😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫😵‍💫

Narmy gorp

SLUMBER

@oldyungmayn

“𝘈𝘴 𝘵𝘩𝘦 𝘯𝘪𝘨𝘩𝘵𝘭𝘺 𝘸𝘪𝘯𝘥 𝘸𝘢𝘴 𝘣𝘦𝘯𝘵, 𝘪𝘵 𝘣𝘭𝘦𝘸 𝘱𝘢𝘴𝘵 𝘵𝘩𝘦 𝘵𝘪𝘱𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘵𝘢𝘭𝘭 𝘨𝘳𝘢𝘴𝘴. 𝘍𝘢𝘪𝘯𝘵𝘭𝘺 𝘵𝘩𝘦 𝘭𝘪𝘨𝘩𝘵 𝘥𝘢𝘯𝘤𝘦𝘥, 𝘢𝘭𝘮𝘰𝘴𝘵 𝘱𝘳𝘦𝘤𝘦𝘥𝘦𝘯𝘵 𝘰𝘧 𝘰𝘶𝘳 𝘥𝘦𝘴𝘵𝘪𝘯𝘢𝘵𝘪𝘰𝘯. 𝘛𝘩𝘦 𝘤𝘰𝘯𝘧𝘪𝘥𝘦𝘯𝘤𝘦 𝘸𝘪𝘵𝘩 𝘸𝘩𝘪𝘤𝘩 𝘸𝘦 𝘵𝘳𝘰𝘥 𝘰𝘯𝘸𝘢𝘳𝘥𝘴 𝘸𝘢𝘴 𝘢𝘭𝘭 𝘵𝘰 𝘣𝘭𝘢𝘮𝘦 𝘰𝘯 𝘢 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳𝘪𝘵𝘺 𝘵𝘩𝘢𝘵 𝘮𝘢𝘥𝘦 𝘰𝘶𝘳 𝘦𝘢𝘳𝘴 𝘳𝘪𝘯𝘨. 𝘛𝘩𝘦𝘯 𝘧𝘪𝘯𝘢𝘭𝘭𝘺, 𝘸𝘦 𝘩𝘢𝘥 𝘢𝘳𝘳𝘪𝘷𝘦𝘥.”

With great joy we announce VALLEY001, a compilation of Valley family members that displays the versatility, power and most of all talent their community possesses. On the 2nd anniversary of the Valley Radio mix series we are able to celebrate a great coming together of people, motivated by passion and love. 
In this project Valley shows once again that they move rather like an organism than a static platform. Constructing an ever-evolving state influenced by the creative energy of its digital and social surroundings, Valley’s next shape will always be surprising yet familiarly touching. 
Treat yourself to a great variety of sounds with the debut compilation album and start your adventure of discovering the Valley.
credits
releases May 7, 2021 

Cover art + visuals by Oliva Rawlings 
Mastering by Boudewijn Scholten

oldyungmayn - Bassboor

@djxmantis 
The 26th release of katharsis is the album “Tech Tree” by the Danish Berlin-based artist Dj Mantis. The album expands the habitual ambient and experimental line of katharsis releases to a more trance and body-oriented direction with eight high-tempo smashers. With sounds ranging from muffling bass and high-tech staccato synths on the first premiere track “10 Elemental Masters” to the bewildering arpeggios, distant pads and hard kicks on “Recreational Programming”, Dj Mantis has created a spectacular output to stimulate your everyday with.

Mastered by Panajiotis A. Vaxevanakis
Artwork by Melanie Glück

Tech Tree

Acid Communism

Dj Mantis - Acid Communism

Released Dec 16th 2022

12" Vinyl: mathisruffing.bandcamp.com/album/skybox

Mathis Ruffing’s Transatlantic debut cuts to the chase. This is getaway music, music designed to vaporise your long-dormant adrenal glands. ‘Skybox’ is made up of tracks that surge like quicksilver through veins, pulsing, flexing, relentlessly disciplined in execution. These tunes are crystalline and shimmering, eight sleek and streamlined club constructs rendered with what feels like the precision-engineering of some advanced alien DAW.

Opener ‘Ultranova’ hits like a cyborgian headbutt and refuses to let up. It’s followed by the one-two punch of the title track and ‘Hitherto’, which install cooling, gaseous pads and synths within breakneck drum&bassian exoskeletons. ‘Crater Edge’ and closer ‘Raytraced’ offer cryochamberesque respite from the cold-blooded fury enclosed within this release — well-earned breathing room in an album that takes hold with crisp and calculated force. Pure focus.

Music by Mathis Ruffing
Artwork by Bruno Lauzon Tanzi @lcl_stream
Mastered by Ax Emblem f.k.a Cellvl
Text by Madjestic Kasual
Pressed at R.A.N.D. Muzik
Distributed by Inch_by_Inch

Mathis Ruffing  - 'Skybox'

Loran Cleric

https://lilatirandoavioleta.bandcamp.com/album/accelarated   

"All Day I Hear The Noise of Waters" a signature high tempo hot-blooded, percussion-heavy but slick touch, switching between rhythms and upping the energy on each switch.

