Techno

Experimental

TECH

No Matter What Radio

~Electronic Music - part 2

Daniel Avery - Ultra Truth [a playlist] - Part 1

HERE'S ANOTHER TRACK WE'VE MADE WITH OUR LONG TERM BLOG PARTNER HAMMER.

PRE-ORDER:
bit.ly/FMB004Phonica
bit.ly/FMB004Juno
bit.ly/FMB004DeeJay

HAMMER: www.facebook.com/thehammerhits

BICEP & HAMMER | ICEBOWL

Frank Lamboy delivers a fusion of the early 1980s NYC B-Boy futuristic grooves combine with todays Tech-House sound. Early 80s Electro fused with House and Tech-House.

Frank Lamboy - Beat This (Original Mix)

WAS AN HONOUR TO GET ASKED TO CONTRIBUTE TO THE FINAL SET OF RELEASES ON ONE OF OUR FAVOURITE LABELS 50 WEAPONS. WE ARE ON THE FLIP TO BENJAMIN DAMAGE AND DOC DANEEKA’S KANSAS. YOU CAN PICK UP THE WAX AND THE DIGITALS BELOW

50 WEAPONS STORE - http://bit.ly/BicepClosingSequence50WeaponsStore
JUNO - http://bit.ly/BicepClosingSequenceJuno
BEATPORT - http://bit.ly/BicepClosingSequenceBeatport

BICEP | CLOSING SEQUENCE

Beatport: https://pro.beatport.com/release/consequences/1754890
Bandcamp: https://exoticrefreshment.bandcamp.com/album/consequences
iTunes: https://itunes.apple.com/pl/album/consequences/id1105638190?l
WhatPeoplePlay: https://www.whatpeopleplay.com/albumdetails/Various-Artists-Consequences/id/126583
Traxsource: http://www.traxsource.com/title/614350/consequences
Junodownload: http://www.junodownload.com/products/consequences/3084179-02/

VA - Consequences 1-4 (4 Pack - all volumes together): https://exoticrefreshment.bandcamp.com/album/consequences-1-4-4-pack

Artist: Various Artists
Title: Consequences
Label: Exotic Refreshment
Cat#: EXRC017
Release Date: 9th May 2016
Genre: Deep House, Electronica, Techno, Tech House

Release info:
"Consequences" it's a brand new compilation series from Polish constant growing label Exotic Refreshment. First collection features 11 unmixed, full length tracks and remixes from John Talabot, Danny Daze, Christian Löffler, Barnt, Frank Wiedemann, Donato Dozzy, Jacob Korn, Martin Kohlstedt, Cliff Lothar, Aparde, Night Talk, Joal, Omar Santis and more...

Tracklisting:
1. Martin Kohlstedt - ELL (Christian Löffler Rework) 
2. I Have A Tribe - Yellow Raincoats (Frank Wiedemann Remix [Club Version]) 
3. Danny Daze, Deroboter - Drowning (Original Mix) 
4. Night Talk - Eclipse (Original Mix) 
5. Aparde - Varia (Original Mix) 
6. Cliff Lothar - Soul Plonk (Original Mix) 
7. Barnt - Tunsten (Melopella) 
8. Donato Dozzy - Cassandra (Original Mix) 
9. Omar Santis - Philosophie (Original Mix) 
10. Jacob Korn - She (John Talabot ScreaMix) 
11. Joal - The Subsequence (Original Mix)

Follow Exotic Refreshment on:
http://www.exoticrefreshment.com/
https://www.facebook.com/erefreshment
https://soundcloud.com/exotic-refreshment
http://www.youtube.com/exoticrefreshment

Donato Dozzy - Cassandra (Original Mix) // Exotic Refreshment

Andy Stott - New Romantic

Photek - T-Raenon (Version)

Imaginary Lines

Love Invaders

A Girl Between Two Worlds

Half Moon Rising

Hardwax Excl: https://hardwax.com/78062/introversion/dystopia/
Beatport: https://www.beatport.com/release/dystopia/2014704

Introversion is joining our collective with a must have record. Dystopia comes from the mind of a Young and Very determinated Artist from Germany, we are shure that this will hardly leave your bag. Youth is a dream, a form of chemical madness.

B2 . Introversion - Unmarried Old Man

Tracklist http://www.theblackdogma.com/tbd/2017/07/cognitive-dissonance-mix/ ‎

Cognitive Dissonance Mix

The Black Dog - Cognitive Dissonance Mix

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Old Skool Joint

Old Skool Joint (48 Hour Mix)

Gerry Read - Roomland (Youandewan Remix)

Desire (What I Want) [Groove Technicians Remix]

Reincarnations, Pt. 2 - The Remix Chapter 2009 - 2014

Bad Kingdom (DJ Koze Remix)

SKEE MASK - 50 EURO TO BREAK BOOST

Glitter

Glitter (Jon Hopkins Remix)

C O S M

C O S M (Daniel Avery Remix)

Compro

Skee Mask - Session Add

Slerom

Slerom (Old Skool Bump Mix)

Unieqav

Uni Clip

Uni Sub

Uni Blue

Uni Mia

Uni Version

Uni Normal

About 2 years ago, I went to a techno event with my homie. While walking towards the club we run into an old friend, he tells us "Yo I'm working security here! Imma walk you guys in, so you won't have to pay!!!". So we follow him and skip through a long line of antsy party goers. He walks us up to the cashiers box, when a scuffle breaks out in the line outside. He leaves us to go control the situation. After a few seconds the cashier girl tells us "Hi $20 each please", so my boy tells her "we're with the security guard (Mike) he was gonna walk us in." She asked if we were on the list, we weren't. So she starts giving us a bit of crap, I tell my boy "Fuck it, let's just pay the $20, originally we were gonna pay anyways". Now at this very second the head promoter gets there and the cashier immediately tells him " hey these guys don't want to pay", she wasn't in the best of moods and blew things a bit over proportion. The promoter starts nodding his head, and says no there's no more comps for this. So my boy kinda flips out and decides to say " hey this is Jesse Perez, he's on BPitch Control, how you gonna charge him!". The promoter looks over at me and says he's heard of me and lets us both in for free. Once we get into the club I tell my boy " Damn dawg you had to say BPitch Control.. I'm not on Bpitch Control. He's gonna look that up and say we're liars". 2 years later, I'm remixing Ellen Allien for a release on BPitch. I sleep better at night now knowing my boy isn't a liar, just a misunderstood psychic.  
Remix will be available on vinyl around April

Dropping the remix at The Electric Pickle (Miami)
http://www.youtube.com/watch?v=TX2VzguF7y4

Ellen Allien - "The Kiss" (Jesse Perez Remix) [BPitch Control]

Uni Blue

alva noto