This song is about LIFE. It's about ART. It's about the SYMBOLIC EXPRESSION OF THE HUMAN SPIRIT.

Writing song descriptions is hard. Impossible. This is a dumb way to start a song description, for example. Maybe I shouldn't do it at all. Seems like all the cool kids have an artist bio that just says "Genres are for wimps" and their song descriptions just say "new one" or something like that. Am I uncool? That's a stupid thing to ask. Cool artists don't ask if they're cool. They just make music they love and let people interpret it how they want. Why am I even releasing this? I'm probably too old to be releasing music anyway. Too old and too weird.

Sorry, let's try again. Sorry. Here's the basic premise of the song:

*Adaptation (2001)* is a movie directed by Spike Jonze and written by Charlie Kaufman. The movie is nominally about adapting the book *The Orchid Thief*, by Susan Orlean, but is focused primarily on Kaufman's experience making the movie itself. In that sense, the movie *Adaptation (2001)* is best understood as a movie about making the movie *Adaptation (2001)*. *Adaptation (2024)* is a song created by Evoke nominally about adapting the movie *Adaptation (2001)*, but is focused primarily on Evoke's experience making the song itself. In that sense, *Adaptation (2024)* is a song best understood as a song about making the song *Adaptation (2024)*.

That's probably too dry. And confusing. Did you have to read it multiple times? Also it kinda spoils the movie *Adaptation (2001)*. What if you wanted to see that movie? Now you'd start the movie knowing the premise. When I watched it I didn't know the premise. My song is probably not worth that. Although maybe you wouldn't have seen it if I hadn't told you about it. Is it worth it to promote a piece of art if promoting it might ruin it? It's still a good movie. You should watch it. You don't have to listen to my song. Just go watch the movie.

Okay, that was bad. Note to self: remember to delete that part above. You should start with something more engaging. This song is more impactful than just being about your dumb insecurities.

This song is about cars. Fast cars and guns. It's a bombastic romp through a twisting and evolving narrative, centered around the effortless vocal stylings and dynamic productions of one **ALDEN GROVES**, the mastermind behind albums like *FOOL // savior* (2019) and the creator of BOUNDARY PUSHING masterpieces like *Kiss Kiss Bang Bang*, released in November of last year. Evoke is going to be huge. Really huge. You're going to see the name topping charts on Billboard, and on LED billboards in big cities. Every Evoke song is self produced and performed, mixed, and mastered by Alden Groves, who also happens to be an accomplished Ableton Live instructor and part time model. A good dancer too, with a killer jawline. 

You need to listen to this song. Now. Your new life begins today.

Evoke - Adaptation

𝗈𝗒! 𝗆𝖾 𝗅𝗅𝖺𝗆𝗈 𝗵𝘂𝗻𝗸𝗘 („• ֊ •„)੭
𝖨'𝗆 𝙤𝙗𝙨𝙚𝙨𝙨𝙚𝙙 𝗐𝗂𝗍𝗁 𝗆𝗎𝗌𝗂𝖼 
+ 𝒶𝓁𝓁 𝗍𝗁𝗂𝗇𝗀𝗌 𝗆𝗎𝗌𝗂𝖼-𝗋𝖾𝗅𝖺𝗍𝖾𝖽

≣ 🎛️ ⌵ 🎼 ⋌ 🎧 ⋆♥⋆ 🕺🏽 ⋋ 🎹 ⌵ 📷 ≣

✉ 𝗯𝗼𝗼𝗸𝗶𝗻𝗴𝘀/𝗶𝗻𝗾𝘂𝗶𝗿𝗶𝗲𝘀 ✈︎
𝘩𝘶𝘯𝘬𝘌𝘮𝘶𝘴𝘪𝘤@̶𝘨𝘮𝘢𝘪𝘭.𝘤𝘰𝘮

⋕ 𝘀𝘁𝗮𝘁𝘀 ≁
▶ 𝟽𝟿𝟶 𝚔
🠟 𝟹𝟻.𝟸 𝚔
♥ 𝟷𝟷.𝟼 𝚔

🟒 𝘀𝘂𝗽𝗽𝗼𝗿𝘁𝗲𝗱 𝗯𝘆 🞻
𝘦𝘢𝘳𝘮𝘪𝘭𝘬 ⤵
earmilk.com/2012/07/16/hunke-breathless/
𝘣𝘶𝘻𝘻𝘧𝘦𝘦𝘥 ⤵
https://www.youtube.com/watch?v=_V7RwAWLNuY

