the crowd, he looks forward to similar events to come.

As one half of the musical giant that is "Pianoman", old skool piano music remains close to Nathan's heart. He continues to be active in the scene with solo projects. Keep your eyes and ears open as you may well see Nathan team up with his partner James Sammon for some exciting new Pianoman projects. 

A true music lover of all genres, Nathan continues to explore other musical directions. The new year has seen Nathan expand into house, with new original tracks under production at his in house studio.

Nathan began his clubbing journey in 1994 after listening to the sounds that were coming out of the North West club scene, a regular on the Liverpool club scene he could be found at Cream, The State, The 051 club and The Buzz Club

A big fan of House music he frequented record shops such as Manchester Underground, Eastern Bloc and 3 Beat Records. Nathan truly loves the music he plays and has that passion from his clubbing days. In 1997 he went into production and released two tracks himself on vinyl under the alias of "Spine Tinglers" which today are classics and sell for big amounts to collectors.

I am a dance music DJ that specialises in Old Skool italian/ vocal house creating a warm and uplifting atmosphere where ever I play. I have a combative  style of mixing and like to implement scratch into most mixes / live shows. I have over 15 years in the industry and have played at the likes of Bowlers(Manchester), back to basics(leeds), Back by Dope Demand/Area 51,cream (liverpool) to mention many more. Dub and Vocal mixes are currently being mastered for various artists and session singers , currently working with the likes of DJ Absolute and numerous dj's / producers from the old skool scene. Artists worked with include Chenai (Xfactor) and various TV backing  vocalists. 

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DJ and producer. Compiled mixes for Galaxy Radio and Vibe. I do not claim to hold copyright of any of the  individual tracks included in my mixes. All mixes are compiled by myself.

AllenCannon is following