NOW AVAILABLE ON VINYL:
https://www.stonesthrow.com/store/album/various/sofie-s-sos-tape

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@CharlotteDosSantos
@Fredfades

Charlotte Dos Santos - Watching You (prod. Fredfades)

45 by The Soul Investigators with Jimi Tenor on flute. Catalog number TR702. Side A: Vulture's Prayer, side B: Bad Viberations

Vulture's Prayer

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Jitwam - Alone

The Pendletons - Waiting On You out in 198? on Slept On Records.
For more informations about rare repressed and reissued records, visit us :
http://www.morerepress.com/blog/2015/07/30/the-pendletons-waiting-on-you/

The Pendletons - Waiting On You

Far Out Recordings are honoured to be working with master composer, arranger and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007. This time we present the first ever vinyl reissue of his era-defining Viralata LP: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as ‘a product of my hybrid musical influences that joins together flavours of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc’.

The album’s first track ‘Cascavel’ is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early ‘90s after Far Out label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London’s beloved club Plastic People…

“Saturday nights at Plastic People wouldn't have been the same without this album. Cascavel was such an important track for the club, it was the last tune we played there before the doors were closed forever.”
Sean McAuliffe, (Plastic People & NTS Radio)

Viralata sits comfortably on the same pedestal as Azymuth's Light As A Feather and Joao Donato’s Quem É Quem, which is no co-incidence. All three keystone LPs were recorded and engineered by Toniniho, considered by many to be "the Brazilian Rudy Van Gelder" whose magic touches in the studio also helped to produce Marcos Valle's Previsão Do Tempo and Joyce's Água E Luz among many other holy grails and unassailable classics of soulful Brazilian music.

Antonio’s work has been widely performed by his legendary Brazilian contemporaries including Sergio Mendes, Emilio Santiago and Erasmo Carlos, but also by platinum-selling American icons including Stevie Wonder, Herb Alpert and Dionne Warwick. Following an early 70s spell of studying jazz in the USA, Viralata’s release in 1979 arrived at the height of a flourishing period of Antonio’s career. With his late 60s and 70s output following through on his influences of tropicalia, funk, MPB and easy listening, the almost entirely instrumental Viralata marked an apex for Brazilian jazz.

Viralata

Vinyl

Antonio Adolfo - Cascavel

In between producing Feist’s groundbreaking album Pleasure, co-writing songs for Kelela’s upcoming debut album and working on his sixth full-length album, due out next year, Mocky is set to release the fourth installation of his “Moxtape” series. An unfiltered peek into his unreleased studio experiments and collaborations, “How to Hit What and How Hard" is a collection of handcrafted “off the grid bangers and some songs”, the multi-instrumentalist producer says. 
At the start of 2017, Mocky built a studio at his secretive Los Angeles headquarters. As he put up the studio walls, he began doing test recordings and switching between hammer and nails and drumsticks and drums. The first six test recordings became the basis of “How to Hit What and How Hard’. They range from 1970s Sesame Street funk to Steve Reich-style arrangements with a backbeat to songs like “Problematic” (which casts Mocky's crooning in a glitched-out new light). Though the music covers a lot of ground in his search for goosebumps per minute (GPM), it’s held together by Mocky’s unmistakable percussive touch. 
The L.A.-by-way-of-Berlin transplant plays almost everything on H2HWHH (drums, bass, piano, Rhodes, nylon string guitar, flute), with a few notable exceptions: Gonzales and Miguel Atwood-Ferguson guest on the exquisite “Desiree”, Nia Andrews lends some honey-dripped vocals to “Stop Time”, and Pegasus Warning, Joey Dosik and Aponte Poro round out this family affair on a variety of instruments. 
On  “You Can’t Rush the Funk”, Mocky’s iPhone-recorded voice is as laid back as anything because, as he puts it: “Nothing began with the computer or a click track. Everything began with me hitting something, and during the process, I realized that in the modern musical environment, “how”, “what” and “how hard” you hit something make all the difference." And for those who wonder about the method to his madness, for the first time Mocky is opening the hood on this “how-to kit" of a record: He’s releasing all of the isolated, separated instruments as samples in an “Unpacked Edition”, allowing others to make their own works recreated from Mocky’s handmade blueprint.

How To Hit What And How Hard (The Moxtape Vol. IV)

Mocky: Put It In A Song

Buy Album: https://khruangbin.lnk.to/contodoelmundo 

Globetrotting Texan trio Khruangbin present the video for their new single ‘Friday Morning’. A song about “jumping into love,” ‘Friday Morning’ skips between laid back Isley Brothers-­esque vibes via delicate tempo changes into gentle hymnal passages.

On 26th January, Khruangbin will release their second album ‘Con Todo El Mundo’ on Night Time Stories. Continuing their world music pedigree, the band has expanded their global influences on this record from Thai funk to sounds of Spain and the Middle East, particularly Iran, from the 1960’s, 1970’s and beyond.  Khruangbin will embark on a tour of UK, Europe and North America in support of ‘Con Todo El Mundo’.

http://khruangbin.com 
http://facebook.com/khruangbin 
http://twitter.com/khruangbin 
https://www.instagram.com/khruangbin 
http://nighttimestories.co.uk

Friday Morning

Khruangbin - Friday Morning (Radio Edit)

This one features my live band, The County: Quentin Joseph on drums, Topher Mohr on guitar, Quincy McCrary on piano, and Joe Abrams on bass. It was recorded live in a radio station studio somewhere during our Winter 2010 US tour. The tapes recently surfaced, but nobody can remember exactly where we were. The song is originally by The Isley Brothers, and that’s the only version I was familiar with until we started playing it in our live shows and people would come up to us and say “hey, loved your cover of Average White Band!”.

Work To Do

Nohelani Cypriano • Lihue

On November 1, 2017, Maryanne and her band performed all new material for friends and family at the Atherton, an intimate venue amidst the bustle of Honolulu city life. It was an experience nothing short of magical — you can hear it in the record.

Listen to "No Solution" on Spotify, Apple Music and more. 
Full album arriving May 2019.

www.alohagotsoul.com

Live at the Atherton

Maryanne Ito - No Solution

6. Dorothy Ashby - Come Live with Me

Aloha Got Soul is a Honolulu-based record label breaking the conventions of what music from Hawai‘i should sound like.

Maryanne Ito - No Solution

Aloha Got Soul

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