𝖨 𝗅𝗈𝗏𝖾 𝖼𝗁𝗈𝗉𝗉𝗂𝗇𝗀 𝗋𝗈𝖼𝗄 𝗌𝖺𝗆𝗉𝗅𝖾𝗌, 𝖺𝖽𝖽𝗂𝗇𝗀 𝖽𝗂𝗋𝗍𝗒 𝗌𝗈𝗎𝗍𝗁 𝖽𝗋𝗎𝗆𝗌/𝗉𝖾𝗋𝖼𝗌, 𝖽𝖾𝖾𝗉 𝟪𝟢𝟪 𝖻𝖺𝗌𝗌 𝗅𝗂𝗇𝖾𝗌, 𝖺𝗇𝖽 𝗅𝗎𝗌𝗁 𝗆𝖾𝗅𝗈𝖽𝗂𝖾𝗌.. 𝗍𝗈 𝗆𝖺𝗄𝖾 𝗆𝗒 𝗈𝗐𝗇 𝗐𝖾𝗂𝗋𝖽 - 𝗏𝖺𝗋𝗂𝖾𝖽 - 𝗉𝗋𝗈𝗀𝗋𝖾𝗌𝗌𝗂𝗏𝖾 - 𝖼𝗁𝗂𝗅𝗅 - & 𝖽𝖾𝖾𝗉𝗅𝗒 𝖾𝗆𝗈𝗍𝗂𝗈𝗇𝖺𝗅 𝖻𝖺𝗌𝗌 𝗆𝗎𝗌𝗂𝖼. 

𝗐𝗁𝗂𝗅𝖾 𝖿𝗈𝖼𝗎𝗌𝖾𝖽 𝗈𝗇 𝗁𝗂𝗉-𝗁𝗈𝗉+𝗋𝗇𝖻+𝗍𝗋𝖺𝗉 𝗉𝗋𝗈𝖽𝗎𝖼𝗍𝗂𝗈𝗇, 𝗆𝗒 𝖺𝗎𝖠𝖣𝖧𝖣 𝖻𝗋𝖺𝗂𝗇 𝖼𝗈𝗇𝗌𝗍𝖺𝗇𝗍𝗅𝗒 𝖿𝗈𝗋𝖼𝖾𝗌 𝗆𝖾 𝗍𝗈 𝗌𝖾𝖾𝗄 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗏𝖺𝗋𝗂𝖾𝗍𝗒 & 𝖾𝗑𝗉𝗅𝗈𝗋𝖾 𝗇𝖾𝗐 𝗀𝖾𝗇𝗋𝖾𝗌... 𝖺𝗅𝗈𝗇𝗀 𝗐𝗂𝗍𝗁 𝗉𝗁𝗈𝗍𝗈/𝗏𝗂𝖽𝖾𝗈𝗀𝗋𝖺𝗉𝗁𝗒, 𝖿𝗅𝗈𝗐 𝖽𝖺𝗇𝖼𝗂𝗇𝗀, 𝗉𝗋𝗈𝗆𝗈/𝖲𝖬 𝗆𝖺𝗋𝗄𝖾𝗍𝗂𝗇𝗀, & 𝗆𝗈𝗋𝖾.

𝗆𝗒 𝗆𝗈𝗌𝗍 𝗉𝗋𝗈𝗆𝗂𝗇𝖾𝗇𝗍 𝗉𝗋𝗈𝖽𝗎𝖼𝗍𝗂𝗈𝗇 𝖼𝗋𝖾𝖽𝗂𝗍 𝗂𝗌 "𝘛𝘩𝘦𝘳𝘦 𝘞𝘪𝘭𝘭 𝘉𝘦 𝘈 𝘛𝘪𝘮𝘦" 𝖿𝗈𝗋 𝗀𝗋𝖺𝗆𝗆𝗒-𝖺𝗐𝖺𝗋𝖽 𝗐𝗂𝗇𝗇𝗂𝗇𝗀 𝖽𝗎𝗈 @wearerockcity; 𝖺𝗅𝗌𝗈 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝖾𝖽 𝗐/ 𝟣𝟢𝟢+ 𝗁𝗂𝗉-𝗁𝗈𝗉/𝖱&𝖡 𝖺𝗋𝗍𝗂𝗌𝗍𝗌 (𝗅𝗈𝖼𝖺𝗅 & 𝗈𝗇𝗅𝗂𝗇𝖾) 𝗂𝗇𝖼𝗅𝗎𝖽𝗂𝗇𝗀 @noah23, @quandadonirap, & @benzmusic-1.

