Raster-noton - Part 1

raster noton - Part 1

GLITCH

Fallen: Atmosphere

Electronic Diogenes Syndrome - 3

clicks+cuts+

Tape Chants

Out now at http://editbeats.com

Celebrating 10 years of edIT's Crying Over Pros For No Reason with the release of the Deluxe Edition featuring 5 new original bonus tracks available digitally and on limited-edition double-pack splatter vinyl through Glass Air Records.



ABOUT edIT:

From humble beginnings on the Los Angeles underground to world tours of sold-out arenas, Edward Ma has seen it all in a career that now spans more than 15 years. Starting off as The Con Artist in the late 1990s, Ma produced for rappers such as Busdriver, P.E.A.C.E and Sole while holding a residency at Konkrete Jungle, where drum n bass and hip hop were spun side by side to hungry ears. In 2003, Ma reshaped himself as edIT. The next year he debuted with Crying Over Pros For No Reason on seminal UK label Planet Mu. The album melded together Ma's love of hip hop, drum n bass and experimental electronic music, a fusion that would presage hip hop's return to its electronic roots by the end of the decade. Crying Over Pros… sounded like nothing else at the time. It sounded like the future and it would put Ma on the path of his next evolution. In 2006 he co-founded The Glitch Mob, a project that would ultimately take over his solo work by 2010. Today the Mob inhabit a unique position in the dance music world, the roots of which go back to the sonic experiments of Crying Over Pros… Ten years on, the album is being reissued on limited edition vinyl and as a digital bundle with an extra five tracks from the original sessions. Its emotive power hasn't faded one bit and its relevance has only increased as the future it hinted at became the present we now live in.

Follow edIT
editbeats.com
facebook.com/editmusic
twitter.com/edit
instagram.com/editbeats

Crying over Pros for No Reason (Deluxe Edition)

Laundry

Download / Stream

Komet - Rausch clips

Hangable Auto Bulb

Laughable Butane Bob

DAYS BEFORE RODEO

Quintana Pt. 2

Ceilings (Bonus Track)

Ceilings (Deluxe Bonus Track)

Unequal cycles in search of synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often regarded as an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means - conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, such as dub effects that listen to themselves disintegrate; but also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through small manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never obvious, always restless and exciting.

Pounding

Frank Bretschneider »Evening News« taken from »Pounding«

BAND4BAND Remix

Download / Stream 'We Can Make the World Stop - EP": https://smarturl.it/TGM_World
Shop Limited Edition Merch & Vinyl: http://shop.theglitchmob.com

Shows // Tickets on sale now at http://theglitchmob.com/ctrlaltreality
———————————
9.08 // Dallas, TX
9.09 // Austin, TX
9.10 // Houston, TX
9.11 // Same Same But Different Festival // Perris, CA
9.16 // Brooklyn, NY
9.17 // Nashville, TN
9.22 // Washington, D.C.
9.23 // Charlotte, NC
9.29 // Des Moines, IA
9.30 // Detroit, MI
10.01 // Minneapolis, MN
10.04 // Las Vegas, NV
10.05 // // Denver, CO
10.06 // Denver, CO
10.07 // Denver, CO
10.08 // Atlanta, GA
10.14 // Los Angeles, CA
10.15 // Portland, OR 
10.21 // San Francisco, CA

FOLLOW THE GLITCH MOB
——————————————
Text Us: +1 (323) 210-3654
http://instagram.com/theglitchmob
http://spoti.fi/1rkv39e
http://youtube.com/glitchmob
http://twitter.com/theglitchmob
http://facebook.com/theglitchmobmusic
http://soundcloud.com/theglitchmob
http://theglitchmob.com

We Can Make the World Stop - EP

We Can Make The World Stop

The Glitch Mob - We Can Make The World Stop

frank bretschneider’s new project SINN + FORM (MEANING AND FORM) is based on the idea of a fundamentally chaotic world as we know it from mathematical or physical theories and models (dynamical systems, probability theory, stochastic systems), and the constant attempt of man to recognize and to describe, predict, control and change this world.

