ça c cke j’aime pt2

Message aux anges noirs

Dime Despacio

Ça tourne (p. MORECALCIUM)

Double Talk

Jaakko Eino Kalevi - Double Talk

alt-Pop, Indie Pop, Dreampop, Hypnagogic Pop, Sophisti-Pop, Pop, Alternative R&B

aphrodisiac

Buy CD Album here : https://guillaumeteyssier.bandcamp.com/album/paris-vortex

Pour nous, ce premier album de Guillaume Teyssier est un espoir retrouvé, notre déclaration d'amour à la chanson française, dans la lignée des Bashung, Ferrer, Gainsbourg, Balavoine, Daho et autres Polnareff.

Guillaume n'est pas exactement un nouveau venu mais il s'agit ici d'une renaissance.
Auteur d'un album sous le nom 'My Sister Klaus' puis de la Bande Originale du film 'La Femme Invisible', il nous aura fallu un certain temps pour le convaincre de chanter en français.
Rares sont les musiciens français qui parviennent à conjuguer une sensibilité musicale étonnante, des textes subtils et un chant impeccable. Guillaume Teyssier est ce qu'on appelle en anglais un song-writer, espèce en voie de disparition, de ceux qui composent des morceaux avec une guitare ou un piano et leur voix. A partir de versions brutes et minimales de ses chansons, Guillaume fabrique des petits bijoux pop à l'aide de ses musiciens Thomas et Peter, et de son producteur Joakim qui a enregistré l'album à Paris puis mixé dans son nouveau studio à New York.
On pourrait se prêter au jeu des influences, mais ce qui caractérise Guillaume Teyssier c'est justement ce songwriting qui transparaît au travers de productions hétéroclites, la cold wave de 'Shadow Dancer', les accents berbères de 'Give It Up', le psychédélisme de '2048', l'électronique lo-fi de 'Vortex Disco' - qui a au passage converti Sebastian (Ed Banger) en fan instantané, ou le synthétisme glacé des 'Princes Des Villes', reprise étonnante de Michel Berger.
Au fil des écoutes de PARIS VORTEX sa patte se dessine, un blues cosmique, un dandysme un peu lunaire. Enfin, pour véritablement apprécier Guillaume Teyssier il faut aussi l'avoir vu une fois jouer ses morceaux seul au piano ou à la guitare, dans leur minimalisme habité, tout comme un Sebastien Tellier n'est jamais meilleur que seul au piano avec sa Ritournelle. Ne le ratez donc pas la prochaine fois qu'il passe près de chez vous et comme dirait Deleuze, tombez amoureux de sa part de folie.

https://youtu.be/qUHA5NRDM1g 

https://www.facebook.com/guillaumeteyssiermusic

http://www.twitter.com/gteyss

https://www.facebook.com/tigersushirecords

Vortex Disco

Weval - I Don't Need It

 Motel Music Part. ll (PROMO CD)

Wildcats

Futuro Pelo - Swamp (Lewis Ofman Remix)

Discogedanken

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

A debut release for both band and label, Parisian duo Paradis' bring two eloquently produced tracks to Beats In Space in the form of the Parfait Tirage b/w La Ballade de Jim 12" (BIS001). Admirers from afar of DJ Tim Sweeney's weekly on air institution of 12 years (from which the label takes its name), Paradis submitted demos hoping they might hack it for some play time. 

Reared on classical and jazz, turned young hip hop rebels, turned teen club crawlers, and then university machine tinkerers, Simon Mï¿½ny & Pierre Rousseau grew out of genre jumping while young enough to stay ahead and settle into music making centered around melody and emotion. 

This touchstone approach is perfectly apparent on "Parfait Tirage", a track built around sublime synth ambiance, a compelling sequence lead, and what will one day be unmistakably recognized as the Paradis vocal sound. The b-side, "La Ballade of Jim", is a deep techno take on beloved French artist Alain Souchon's track from the 80s, and already a staple in Sweeney's live set. 

Each 12" from Beats in Space features original artwork in considerate & serial form. The first 12" features artwork by Bjorn Copeland, a 21st century schizoid collagist and member of NYC experimental music legends Black Dice. The 12" packaging constructed by Will Work For Good features a vinyl BIS logo cling. The 12" will be available on September 20th, 2011 from fine retailers worldwide. The digital version will be available October 4th, 2011 from the drab internet universe.

http://www.phonicarecords.com/product/view/101473
http://www.juno.co.uk/products/parfait-tirage/435832-01/
http://itunes.apple.com/fr/album/parfait-tirage-la-ballade/id469701869
http://www.discogs.com/Paradis-Parfait-Tirage/release/3140876

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