@verraco - @sinmaldita - @lilatirandoavioleta

Hyperdub Records 2024

ACCELARATED

All Day I Hear The Noise Of Waters - Lila & SIn Maldita (Verraco Remix)

a collection of tracks made between 2021 and 2024 that i never knew what to do with
i also cant open the project files for most of these ffs
so this is what's left ::)
<3

Barkurkz (2024)

Digital Hundebiss is back, even though it's not Bandcamp Friday—because not even Bandcamp wants us rich. To be completely fair, it's not even Friday. 

This month, we have a special delivery from our friend Assyouti. 

https://assyouti.bandcamp.com/album/tough-choices-mister-blister

"Tough Choices" is a 167 BPM drumfunk-influenced percussive exercise, layered with Assyouti's signature distorted vocal samples and a roaring bassline. This high-impact combination of texture and rhythm is sure to feed hungry sound systems. 

Meanwhile, "Mister Blister" rolls in at a brisk 100 BPM, delivering a double-time momentum that drives the track forward with relentless force, exuding a sense of urgency and energy.

Assyouti - Mister Blister (DH009)

Merlin Modulaw's latest project, ‚Lost & Found‘, is a EP that spans six carefully crafted tracks, pushing the boundaries of contemporary club music with a blend of genres and textures. The release highlights Modulaw’s unique production style, combining slower grooves, raw club sounds, and sharp, metallic textures to create a sound both gritty and immersive. Among the standout features of the EP are a powerful collaboration with Estoc and innovative remixes by genre-blending artists Manuka Honey and Xzavier Stone, each adding their distinct touch to the project.

Produced, mixed & mastered by Modulaw
#5 co-produced by Estoc
Remixes by Manuka Honey & Xzavier Stone

Artwork by Dimitri Erhard


DRUM NIGHTMARE w ESTOC

The Shapeshift Spaceship universe is transfuturistic. Being at the boundary of states is not an anomaly in this universe, but a starting point.

Shapeshifting is a method of applied radical imagination that, in the manner of afro- and other emancipatory -futurisms, uses the spatiotemporal immensity of the future and intergalactic distances to declare a transfuturistic universe free from conventional gender and taxonomic reasoning.

The central motif of the Shapeshift Spaceship project – emancipation through the transformation of one's own shape – has an age-old parallel in music: it too uses the principle of constant ephemeral change, rhythmed by repetition, to create its own elusively passing beauty with the extraordinary capacity to transform human emotions along with its own change. The possible maximum of this intoxication with music is a state of ecstatic rapture, a transformation directly experienced through the moving body, accompanied with the awareness of the expanded nature of existence as an indivisible continuum of all its interconnected parts.

With the participation of following shapeshifters, queer, FLINTA, enby and LGBTQQIP2SAA artists: Anthr0morph & Oliver Torr, El Pelele, Evil M, Hihelga, Pope Sangreta, IDKLANG, Technopagan, HrrHrrHrrr, Dj Würm

The compilation is released as an editorial selection curated by Šimon Kadlčák in collaboration with MeetFactory and speedcoretrew.

The project was supported by the Prague City Hall, the Ministry of Culture of the Czech Republic, Prague 5 and the State Culture Fund.

Link of the whole project Shapeshift Spaceship meetfactory.cz/cs/program/detail/shapeshift-spaceship

released by MeetFactory and speedcoretrew in January 2025.

mastered by KōNcHi

track n. 6, El Pelele - NO QUERER PERDONAR
produced by El Pelele and Astrosuka
mixed and mastered by Astrosuka
previously released by TRRUENO (2019)

cover design by Veronika Žilinská

evil m - kiss refund

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

One More marks a new step in the evolution of Jubatus’ sound — a raw, industrial, and high-energy statement built for the darkest corners of the dancefloor.
Across three relentless cuts, Jubatus delivers heavy, textured drums, hypnotic synth lines, and a powerful drive that embodies the essence of modern hard techno.

Released under After Mood Records, One More stands as a testament to intensity, precision, and the unfiltered spirit of underground techno.

Jubatus - Let´s go (Original Mix)

N3URØ LØV3: HUMAN/MACHINE

[Hardcore / Gabber / Trance]
Welcome to the sonic matrix of N3URØ LØV3: HUMAN/MACHINE, a brutal, genre-defying 9-track album that blurs the lines between human consciousness and digital circuit.
This album is an uncompromising deep dive into Cyber-Hardcore, driven by relentless speed and punishing kicks. Each track delivers a dark, atmospheric vision of the future where technology and emotions violently collide.

Tracklist Highlights:
1. Intro
2. Feed Me
3. Gabber Sh*t
4. No Mercy
5. Stimulus Transmission
6. LØV3 Is Hardcore
7. Shake Your Bones
8. Suck My Bass Drum 
9. Crispy Clean

🔊 Hit Play now and experience the 9-track takeover!
Let us know which track ignites your system the most! 👇


9. N3URØ LØV3 - Crispy Clean

Some songs I did during this crisis
They strangely turned out quite happy
Free DL of course
Artwork by my dear and talented Louise Mervelet

Oldyungmayn - Leh

AL GHARIB

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