Le Kiosq Records Mars

Melbourne label, Analogue Attic's first full length album release comes from local jazz musician, Matthew Hayes.

Based on themes and memories from around Victoria, Blue Pool layers divine ambient sounds with meditative synth lines and Hayes' stunning bass guitar lines.

Read more & buy: http://www.stampthewax.com/2017/04/28/premiere-matthew-hayes-blue-pool/

Indigo

Matthew Hayes - Blue Pool (STW Premiere)

DC Promo Tracks #175: "World" by Sunshower is part of the upcoming release "Pop, Folk, World & Country" on NOt LIke That @notlikethat 

EP “Pop, Folk, World & Country” out May 25th check back for more info and follow: @sunshower92

Artwork by Kyle Lyon

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DC Promo Tracks #175: Sunshower "World"

"Taking the Piccadilly Delorean back to 2016, Mellah made an instant impression on the world with a killer set of mystical edits from Parisian prodigy Shelter. Now the mysterious imprint is back with a 12" double pack of dope, deep and dubby discoid flips on a whole host of Arabic O.G.s. The A1 offers a shuffling beat, sunny bassline and Balearic mood, the Idjut style build up eventually giving way to a Turkish pop chorus and some neat guitar work. The A2 bubbles along nicely, applying maximum filter action to the bass and strings of an Arabic disco winner before bursting into a big vocal and bigger chorus. Over on the B-side things bump up a notch into Acid Arab territories, wild reed riffs and tough Afro-house percussion powering the B1 into the peaktime while the B2 is the kind of tabla tonker custom built to cause dervish whirls.  The pump and bump continues on the C1 with a supercharged and cybernetic desert pinger, complete with acidic B-line and rampant saz licks. Next we get a little disco exotica, proper belly dancing tackle and then it's on to the final side, which ends the set with a couple of warped and wavey curveballs. Yalla!"

STAFF COMMENTS
Patrick says: If you've been hankering after more of that Middle Eastern magic, Mellah return with a double pack full of Turkish delight. Essential listening for fans of Baris K, Acid Arab and De Los Miedos.

Mellah - Kuwait Funk (FREE AIFF DL 100 LIMITED)

Anadol's third album, Uzun Havalar, recorded on tape by Kinship Records, is now available online and cassette format.

Recorded and mixed in 2015 the album is built around three long synth tracks referring to the improvised unmetric folk songs “uzun hava” in middle eastern music.
You can hear drummers laughing and playing guitars, composers howling, screaming, record collectors playing synths, actors mumbling and tuning in to the geography of Anadol's synth compositions.

Anadol is a traditional continuation of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment.

KS04_Tape Excerpt_Anadol - Uzun Havalar

Taken from 'Victor - American Dread' (MFM030)
Buy Vinyl: http://www.musicfrommemory.com
Buy Digital: https://music-from-memory.bandcamp.com/
© 2018 Music From Memory

B2 - Victor Dub (Androo Dub Remix) (5:07)

Dors avec moi

I guess he didn't see I was crying

Créée avec Felix Reneault : piano/guitare/percussions/voix/production

photo tirée du film LA LUNA de B.BERTOLUCCI

What A Spell

Order Here : 
www.juno.co.uk/products/furniture-on-broken-glass/711209-01/

Emotional Rescue returns to the music of British “pop” band Furniture, with an EP of the band’s own extended versions, remixes and unreleased takes of their particular output.  

Taken from three 12”s that followed When The Boom Was On (ERC072), the songs included cast a light on their development from 3 to 5 piece, adding Sally Still (bass) and Maya Gilder (keyboards) and the new male/female frontline.  The subsequent broadening of their line-up and sound meant they could start to address the kind of pop music they wanted to play.

After the early releases garneered radio play and reviews, Furniture were launched into the melee of ‘80s pop.  An anomaly, the band found they attracted a specific kind of “intense” follower, who were often beguiled by Furniture’s freaky normality.  This was addressed on the 1984 release, ‘I Can’t Crack’.  A more urgent version of the sound Furniture had debuted with ‘Why Are We In Love’, the track, sung by Tim, was based around a sequencer-like rhythm played live by drummer Hamilton Lee, and a clarinet part played by Tim’s brother, Larry Whelan.  A mix of bleakness and euphoria, the song was and is a favourite of the band and considered one of their best self-productions, as well as becoming a latter day club play. 

This is followed by the studio experiment ‘Throw Away The Script’, where the band wrestled with sequencers and synth-pop, but then countered it with a free-jazz sax solo.  Found on the flip of the double A -side of ‘Love Your Shoes’ 12”, this instrumental version too became an underground club hit, including a cult play at Fran Lenaer’s influential Valencia club, Spook Factory.   Played loud, the studio mastery, trickery and oft-accidental discoveries come to the fore, with tissue-damaging frequencies giving extra sound system shaking bottom end.

The B-side continues the band’s love of making extended mixes with ‘Dancing The Hard Bargain’.  Co-produced with Tim Parry (formerly of Blue Zoo), they threw everything at these 12” versions.  Able to relax and focus on the sounds they really liked, rather than the ones thought more commercial, this can be clearly heard on this compelling, percussive mix, a stop-start breakdown becoming a band hallmark. 
To close this collection is the mammoth ‘Bullet’.  Again sung by Whelan, an edited version of which debuted on the 1986 Survival compilation of Furniture tracks called ‘The Lovemongers’, here this previously unreleased original take is centred on a mesmeric tape loop, live drums and a guest appearance by violinist Helena Bjorelius.

A1. Furniture - I Can't Crack (Broken Mix)

Trois poèmes sanitaires.

SARS-Carrefour-2
SARS-Bigard-2
SARS-Bertrand-2
SARS-Leclerc-2
SARS-Guillemet & Cie-2
SARS-Groupe Rougier-2
SARS-Michelin-2
SARS-Total-2
SARS-Casino-2
SARS-Auchan-2
SARS-Système U-2
Le SARS-Déforestation-2 se distribue près de chez vous.
Adresses faciles à trouver, enseignes lumineuses, ouvert de 6h à 21h sur tout le territoire national.
Un des geste barrière contre le SARS aussi facile que de ne pas faire ses courses dans les établissements sus-mentionnés.

What A Spell

Alma Rechtman