Your stuff reminds me so much of early Zappa.  Huge compliment!

Orchestration and sounds effects on a short piano piece by HyLGZ22 (Many thanks to him).

Pioggia Sul Lago Di Como

https://open.spotify.com/album/5ksrkPVynzIl18lVFACs5Z?si=AZjEWMb_SvybpWSYoeJKEA

Hymn to the Night

Baby, there’s a full moon shining bright
Over land and see tonight
So please, don’t be sad
Baby, there’e no reason for to cry
Trust me and I'll kiss away
Each tear in your eye

Soon, there comes another day
And our love might fade away
Like the moon in the sky
But still, tomorrow’s out of sight
And still we’ve got tonight
And that moon shining bright

Baby, touch me with your heart
And make this night a brand new start
For a love that might live forever

Baby, please just hold me tight
And feel the vows of love
That we’re making tonight
Tomorrow, it’s still so far away
And all I wanna do
Is to spend the night with you

We’re falling, there ain't nothing we can do
But I’m holding on to you
In this hymn to the night
La,la,la,la,la,la – la,la,la,la,la
In this hymn to the night
La,la,la,la,la,la – la,la,la,la,la
In this hymn to the night…

words, music and production:  Patrik Eriksson

Hymn to the Night

without you

Open

"Upwards and On"    for Wind Band

Tuning 417Hz
Tempo 30 BPM
Timing 4/4

This version:
Voicing evolved by additional voices. Whispers. I haven't used effect. Again something NeoWakan taught me. You can do these things we use VSTs for naturally if we try. Effects rule! But I wanted to try that way of thinking here! Good suggestion from previous version

Check out EXCÆLIS on 
https://on.soundcloud.com/N5huW

 I agree nice one, I'll add that when the idea is fully structured. Need to let what's natural settle first.

Oh yeah and the idea woke up with bravery! Last night's fear of these words has no place on planet Earth. Saying what most good people feel is ok on any of my days

I have dropped the tempo to 30 BPM to give me the best chance at double, triple of quadruple times through the idea and they will still be rhythmically normal. Could get very tribe like towards the end if all these timings are unisonsed. And they sync with our clocks too something I always like to have in a song...

Ringing throughout is the 417Hz tuning fork. In the world of Solfeggio frequencies that's the Sacral Chakra and apparently it helps to release negative build ups of energy in the body.

In this song vocally I try and free myself a bit. I'm trying to develop the vocal with a hint of free time. I would say recently inspired by some of Neowakan's work. This artist has taught me a lot about connecting with the idea your singing about first then letting your body just follow what happens then. Hard to explain but it tends to almost automate the process and I'm doing things I normally wouldn't even consider I guess. If that's a ticket to some originality then it's something I'll definitely try and hone. Actually now that reminds me of the automatic drawing my best friend Gar used to study in college. Drawing without having an idea of what your drawing. You get some interesting results if memory serves me ok. Must relearn what Gary got from that himself. Bound to be something useful...........




Lyrics

Release it from you
Release it from you

Hey misfits
You're coming tuned with a tick tock
It's almost a sacral virtuoso
A chakral rush soles to cranium
Light tuned / In light shoes
Body tuned / In the sun's beams
Some bright of a different kind

Tuned / in light shoes
Fused / In the sun's beams 
Some draining to do. / Negative out of you 

Come on in
Play the conflict thin
It's releasing
Let peace in
Tuned
Fused
Mused
Cruised
Brewed
Pruned
Perused
Soothed
Smoothed
Tuned

Release this from me
Release this from you
Release this from everyone
Weak or strong
Now, we're new

We're releasing the darkness
We're protecting the brightness
We're shelving the starkness
We're projecting the lightness
The lioness
Phenotypical mindfulness
Signing off the traits of old
Oh that old old tiredness
Let go Likud
Release your darkness
Zion has a limit,
Just like Ireland.
Too Loki like
No care
Just making sure your grass is there
Well, stop
Together, let's watch your ideas burn
Found....
The only way back is stand the fuck down
You've got one line to draw,
Found in a handshake with Allah.
And retreat to where we all saw, freedom...
Surely you'd never become what nearly killed you all?
You have become what nearly killed you all
Truth - Square 'tash had gas - You have the food

Well... Now you know
So let it go...
Then, let's all play chess and ball
And share those instruments we play
Seems they're the same
Dear human's day
Peaceful
Wrapped with love
Rainbow gay channelled straight through the dove

Ceasefire for the sun
Ceasefire for everyone
Let's release all of our poison
All of our poison
All of our poison
Release all of our poison
Release all of our poison
All of our poison
All of our poison
Release all of our poison
Release all of our poison
All of our poison
All of our poison
A snake bite for those negative noises
He fouled out,
In overtime
Release Isreal
You're ejected, Netanyahu 
Square 'tash awaits you
You both lost the truth
I think soon,
To you,
That being might explain
With a little pure proof

Unblocking the Drain (Session #4)

Hymns of the Recluse

Sonora

Survivor (2023) Anthology CD4 Track 10

Ghouls (2023) Anthology CD4 Track 15

18 strings and nothing more.  A Dean Tradition acoustic 12 string and a Telecaster

Dec 6 2024 live stream (seven minutes with a Syko)

Songwriter : Dani Klein \ Composers : Jean-Michel Gielen & Dirk Schoufs
Publishers: Tell it Like it is & Songline (BV) \ Code ISWC : T-106.354.389-3
Released : April 1990
______________________________________________________________

Vocal : Anh
Arrangement : Phong
Album's song 1995

What's A Woman - Cover (Vaya Con Dios)

All performed and composed by me.
see also: vasco ribeiro morais pag 1,2,4,5,6,7,8
https://vascoribeiromorais.bandcamp.com/?from=viewsite_dashboard

Open

Vasco ribeiro Morais - pag. 3

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