Welcome to the official SoundCloud page for country artist Tim Foust.

Enjoy previews of Tim's solo album The Best That I Could Do which was written and recorded at Flying Pig Productions in Orange County, California.  

During this project, Tim collaborated with many talented writers including the Grammy-nominated Randy Sharp who is responsible for a slew of #1 hits. Fans are sure to enjoy the beautiful and well-written lyrics and music as well as Tim’s signature wit.

Tim also sings bass for the vocal band Home Free, winners of NBC's The SingOff. They have three albums on Columbia Records which feature Tim's originals.

Stop back by for occasional bonuses and exclusives.

Karen Carroll, singer, songwriter, musician, Chicago native, started singing in church at age 6. She was taught singing theory by master Robert Allen and Nate Griffin was her vocal coach. Karen worked with Lonnie Brooks, Albert King and The Freeman Bros very early in her career. It goes without saying that all along her career, she was supported by her mother Jeanne Carroll (respected, world wide Jazz artist) with whom she had her first professional gig. Since the early 80's she has appeared with Katie Webster, Albert King, Carey and Lurrie Bell, Rudy Rotta, Otis Grand, Willie Kent, Steve "Big Man" Clayton, Alvin Lee, Mongo Jerry, Mississippi Heat, Buddy Guy, Deitra Farr, Bonnie Lee, Eddie Clearwater, Sammie Fender, Eddie Shaw, Angela Brown, Billy Branch, Melvin Taylor, Lonnie Brooks, Byther Smith, Johnny B. Moore, Sugar Blue, Buddy Miles, Zora Young and many more musical wonders. Singing gospel since her childhood she is an authentic performer of The Great American Deep Blues. Appearing twice at The Chicago Blues Festival; in 2008 at the request of blues master B.B. King.

Karen turned to Europe in 1998, touring with many different bands, creating and leading some. Today she works solo or with different bands, always provokeing a stormy applause from the audience. 

Works include “Had My Fun”, “Talk To The Hand" "Professors Blues Review”, “Women of Blue Chicago”, “Chicago’s Finest Blues Women” "Red Hot Mama's" and “Stock Yard Strutt”. In Europe Karen created "Be My Guest", "Live in Olesnica", "Ghetto Love", " Evolution Revolution", (with The Mississippi Grave Diggers; from Hungary) "Live in Coburg" and "Karen Carroll's Blues Mix". She also appears on many compilation Cd’s of Blues, Jazz and Gospel. 

She lives quietly in Germany where she enjoys the international culture, cool weather and writing music.. Karen loves Koolaid, old fashion candy, reading, collecting books, computer games. Carroll makes time to visit her family and friends in the U.S. during down time. She is now a grandmother of 5 who keep her funk and spirit, fresh and hip. Putting God first, serving family, friends and fans leave her soul pumping out that unique groove and soulful flavor. There is only one Karen Carroll, a true, free loving spirit that will forever be a musical legand. 

Carroll just got done touring with The Mississippi Grave Diggers in Hungary working the Godor Club in Budapest. She also had a very special evening playing and singing (some in Hungarian) with Presser Gabor. Karen also was just the headliner at the Poland Jazz Festival in Olenscia. She's one busy OG who will always have and be the blues.

Sound & Color – the follow-up to Alabama Shakes’ Gold-certified debut album, Boys & Girls, which earned the group three GRAMMY® nominations, including a nod for Best New Artist – will be released in North America on April 21 by ATO Records. Rough Trade will release the album in the UK/Europe on April 20. 

Sound & Color demonstrates the tremendous strides made by Alabama Shakes since the release of 2012’s Boys & Girls. From the gently swaying, chiming title song to the garage-rock freak-out on “The Greatest” to the psychedelic space jam “Gemini,” Alabama Shakes build on the soulful blues-rock base and map a surprising, innovative new direction. 

“We took our time to write this record, and I’m really glad we did,” says lead singer/guitarist Brittany Howard. “We were able to sit down and think about what’s exciting to us. This record is full of genre-bending songs.”

Sound & Color was recorded at Nashville’s Sound Emporium studio. The band co-produced the album with Blake Mills—a young guitar wizard who has helmed sessions by Sara Watkins and Sky Ferreira, and played alongside everyone from Norah Jones and the Dixie Chicks to Lana Del Ray and Kid Rock. 

The success of Boys & Girls paved the way for Alabama Shakes – comprising lead singer/guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, drummer Steve Johnson, and touring keyboard players Ben Tanner and Paul Horton – to become one of the most celebrated live acts in the world, as they delivered unforgettable performances everywhere from “Saturday Night Live” to the main stages of festivals like Bonnaroo and Glastonbury. Boys & Girls charted in the Top 10 in both the U.S. and the U.K. and "Hold On," the Gold-certified lead single, was voted the #1 Best Song of 2012 by Rolling Stone.


