💲║𝘽𝙐𝙔 2 𝙂𝙀𝙏 1 𝙁𝙍𝙀𝙀
⏬║𝘿𝙊𝙒𝙉𝙇𝙊𝘼𝘿: www.DavidSanyaBeats.com
📷║Gram I|I Instagram.com/DavidSanyaBeats



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Listen to our playlist and find tracks for your next video, songs, mixtape or album!

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'David Sanya' Not 'David Sonya'

Our type beats catalog includes:

J Cole
Smokepurpp
Quavo
6ix9ine
Hopsin
type beat instrumental
Russ Type Beat
JCole
Migos
Travis Scott
Pnb Rock
Cheap
Affordable
License
Rights
Rae Sremmurd
Logic
Lil Skies
Asap Rocky
Kendrick Lamar
Roddy Ricch 
Meek Mill 
Tyga
Polo G
Type Beat
Xan
Young Thug
Jack Harlow
Moneybagg Yo
42 Dugg
YBN Cordae
NBA YoungBoy Never Broke Again
Royalty
Background
Rap Beats
Da Baby
Type Beat
Moneybagg Yo
A Boogie
Dave East
Nba Hood
Jaden Smith
2022
Alternative Rock
Hip Hop Beats
MGK
Machine Gun Kelly
Nas
Sza
Boosie
YG
Playboi Carti
Travis Scott
Type
Instrumental
Offset
Afrobeat
Xxxtentacion Instrumental
Gunna
Freestyle
Post Malone
Cassidy
Eminem
Lil Pump
Type Beat
Mosey
Lil Yachty
Hopsin
Drake Type Beat
Pnd Instrmental
Ny Hit
Anime Rapper
Southside
Chance
French Montana
Nyc Comethazine
Afro Damso
Memphis Insrumental
Lil Baby Type Beat
Kodak Black Type Beat
Niska
Leto nstrumental
Ninho Dancehall
Song
Timal Mils
2 Nsg
Exclusive Sk
Booba Sofiane
Djadja dinaz
Korean MMZ
DTF
Dosseh Kalash
Criminel
Mia
Cool Money
Zeze Track
Swervin
Sunflower
Istrumental
Fukkit GLK
Afrobeats
Tracks
Deen Vianni
Bazzi Burbigo
Zola Vald Viet
Mostack
ZOTiYAC BLVC SVND
Yung Simmie
Insrumental
IDK iLL Chris
Icy Narco
Latin RAMIREZ
robb banks
UnoTheActivist
Azizi Gibson
CRAIG XEN
Instumental
Night Lovell
The Underachievers
Vietnam d savage
THOUXAN 88glam
kamiyada Georgio
Boonk
1995 NF
Chicago Screw
Joji
Intrumental Tyler
Hopsin
Tyler The Creator
Takeoff
Germ
Sahbabii Sax
ohtrapstar Swarmz
Lyca PNL
Free Style SCH
Nekfeu Instrmental
Lacrim Ninho
Lomepal Hamza
PLK
Wifisfuneral
X Ft
Punjabi
Halsey
Spanish Towkio
HipHop
Nao
Tayk
Sixnine
Cold Chinx
Diddy
TI
TIP
Papoose Instrumntal
JAYZ
Nerd Pharrell
Stormzy
Skepta
Houston
krnb
Make Eem Run
Jay Critch
Instrumetal
Fabolous
Giggs
glokknine
ozuna
jaydayoungan
ynw melly
Instrumetal
MadeinTYO
LocoCity
Jesus Honcho
octobersveryown
ovo
SHORELINE MAFIA
Angry Hype
YBN Cordae
quando rondo
Instrumenal
Us
Jul Love
bad bunny
Anuel AA
rich the kid
bts Lit
mozzy polish
Friday
Singing
lud foe
saxophone
romeo santos
young nudy
Sauce
ugly god
blueface phora
suicideboys
tupac
Rapping
Bighead Instrumentl
arcangel
hoodrich pablo juan
xavier wulf
drip too hard
yk osiris
blocboy jb
sada Rap baby
dej loaf
Rojas
Flute
ghostemane
scarlxrd
yella beezy
rezz pouya
six6nine9
soldier kidd
Ronnyj
duval pete
Instrumenta barnacle
zillakami
shiloh dynasty
yung gravy
Valee juice
Instru World
2pac
famous dex
Indian Cadabra
Kyle
tJay
Schoolboy Q
Casanova
Takeoff
Jadakiss
Rapsody
Timbaland
Sabrina Claudio
Ella Mai
Lotto Boyz
Section Cab
Ru Moody
Deep
Emotional
Good Top
Arabic
Afrotrap
Vocal Funk
Insane
Ghetto Nasty
Fun Fly
Anime Jazzy
2019
Urban Chance
Violin
Classic
Japanese Gang
British FR
Belly Arabic
Squad Boyzz
Sound Scary
Billie English
Eilish Macklemore
American Abra
AJ Mr Eazi
Kojo Funds
Yxng Bane
Swing Jorja
Smith Bashment
Wizkid
Section
Reggae Riddim
Latin Grime
New Party
Summer Wavy
Sex Walker
Russian Strong
Toronto Radio
Dutch Gang
Angry Gold
Simple Her
Scary amir
obe White
Christian Dance
Party Blues
Fire Hooks
Diss Life
Chillout Club
Deep Vibe
Ill Nasty
Bad Ass
American Gangsta
Hook
Edm Inspirational
Afropop
The 90s Kid
Gun
Dj Chilled
Jamaican Blk
Church Emo
Mabel
Future Type Beat
Cartoon Nigga
Doja Melodic
Fat Wavy
Blue cat
aventura Hardcore
akon
alkaline
Nigerian Sin
Italian Red
pijama Acoustic
Jacquees
Khalid
Swedish Gospel
Non For Profit
Grime Jew
Raye Mexican
Canadian Ray
Layton Greene
Ann Marie
Sexy Tink
African Trinidad
Jewish Cardona
Audio Wet
JMSN Weird
Queen Naija
6 dogs
blackbear
Vibes Danish
Elhae
Jahkoy
Underground Heize
High Crush
Evil Gray
Dean Green
Joey Badass
Nav
G Herbo
Ski Mask
Rihanna
Kevin Gates