musically, this system is simulated electronically using a modular synthesizer system. various modules produce a constant flow of randomly generated data that modulate the decisive musical parameters (pitch, note length, volume, tone). the attempt of SINN + FORM in this context is to transform this stream of events into a musically relevant system of chaos and order, dynamics and statics, content and form by means of an improvised but deliberate process of constant control and influence.

aesthetically, the project recalls the electronic music of the mid 20th century: studios such as the IRCAM in paris, stockholm’s EMS (elektronmusikstudion), the WDR »studio for electronic music« in cologne, or new york’s »columbia- princeton electronic music center«. SINN + FORM also captures the dynamics and energy of a spontaneous improvisation, last but not least as a reaction to a complex world, a world in permanent crisis.

the material was recorded in july 2014 at EMS, stockholm, using the buchla and serge analog synthesizer systems. 

frank bretschneider. free market (excerpt). taken from frank bretschneider. sinn + form

04 King Loopy

[Verse 1]
I don’t know nobody’s face
but you nobody know me
누구나 갖진 못해
보이니? I’m the shit and I got this
You fuckin 병신 이거 먹고 뒈져 
Bye bitches
Got some love 
I got five bitches

[Hook]
Man I’m like an Laker
Man I’m like an Laker
I’m king I’m like a kobe 
I sing I’m like Jamaica

[Verse 1]
난 안마셔 센 liquor 
Fuck you 캐 센 rapper
Hater들을 잠재우는 이건 Walking Dead 4
가리지 않고 부수지 ain’t no battle
Let me do another level
아무도 없어 나같은 놈은 another level
You can’t talkin Loopy 
not even lookin
19금 movie killin you rappers
so daily routine 
Fuck this tape, fame 
All I need is pay pay alright
We gonna fuck fuck this party up up all night

[Hook]
Man I’m like an Laker
Man I’m like an Laker
I’m king I’m like a kobe 
I sing I’m like Jamaica

[Verse 2]
I’m king I’m like a kobe not rookie 
smokin doobie
Fuck this Supreme
어울려 나는 feelin so Gucci
I just can’t tell nuttin
cuz 이건 king shit
I just can’t tell nuttin
cuz this some king shit
I just can’t tell nuttin cuz this shit
한발도 못 떼 
내 동네에선 죽음 
You foolin 그 사이 난 shootin
I’m talkin to you nobody 
내가 주인

[Hook]
Man I’m like an Laker
Man I’m like an Laker
I’m king I’m like a kobe 
I sing I’m like Jamaica

-----------------------------------------------------------------------------

*Credit
words by Loopy
prod. milhouse
mixed by pno

1 - 03 King Loopy (prod. mil house)

Capsize Recovery

Enduro Bones

Tomorrow's Harvest

Telepath

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

2. Malibu - Held (PAN 77)

3. Yves Tumor - Limerence (PAN 77)

5. ADR - Open Invitation (PAN 77)

Ultra Thizz

3RACHA 3rd MIXTAPE EP

Horizon

01. Matryoshka (Prod. CB97)

02. Hoodie Season (Prod. CB97)

03. P.A.C.E. (Prod. CB97)

04. 고장난 나침반 (Broken Compass) (Prod. CB97)

05. Placebo (Prod. CB97)

06. SCENE STEALERS (Prod. CB97)

07. Double Knot (Prod. CB97)

08. For You (Prod. CB97)





[CREDITS]

01. Matryoshka (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

02. Hoodie Season (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

03. P.A.C.E. (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

04. 고장난 나침반 (Broken Compass) (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

05. Placebo (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

06. SCENE STEALERS (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

07. Double Knot (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

08. For You (Prod. CB97)
Lyrics by CB97, SPEARB, J.One
Produced by CB97
Mixed & Mastered by CB97

Artwork by Bony

04. 고장난 나침반 (Broken Compass) (Prod. CB97)

Plastikman: Konstant (2002) MINUS:K1

Full stream of Frank Bretschneider's dubby "Elastik," a track from his forthcoming album 'Lunik,' out February 16 on Shitkatapult. 

More info: https://www.xlr8r.com/news/2018/02/premiere-hear-a-dubby-cut-from-frank-bretschneiders-new-album/

@frankbretschneiderofficial
@shitkatapult

Haliod Xerrox Copy 11

alva noto