GRAMMY Nominated, Dove Award-winning producer and engineer. Knob jockey. Artist developer. Button pusher.

Clients include: Kelly Clarkson, Twenty One Pilots, Megadeth, Tamia, Kutless, Love and Death, Eve to Adam, MUTEMATH, Framing Hanley, Seventh Day Slumber, Disciple, 7eventh Time Down, JLO, DMX, Ruff Ryders, Children 18:3, The Letter Black, Spoken, etc...

Original compositions for your inspiration, imagination and creative work
<hl> 
SoundCloud Collaborations:
<a href="http://soundcloud.com/audio-police/blue-breeze-bossa-nova-gushing-extended-remix" rel="nofollow" target="_blank">Blue Breeze with _Audio_Police_</a>

FARM ROCK from Madison, WI
http://www.thesharrowsmusic.com/

Unity… Band is an award-winning original roots reggae group based in Wisconsin. Their intense touring schedule of varied venues around the Midwest has honed an interactive outdoor stage show with positive party vibes and the knack for drawing club crowds into the irie groove.

They treat fans to old Roots, Rock, Reggae favs along with original music blending influences of roots, rock, blues, funk and reggae into their own unique sound. Fronted with island-smooth energetic confidence by Kai "Pita" Katobalavu on lead vocals and rhythm guitar, the band’s talents includes the smooth bass lines of Tim Perkins, Curtis Kenny Ayres laid-back guitar riffs and vocals, the cool intensity of Greg Pagel on keyboards and innovative steady ease of Kelvin Ayres behind the drum set. 

Unity's fan base has grown extensively regionally and globally with the release of five albums, Liberation, In The Beginning, Revival, Oceania & Sunset 7 a collection of diverse original songs written by Katobalavu, centered on his roots as a native born Fijian. The album's release and unique cultural story of a Fijian making music in the Midwest have gained the band extensive media attention in the US, Europe, Fiji, Australia, Hawaii & New Zealand, as well as radio play for the new music.

Listen loud. I write original songs playing rhythm and lead. I use electric / acoustic guitar, ukulele, percussion, voice. I like various genre's.  I experiment with live looping and love to rock.  Headphone Music.

On the back of Mississippi Heat's CD Footprints On The Ceiling, there is a photograph of a man with his eyes closed, playing the harmonica with such passion, that one is almost stunned by the actual silence of that frozen moment. Yet when he is heard live or on record on his harmonica, the listener is caught up by its fervent, inspiring presence. The man behind the harmonica is Pierre Lacocque, Mississippi Heat's band leader and song writer.

Pierre was born on October 13, 1952 in Israel of Christian-Belgian parenthood. However, shortly after his birth, Pierre's family moved to Germany and France before going back to Belgium in 1957. By the age of 6, Pierre had already lived in three countries. A preview to his future musical career on the road. Pierre's childhood in Brussels resonated with the intense and impassioned Scriptural upbringing of his father, a Protestant minister, now living in Chicago, who became a worldfamous Old Testament scholar. Pierre, his brother Michel (Mississippi Heat's General Manager) and his sister Elisabeth (who did the artwork design on the Heat's first three CD's) went to a Jewish Orthodox School in Brussels. After the Holocaust, Pierre's parents and paternal grandfather (also a minister) felt that their children and grandchildren should learn about the suffering and plight of the Jews, as well as about Judaism in general and its philosophical and theological depths.

At the Athenee Maimonides (Brussels) they were the only non-Jews ever (and since) to attend. At the Athenee Maimonides they learned old and modern Hebrew, all the religious rites and prayers, as well as studied the rabbinical commentaries on the books of the Old Testament. With the devotion to his studies, there was little time or room for much else. The family culture and priority was on intellectual pursuits, not on play such as soccer or music (two old interests of his). Serious studying, the reading of existential philosophers and theologians, were the only worthwhile activities condoned and encouraged by Pierre's parents, his father in particular. But thanks to the radio in young Pierre's room, there was just enough opportunity to unravel the subtle auditory endowments of Destiny. From the radio he heard and was moved by such soulful singers as Ray Charles, Otis Redding, and Aretha Franklin. Pierre was careful to keep the volume down. This is where he began to appreciate African- American music. ...