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R&B, Soul, RnB, Pop Hip Hop Music

#FreeBeat #RapBeat #TrapBeat #TypeBeat #Intrumentals
#FreeBeats #RapBeats #TrapBeats #TypeBeats

Tory Lanez Type Beat Instrumentals
Young Dolph Type Beat Instrumentals
YNW Melly Type Beat Instrumentals
Polo G Type Beat Instrumentals
G Herbo Type Beat Instrumentals
Juice Wrld Type Beat Instrumentals
Lil Peep Type Beat Instrumentals
Lil Skies Type Beat Instrumentals
Lil Tjay Type Beat Instrumentals
Blueface Type Beat Instrumentals
Quavo Type Beat Instrumentals
Lil Wayne Type Beat Instrumentals
21 Savage Type Beat Instrumentals
Travis Scott Type Beat Instrumentals
Gunna Type Beat Instrumentals

Burna Boy Wizkid Bad Davido Fireboy DML
Bunny Trap Beats instrumental Latin Spanish Tems Asake Olamide
J Balvin Anuel AA Ozuna

Destroy Izaya Kankan Ken Lucki Cochise
Sofaygo Iayze Carson Autumn Tiji Slumps6 Goonie Lonely Ssgkobe Summrs

NF G Rocky Nardo Wick Playboi Carti Yeat Type Beat 
Rap Asap Bryson Tiller Travis Smoke Scott Polo G Future Don Toliver Pop
Free Gunna Kid LAROI Tjay Uzi Tory Durk Tecca Redd Lil 
Vert Baby lanez The weeknd NF Steve Jid Nav Russ Trippie Amine Smino X
Keem Lacy 6lack~Offset

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بیت هیپ هاپ | بیت رپ دارک
بیت رپ | بیت ترپ | بیت
بیت رپ گنگ | بیت ترپ دیس
بیت سبک شایع | بیت رپ دلنوشت | بیت احساسی
بیت رپ دلنوشت | بیت احساسی
بیت پاپ | بیت رپ دلنوشت
بیت رپ مهمونی | بیت پاپ | بیت
بیت دریل گنگ | دریل فارسی
بیت دریل دلنوشت | بیت رپ غمگین | دریل فارسی
 بیت رپ سنتی | بیت رپ اعتراضی | بیت
بیت دریل دارک | بیت رپ اعتراضی | دریل فارسی
بیت رپ سبک شایع | بیت احساسی | بیت غمگین
بیت رپ دلنوشت سبک آهنگ یاس | بیت اعتراضی
بیت دریل سنتی | بیت رپ گنگ | دریل فارسی
بیت رپ | بیت دریل | دریل فارسی | بیت دلنوشت
بیت دریل | بیت دریل گنگ | بیت دریل وحشی
بیت دریل | دریل فارسی | دریل چیست
بیت رپ سبک سپهر خلسه آهنگ یاکوزا | بیت ترپ
بیت ترپ با گیتار | بیت رپ لاو | دانلود بیت

Contemporary Culture Dealers
-KCMO

Contact: fiatlx@mail.com

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



The Outta Leftfield Podcast is a raw and uncut podcast that covers current events in sports, entertainment, relationships and politics. We are based out of Philadelphia and have a live show every Sunday at 12pm on wtnuphilly.com

For over two decades Groove Armada has been established as one of the planet's best loved and biggest selling dance acts. As comfortable on the big stages as they are in sweat soaked basements, the boys cross genres and styles with ease.

Cassius are a French house music duo, consisting of producers Philippe Cerboneschi and Hubert Blanc-Francard, better known as Philippe Zdar and Boom Bass.

Paris, France · facebook.com/cassiusofficial 

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