The Nutcracker

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Peter Ilyich Tchaikovsky - The Nutcracker Suite: I. Miniature Overture (arr. Michael Axtell)

Brahms Symphony no. 3 - IV. Allegro - un poco sostenuto

Beethoven : Sonata #21  Waldstein  Op.53  [FREE CLASSICAL MUSIC]

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Sonata #21  Waldstein  Op.53

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Beethoven : Sonata #21  Waldstein  Op.53  [FREE CLASSICAL MUSIC]

Suite [No. 1] In G Major, BWV 1007 Courante
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Johann Sebastian Bach's music is a treasure trove of timeless compositions that continue to captivate audiences and musicians alike. Among his works, the Suite No. 1 in G Major, BWV 1007 stands out as a shining example of his genius. Within this suite, the Gigue, a lively and intricate dance movement, holds a special place. In this article, we will delve into the beauty and significance of the Gigue from Bach's Suite No. 1, exploring its history, structure, and enduring appeal.

The Gigue is the fourth and final movement of Bach's Suite No. 1 in G Major. This movement is a dance characterized by its brisk tempo, compound meter (typically 6/8 or 6/4), and lively, syncopated rhythms. It is marked by its infectious energy and sense of joy, making it a delightful experience for both performers and listeners.

One of the most captivating aspects of Bach's music is its capacity for interpretation. The Gigue, in particular, provides a platform for musicians to infuse their own personality and emotion into the performance. Its joyful character can be emphasized through varying degrees of articulation, dynamics, and tempo. Some cellists choose to play it with a certain lightness, while others opt for a more robust and emphatic approach.


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There is no fee to pay, no subscription, no license.

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Suite No 1 In G Major, BWV 1007 Courante

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J.S BACH : Suite [No. 1] In G Major, BWV 1007 Courante 🎵 Royalty-Free Classical Music 🎵

Le tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. 

 Le Tombeau De Couperin - Menuet is the 5th movement from the work and is dedicated in memory of Jean Dreyfus (at whose home Ravel recuperated after he was demobilized)

Le Tombeau De Couperin - Menuet

Rimsky-Korsakov, Russian Easter Festival Overture preformed by Brighon Philharmonic Orchestra

Rimsky-Korsakov, Russian Easter Festival Overture

Klassik, Folk, Jazz, Ethno, Weltmusik? Es fällt schwer, die Musik von Pianistin Marialena Fernandes und dem Ensemble »Hotel Palindrone« zu kategorisieren. Zwischen dem »Almschrei«, Tänzen aus Österreich und Schweden, traditionellen Liedern aus Goa / Indien und klassischen Werken von Joseph Haydn, Domenico Scarlatti und Bela Bartok spiegelt sich beinahe die gesamte Bandbreite musikalischer Stile. Dabei steht die Entdeckung und Neu-Interpretation der verbindenden Elemente zwischen Klassik und traditioneller Volks- und Weltmusik an vorderster Stelle. Verspielt und doch ernsthaft, voller Experimentierfreude und zugleich mit großem Respekt, mit Instrumenten wie Dudelsack, Drehleiher, Naturflöten, Gitarre oder Saxophon, bedienen sich die Multiinstrumentalisten einer Sprache, die - im Sinne Joseph Haydns - wohl alle verstehen, die bereit sind, Grenzen zu überwinden und das Neue zu suchen.
Classical music, folk, jazz, ethno, world music? It is impossible to fit pianist Marialena Fernandes' and Hotel Palindrone's music into any single genre. Between the Alpine Yodel, Dances from Austria and Scandinavia, traditional songs from Goa / India and classical works by Joseph Haydn, Domenico Scarlatti and Bela Bartok, the program reflects almost the entire spectrum of musical styles. The focus lies on the discovery and re-interpretation of the interconnecting elements between classical music and traditional folk and world music. Playful but serious, full of experimentation and at the same time with great respect, using instruments such as bagpipes, hurdy-gurdy, guitar or saxophone, the five multi-instrumentalists use a language which - hopefully as defined by Joseph Haydn - is understood by everyone who is willing to go beyond borders and search something new.


Tambdde Roza

Track 05 Piano Sonata in D major, Hob XVI:37 “Auenbrugger” (Joseph Haydn)

Felix MENDELSSOHN BARTHOLDY (1809-1847)
Lieder ohne Worte Op. 62 
Nr.6 Frühlingslied

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Felix MENDELSSOHN BARTHOLDY (1809-1847) - Lieder ohne Worte Op. 62 - Nr. 6 Frühlingslied

played by David Coriaty at Engine Studios 
produced by Zach Kitson 


Claude Debussy - Ballade

March (From The Nutcracker)

Arab Dance (From The Nutcracker)

This track is from the album Christmas On Copper Street and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/copperstreetbrassquintet

The Nutcracker Suite: Russian Dance (Trépak)

Musikalische Ergötzung No.4 in E minor. 2. Aria (Johann Pachelbel)

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Piano Chillout: 15 Relaxing Classical Pieces

Spotify playlists

Suite Bergamasque, L. 75: III. Clair de lune (Claude Debussy)

The Nutcracker Suite: A Percussion Performance is available on CDbaby (http://www.cdbaby.com/cd/gabrielstaznik), Amazon, and iTunes.  Please visit www.GabrielStaznik.com for additional information or to purchase percussion ensemble music arrangements.

Peter Ilyich Tchaikovsky - The Nutcracker Suite: I. Miniature Overture (arr. Michael Axtell)

UMMP - United Music & Media Publishers

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