The sound of the harmonica was first introduced to him when he lived in Alsace, France. His father was then a minister in a small village called Neuviller (1955-1957), not far from Albert Schweitzer's birthplace in Gunsbach. Pierre's father had bought him a green plastic harmonica toy. He was about three years old at the time. He remembers blowing in and out of it and feeling a surge of sadness that felt so familiar. As he experimented with the toy he often cried listening to its plaintive sounds. It was not until he came to Chicago in 1969, however, that he finally detected his destiny: playing the blues on the harmonica. He had never heard the blues saxophone-like amplified harmonica sound until then.
In 1969 Pierre's father received a full-time Old Testament professorship at the Chicago Theological Seminary, located on the University of Chicago's campus. The family decided to move permanently to the Windy City and leave Belgium for good. Pierre was sixteen years old.

The golden era of the 1950's electric Chicago sound was still having a vibrant impact on local bands. Luminaries such as Muddy Waters, Otis Spann, Little Walter, Junior Wells, Elmore James, James Cotton, Howlin' Wolf, Jimmy Rogers, Jimmy Reed, and so many others, were still dynamic forces to reckon with in the late 1960's. Unfortunately some had died by the time Pierre arrived in Chicago. Little Walter, Pierre's mentor and main influence, died in 1968 following a head wound he acquired during a fight. ... Otis Spann, Muddy Waters' long-time band member and perhaps the best blues piano player ever, had also recently died of cancer.

On a Saturday night in the early Fall of 1969, Pierre decided to go to a concert being held at the University of Chicago's Ida Noyes. He had no exposure to Chicago Blues before then, and had no expectations as to what he was about to hear. As he listened to the band playing, he became overwhelmed with emotion and excitement at a sound he never heard before: A saxophone-sounding amplified harmonica! In his own words, " I was absolutely stunned and in awe by the sounds I heard coming from that harmonica player and his amplifier ... It sounded like a horn, yet distinct and unique". The harmonica player went by the name of Big Walter Horton, a name he had never heard before but who changed his life forever. What he heard that night, the music, the mood, the style and sounds, moved his soul.

From that moment on, Blues music, and blues harmonica in particular, became an obsession. Two days later, on a Monday morning, Pierre bought himself his first harmonica (or "harp" as it is called in blues circles). Next he was buying records, instruction books, anything to do with the blues harp. He was talking to people, picking up new knowledge wherever he could. Obsession led to passion and intense dedication, and Pierre was practicing the harp six, seven hours a day, notpaying attention to the clock (although he is known to check the clock now to remind him when he needs to get off the stage, because if it was up to him he would keep on playing beyond the scheduled sets! His band members tease him about that).

Pierre eventually finished High School (like Paul Butterfield, Pierre graduated from the University of Chicago's High School, better known as "The Lab School". The two never met, however, as Butterfield had left the school before 1969). Pierre then left Chicago to go to College in Montreal, Canada. He played harp through his College years, making a few dollars here and there. While at Stanislas College and later, at McGill University, both located in Montreal, Pierre got his first live experience with a local blues group named the ALBERT FAILEY BLUES BAND. About a year later, Pierre joined another band: OVEN. That was in the early 1970's when he lived for six years in that French-Canadian city (1970-1976). OVEN gigged regularly, and eventually won the Montreal Battle of The Bands contest in the summer of 1976. Unfortunately, the promoter who promised the winner $1,000 Canadian dollars and a record contract skipped town, and was never seen or heard from again. The news of the winand of the shady promoter did make the Montreal newspapers though...

Not having the ill-fated Canadian blues career anymore, Pierre, 24 at the time, and disillusioned, came back to Chicago. Although playing the blues on the harp could never be more fitting as it was at this point, it couldn't pay the bills. And it was at this point (1976) that Pierre described his life as going "the intellectual route". Pierre decided to further his education in Clinical Psychology. It was during this period that Pierre met his Social Worker wife Vickie, and began working as a clinician at a Mental Health center in the Pilsen neighborhood of Chicago. For the next decade, Pierre was involved with his psychological work and research, finishing a doctorate at Northwestern University and publishing professional articles and a book, until a major insight took place in 1988. Pierre, an accomplished 36 years-old man, who had been studying Existentialism, Theology, History of Religions, etc. began to feel a void in his life. He began to re-evaluate his life and look into his own heart. Eventually he heard the answer loud and clear: He missed playing the blues. The awareness struck him like a beautiful horn, coming from an amp, distinct and unique, and yet a sound he had heard before, hidden all these years, but definitely not lost.

And this is where Pierre's passion revived, his fire and "joie de vivre" rekindled, his ability to take what was lost inside of him all these years and turn it into the raw, powerful heat that it is today.

alottayarn is following