Dyn - Din [ Vacarme ]
#Normandie
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Lyrics : N/A
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// Follow Dyn :
▶️ / @dyn-musicalcomposition
▶️ / www.youtube.com/@Dyn-14
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Lûth [ HardTek ]

E2E - FLuke/

With the exception of the final piece, each track in Table Pieces is named after a character. There’s the Storyteller, the Dancer, the Watchmaker, the Cartographer, the Child, the Mother, and the Innkeeper. These figures meet in a place called The Forgotten Room, where each one brings something unique to the table.

The Forgotten Room

The Mother

The Innkeeper

The Cartographer

The Watchmaker

With the exception of the final piece, each track in Table Pieces is named after a character. There’s the Storyteller, the Dancer, the Watchmaker, the Cartographer, the Child, the Mother, and the Innkeeper. These figures meet in a place called The Forgotten Room, where each one brings something unique to the table. Read more here: https://magnushexeberg.no/releases/table-pieces/

The Child

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi — vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman —  @texmex-shaman — Stephen — sitar and mastering
Mistermark — @user-432503709 — Mark — talking drum
Llanpsych — @llanpsych — Tez – electric guitar
J.J. Terrell — @j-j-terrell — JJ — synth flute
K2 and the Three [and the Four] — @k2andthe3, @k2-kara — Ken — drums and percussion
Entheogenic Psychonaught (Josh Clary) — @josh-clary-1 — Josh — 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots" for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

my first beat

kinda tuff and background vocals remind me of a yeat song

yeat type beat

A multi-piece M4a in one track. Sampled Julian and Gabe playing with Helena Holleran. Beats, as u wish, and noodling to Julian and then the world"

Of Julien and gabe

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition

Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production

Ron Lewis — @ron-lewis-779503933 — synth 

TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering

Mistermark – @user-432503709 – Mark – talking drum

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- synth flute

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass

AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.



Aloha-Oe

Composed : Kosuke Nagai
Performed : 10 October 2024, Cond.Kaichi Tanabe, Orch. Orchestra del Teatro Giglio Showa, in Teatro Giglio Showa

Duration : 7'

MIYABI for Orchestra

sad forever

Gentle, playful melody, mysterious. Perfect for peaceful social media background music.

Where the Piskies Dare Hide

Haunting, creepy melody. Perfect scene-setting music for spooky social media posts.

Long Abandoned Witch's Abode

Baby

Assistant Principle Flutist of the Detroit Symphony Orchestra Sharon Sparrow has a new holiday album "Flutes Joyeux!" She stops by our studios before DSO practice to tell us a bit more about it.

Sharon Sparrow - November 15, 2024

Yo i’m a white kid that lives on the outskirts of Pittsburgh. I love music and i always wanted to make music or beats so I’m doing a 5 minute beat a day and uploading and seeing how it goes from there. Follow me🤷🏿 MY PRODUCER TAG IS B TWEEN BUT MY NAME IS E2E DONT MESSIT UP

I am not a professional musician. I just like music and it has become my hobby and occupies most of my free time.
I sometimes change and improve the compositions published here (as it seems to me 🙂), so when you come back here after a while, you can hear compositions more suitable to your musical taste.
If you like any of my compositions, share them - it's easy for you, and I'll be happy to see them.  Thank you 🙂

Singing my heart out, like there's no tomorrow. Thanks for listening and supporting me! :)

(Sep 2024) After a long list of covers, I finally took the leap and wrote my very first song with the help of a SC friend. This wouldn’t have been possible without the incredible support I’ve been fortunate to receive from this wonderful community. Thank you all!

(Aug 2024) I never expected to make friends on SoundCloud, let alone rare ones. For that, I'm grateful.

(July 2024) I'm blown away by how welcoming this awesome community is. TY all for your support and wonderful comments!

Hi ! Dyn or rather " Din " [ Vacarme ] hence the fact of my main musical style from hard through dark uptempo that can be reduced to tek or acid.

I mainly compose from hardtek but I can also do Raw - Acid - uptempo or mental so if you like not hesitate to follow me in my universe.

to contact me here it happens --> dyn.musicalcomposition@gmail.com

Youtube: www.youtube.com/@Dyn-14

or via networks

soon...

shoutout rohan & 4k michael for inspiring my work

90.9 WRCJ is a listener supported classical and jazz music public radio station licensed to Detroit Classical and Jazz Educational Radio, LLC., and managed by Detroit Public Television and the Detroit Educational Television Foundation Board of Trustees.

New tracks tagged #Flute