Tinsley Ellis, Guitar and Vocals 
Kevin McKendree, Organ and Piano 
Steve Mackey, Bass 
Lynn Williams, Drums and Percussion  

with Jim Hoke, Sax and Andrew Carney, Trumpet on Just Like Rain, Beat The Devil and Step Up  

Produced by Tinsley Ellis and Kevin McKendree 
Recorded and mixed by Kevin McKendree at The Rock House, Franklin, TN  
Assistant Engineer: Yates McKendree 
Mastered by Jim Demain at Yes Master Studios, Nashville, TN  
Cover art by Steve Johannsen 
Photo by Elaine Thomas Campbell 
Packaging design by Kevin Niemiec  

In memory of William Tinsley “Trey” Ellis III  

tinsleyellis.com
alligator.com/artists/Tinsley-Ellis
facebook.com/TinsleyEllis
instagram.com/Tinsley.Ellis
twitter.com/TinsleyEllis

Devil May Care

Buy or Stream

Tinsley Ellis - One Less Reason

Otis Taylor - My World Is Gone - My World Is Gone

J Street Extension's current demo, featuring a broad assortment of songs from our current setlist.

Black Magic Woman (Santana/Fleetwood Mac)

John Lee Hooker

6 Benjamin Biolay & Elli Medeiros - Les Bords de Seine

HELL AIN'T NO PLACE FOR AN ANGEL  

by

Bob Morrison/Bob McCracker/Sharon Spivey

    
I love you way too much to ever use you
            
'Cause when the lovin's done where would we be?
  
I couldn't leave the one who stands between us
              
and you don't deserve the hell of lovin' me



Chorus:
            
Hell ain't no place for an angel
                       
I just couldn't tell my woman that we're through
            
Hell ain't no place for an angel
                     
so I close my eyes and make believe she's you


        
She's always been a perfect wife and mother
  
I know she'd know the minute that I fell

Lovin' you would be a piece of heaven
   
but I can't put an angel through that hell



Chorus:

	Hell ain't no place for an angel
                       
	I just couldn't tell my woman that we're through
             
	Hell ain't no place for an angel
                     
	so I close my eyes and make believe she's you



TAG:

	I just close my eyes and make believe she's you




CONTACT: twodice2@yahoo.com

WEBSITE:  https://sharonspiveysongs.com/

HELL AIN'T NO PLACE FOR AN ANGEL

Cary Morin's 2018 release, When I Rise.  

"Described as “one of the best acoustic pickers on the scene today,” Cary Morin brings together great musical traditions of America and beyond like no other. With deft fingerstyle guitar, vocals that alternately convey melodic elation and gritty world-weariness, Morin crafts an inimitable style characterized as Full Throttle Native Americana."

Release date is October 26th 2018.  Please do not share these files without express written permission of Cary L. Morin, Maple Street Music Agency, or Mark Pucci Media.

When I Rise

Distant Lonesome Train (Featuring Carolyn Wonderland)

Produced by Curtis Salgado 
Mixed by Sandy Solomon 
Recorded at: Ultratone Studios, Studio City, CA,  
Engineered by Johnny Lee Schell Rock House Recording, Nashville, TN,  
Engineered by Kevin McKendree Greaseland Studios, San Jose, CA,  Engineered by Kid Andersen 

Additional recording at:  
Falcon Studios, Portland, OR,  
engineered by Dennis Carter Dockside Studio, Maurice, LA,  engineered by Justin Tocket 
Mastered by Reuben Cohen at Lurssen Mastering, Los Angeles, CA Photos by Jessica Keaveny Packaging design by Kevin Niemiec  

Special thanks to: Randy Fennell, Johnny Lee Schell, Kevin McKendree, Kid Anderson, Mike Crider, Kathy Goranson, Suzanne Dominique, Dave Duncan, Mike Finnigan, Michael Bard, Wendy and Philip Salgado, Tracy Arrington RIP.  

Curtis Salgado plays Hohner Harmonicas customized by Joe Filisko  Management: Shane Tappendorf, 
Odaglas LLC, odaglasllc@gmail.com  

Booking: Intrepid Artists, 
staff@intrepidartists.com, (704) 358-4777

Damage Control

Curtis Salgado - Precious Time

Since its inception, Alligator has always kept a close eye both on new artists and new technologies. In the 1970s, the company produced LPs, cassettes and 8-track tapes. In the 1980s, Alligator was the first blues company to produce CDs, and in the 1990s Alligator was among the first labels to market its catalog over the Internet. These days, alligator.com, the label's website, and its social media sites are instantly updated with the latest news and tour dates. At the website, visitors can listen to a 250-song jukebox while reading bios of every artist, get free downloads and purchase CDs and other blues-related merchandise. Alligator is also deeply involved in the downloading worlds, working closely with almost all of the legitimate download services, making thousands of Alligator tracks available for instant online purchase.

Today Alligator Records is fueled by the same principles that it first established in 1971. The label continues to push forward, still bucking the odds, with everybody working long hours on a shoestring budget. The entire staff is always looking for new talent and listening to a wide variety of roots music. As driven and determined as ever, Alligator is committed to the future. "I want to keep bringing blues and roots music to new fans and getting them as excited about the music as I am," says Iglauer. 

Curtis Salgado - Precious Time

AlligatorRecords

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