🔘 We accept Techno and all it’s sub-genres.


Demos: https://form.jotform.com/222748459010657

Existence Recordings promises to always take care of what really matters and that is to give value to the music of each artist, the music as the main attraction.
Over the years we have witnessed how the boom of social networks has taken the place it deserves to music, has taken the relevance leaving aside all the effort and talent that highlight a music producer. For this and more, existence recordings emerges as a new independent label focused on the talent and art of each proposal, betting to support and provide welcome to each and every one of the producers who trust in their project, trust in their talent and of course transmit much with their music. Our philosophy does not care about who you are on social networks, it cares about the quality of the music you offer and we are sure it will be the best. Existence Recordings out.

Lady Liz BK
DJ | Event Curator | Content Strategist | Dharma Coach

📍 Based in NYC | 20+ Years in Nightlife & Cultural Events

As a seasoned promoter and DJ, I’ve spent two decades creating unforgettable nightlife experiences rooted in connection, rhythm, and community. I specialize in HOUSE music, curating events that bring people together through movement, energy, and sound. As a spiritual life coach, I infuse my sets and productions with purpose — joy, liberation, and authenticity.

Let’s build something unforgettable.
@LADYLIZBK -Instagram

Email at Djladyliz@gmail.com

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

William, “The Miracle Worker,” is a visionary producer, artist, attorney, and founder of Waters World Studios LLC. Known professionally as Waters World and The Miracle Worker, he fuses global production success with bold creative energy — making him one of the most dynamic figures in modern entertainment.

Formerly known as DJ Billy Waters, William rose to international acclaim with house remixes featured on MTV’s Buzzworthy Blog and Sirius/XM, including a remix of Kelly Clarkson’s “Dark Side” (with Floor One). He co-produced a #1 Billboard Dance remix of Katy Perry’s “Firework” (with Nick Harvey) and delivered a string of Billboard Top 10s across major labels like Capitol, Island/Def Jam, and Sony Music.

William’s early remix work included collaborations with John Michael Di Spirito (now Peloton’s Resident DJ), contributing to iconic productions for Whitney Houston, Taylor Dayne, and more under DJ Junior Vasquez’s banner. Other collaborations include Inaya Day, Niki Haris, Zelma Davis, and beyond.

His DJ sets are high-energy and vocal-driven — infused with tribal beats and a sharp, fearless style that reflects his cheeky moniker: The Miracle Worker.

Beyond the decks, William holds a law degree and has worked in MTV Networks’ Business & Legal Affairs. He’s a Founding Member of the Psychedelic Bar Association, co-leading its Legalization & Regulation Committee, and serves as Board President of Bezerk Productions, a non-profit that uses art therapy to empower individuals with severe mental health differences.

Today, through Waters World Studios LLC, he continues pushing the edge of sound, vision, and purpose.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


20, Listen with headphones for quality  <3
follow me on instagram @Antivst 
for more music updates +
(not doing collabs/feats rn)

Bookings:
World: daniel@jackmode.com 
North/Central America: natalie@auroratalent.agency 
South-America/Spain: mikel@b4bookings.net

MGMT: royrosenfeldmgmt@purplewall.com

Since 2009, Roy Rosenfeld has been sharpening his artistic skills in electronic music, effortlessly blending diverse styles and genres of House music. Each of his creations showcases the consistently unique and recognizable sound that defines Roy Rosenfeld.

Starting out as a beginner DJ, he began his career as a resident DJ in a dance bar. He later expanded his reach, performing at larger venues like festivals and underground clubs in major cities. His passion for music and musical abilities quickly earned him recognition and a dedicated global following.

Roy Rosenfeld has established a successful music career by collaborating with several leading record labels in the House music industry. He has released tracks on "All Day I Dream" by Lee Burridge, including "Lift of Love”, "Honey”, "Rumbala”, and "Simi”, to name a few. He has also published his music on Guy J’s "Lost & Found" Records, where one can find "Phase" and "Force Major" EPs, among others. In addition, Roy has released well-known musical works under Guy Gerber's imprint "Rumors," including the track "No Drama" and a remix to “Rainchecks In Montreal” by the label boss. His back catalog includes music on Sebastien Leger's label "Lost Miracle," such as “Toco/Sanga Dance”, “Milongi”, "Hypnosa De La Rosa" and "Tuti" EPs, which feature collaborations with Sebastien himself, including the tracks "Creme" and "Cherry On Top," both have become instant classics.

Throughout his career, Roy has created several iconic works, including “Epika”, a collaboration with Guy Mantzur, released on the legendary “Kompakt” Records and regarded as one of the greatest anthems of 2015. "The Biggest Heart," released on Lee Burridge's label "TRYBESof" in 2019, took some dance floors by storm, capturing hearts globally, and became a standout anthem of that year's “Burning Man”. To kick off 2023 with a bang, Roy released "Kala" on the highly regarded label "VOD." The track received immediate support from major industry figures like Solomun, Keinemusik, and Adriatique and quickly climbed to the top of Beatport's charts, receiving worldwide recognition and airplay.

Having many top hits in the sales charts, winning contests and awards, and collaborating with some of the most respected artists, had all gained Roy massive recognition and support from major superstars, such as Solomun, Black Coffee, Dixon, Keinemusik, Lee Burridge, Guy Gerber, Maceo Plex, Richie Hawtin, Laurent Garnier, Michael Mayer, Guy J, Hernan Cattaneo, John Digweed, Luciano, Stephan Bodzin, Joris Voorn and many others. The list even goes on to Tiesto, Armin Van Buuren, Deadmau5, and Groove Armada.

In addition to his production accomplishments, Roy successfully balances a hectic DJ schedule. In 2018, there was a global increase in demand for his unique sound, resulting in multiple participations in several “All Day I Dream"
events in Ibiza, Mykonos, and Dubai. This was followed by a huge interest in the US. He then performed at different massive festivals including Tomorrowland in Belgium, Zamna in Tulum, We Are Lost in Buenos Aires and Amsterdam, All Day I Dream in the US, Warm Up in London, Return to Rio in Sydney, Warung in Brazil, Marvellous Island in Paris, and more.

In early 2020 Roy started his new events production called “No Drama”, a small but highly successful dance-music event launched in Tel Aviv. Despite its modest size, the event attracts a dedicated crowd of music lovers and dance enthusiasts, who come together to enjoy a day & night of a musical journey. With a lineup of top local and international DJs, “No Drama” has quickly established itself as one of the hottest dance-music events in the city, known for its relaxed and fun atmosphere, great music, eye-catching decorations, and fantastic crowd.

Roy's fervor for music and unwavering ambition have established him as a distinguished figure in the music industry. He is constantly pushing the boundaries of house music and stirring the hearts of others with his unique sound. Whether he is commanding the stage at a packed venue or honing his skills in the studio, Roy remains steadfast in his dedication to his craft and bringing joy to others through his music.

“These days there are plenty of genres and styles within the electronic scene, which cause our minds to be fixated / square and stuck into the “rules” of those music genres. We can always pursue those styles and learn from them a lot, but always keep a warm place for our unique sound and style. We need to preserve and protect the uniqueness and specialties of each one of us. Do not let it run next to you. I believe this is the way to success”. Roy Rosenfeld.

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