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A big thank you to the lovely @evitamanji for putting us on the spot with this brutal compilation "PLASMODIUM"
All proceeds will be collected and transferred to ANIMA, a non-profit association active in the field of the natural environment, with its main activity being the nursing and rehabilitation of wild animals in their natural environment.

myxoxym.bandcamp.com
www.wild-anima.gr/en/profile/

PLASMODIUM

Van Boom & Oldyungmayn - Ayshay [PLASMODIUM]

strike/grapple

Oldyungmayn & Estoc - Strike / Grapple [M.A036]

HANAN

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

DOWNLOAD

Mun Sing - Somersault

The Shapeshift Spaceship universe is transfuturistic. Being at the boundary of states is not an anomaly in this universe, but a starting point.

Shapeshifting is a method of applied radical imagination that, in the manner of afro- and other emancipatory -futurisms, uses the spatiotemporal immensity of the future and intergalactic distances to declare a transfuturistic universe free from conventional gender and taxonomic reasoning.

The central motif of the Shapeshift Spaceship project – emancipation through the transformation of one's own shape – has an age-old parallel in music: it too uses the principle of constant ephemeral change, rhythmed by repetition, to create its own elusively passing beauty with the extraordinary capacity to transform human emotions along with its own change. The possible maximum of this intoxication with music is a state of ecstatic rapture, a transformation directly experienced through the moving body, accompanied with the awareness of the expanded nature of existence as an indivisible continuum of all its interconnected parts.

With the participation of following shapeshifters, queer, FLINTA, enby and LGBTQQIP2SAA artists: Anthr0morph & Oliver Torr, El Pelele, Evil M, Hihelga, Pope Sangreta, IDKLANG, Technopagan, HrrHrrHrrr, Dj Würm

The compilation is released as an editorial selection curated by Šimon Kadlčák in collaboration with MeetFactory and speedcoretrew.

The project was supported by the Prague City Hall, the Ministry of Culture of the Czech Republic, Prague 5 and the State Culture Fund.

Link of the whole project Shapeshift Spaceship meetfactory.cz/cs/program/detail/shapeshift-spaceship

released by MeetFactory and speedcoretrew in January 2025.

mastered by KōNcHi

track n. 6, El Pelele - NO QUERER PERDONAR
produced by El Pelele and Astrosuka
mixed and mastered by Astrosuka
previously released by TRRUENO (2019)

cover design by Veronika Žilinská

evil m - kiss refund

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

KRØMA, ØHM  - Ruido Santo

Svaiz records presents Feel the rythm EP by the artist Cristian Braga - Hardtechno

Cristian Braga - Feel the rythm (Original Mix)

Oldyungmayn - Leh

Single from @yungadultxx's debut self-titled EP, forthcoming 18/12/20 on @hi_nrg.

Mastering: @morair
Artwork: Ryan Huff

Pre-order: https://hi-nrg.bandcamp.com/album/hard-fantasy-ep

Oldyungmayn - Leh

AL GHARIB

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