𝖺𝖿𝗍𝖾𝗋 𝗅𝖾𝖺𝗋𝗇𝗂𝗇𝗀 𝗍𝗈 𝖣𝖩 𝖺 𝖿𝖾𝗐 𝗒𝖾𝖺𝗋𝗌 𝖺𝗀𝗈, 𝖨 𝖻𝖾𝗀𝖺𝗇 𝗋𝖾𝗅𝖾𝖺𝗌𝗂𝗇𝗀 𝗌𝖾𝗏𝖾𝗋𝖺𝗅 𝗀𝖾𝗇𝗋𝖾𝗌 𝗈𝖿 𝗈𝗇𝗅𝗂𝗇𝖾 𝗆𝗂𝗑𝖾𝗌.  𝖺 𝗒𝖾𝖺𝗋 𝗅𝖺𝗍𝖾𝗋 𝖨 𝗆𝖺𝖽𝖾 𝗆𝗒 𝖣𝖩 𝖽𝖾𝖻𝗎𝗍 - 𝖺 𝟤+ 𝗁𝗈𝗎𝗋 𝗁𝗈𝗎𝗌𝖾 𝗌𝖾𝗍 (𝗁𝗎𝗇𝗄𝖤 𝖧𝗈𝗎𝗌𝖾 𝟢𝟣𝟢) @ 𝖠𝗍𝗁𝖺-𝖡 𝖯𝗎𝖻 & 𝖢𝗅𝗎𝖻 𝗂𝗇 𝖩𝖺𝗌𝗉𝖾𝗋 𝗐/ 𝖩𝟥𝖣. 𝗌𝗂𝗇𝖼𝖾 𝗍𝗁𝖾𝗇 𝖨'𝗏𝖾 𝗉𝖾𝗋𝖿𝗈𝗋𝗆𝖾𝖽 𝖺𝗍 𝗌𝖾𝗏𝖾𝗋𝖺𝗅 𝖼𝗅𝗎𝖻𝗌 (𝖧𝗎𝖽𝗌𝗈𝗇𝗌, 𝖥𝖺𝖼𝗎𝗅𝗍𝗒, 𝖪𝖾𝗌𝗁 𝖪𝖾𝗌𝗁), 𝖿𝖾𝗌𝗍𝗂𝗏𝖺𝗅𝗌 (𝖭𝗈𝖻𝖻𝗒𝖫𝖺𝗇𝖽, 𝖱𝖾𝗓𝗓𝖱𝖺𝗏𝖾), & 𝗁𝖾𝖼𝗄 𝖾𝗏𝖾𝗇 𝖺 𝗐𝖾𝖽𝖽𝗂𝗇𝗀 & 𝖣𝖩 𝖼𝗈𝗆𝗉𝖾𝗍𝗂𝗍𝗂𝗈𝗇.

𝗈𝗏𝖾𝗋 𝗍𝗁𝖾 𝗉𝖺𝗌𝗍 𝗒𝖾𝖺𝗋, 𝗆𝗒 𝖺𝗉𝗉𝗋𝗈𝖺𝖼𝗁 𝗍𝗈 𝖣𝖩𝗂𝗇𝗀 𝗁𝖺𝗌 𝗆𝖾𝗋𝗀𝖾𝖽 𝗐𝗂𝗍𝗁 𝗆𝗒 𝗉𝗋𝗈𝖽𝗎𝖼𝗍𝗂𝗈𝗇 𝖿𝗈𝖼𝗎𝗌. 𝗆𝗈𝗌𝗍 (𝗂𝖿 𝗇𝗈𝗍 𝖺𝗅𝗅) 𝗍𝗁𝖾 𝗍𝗋𝖺𝖼𝗄𝗌 𝖨 𝗉𝗅𝖺𝗒 𝖺𝗋𝖾 𝗁𝖾𝖺𝗏𝗂𝗅𝗒 𝖾𝖽𝗂𝗍𝖾𝖽 𝖺𝗇𝖽/𝗈𝗋 𝗆𝖺𝗌𝗁𝗎𝗉𝗌 - 𝗉𝗋𝗈𝖽𝗎𝖼𝖾𝖽 𝗎𝗌𝗂𝗇𝗀 𝗌𝖺𝗆𝗉𝗅𝗂𝗇𝗀 & 𝖼𝗈𝗉𝗂𝗈𝗎𝗌 𝗌𝗍𝖾𝗆 𝗌𝖾𝗉𝖺𝗋𝖺𝗍𝗂𝗈𝗇 - 𝗌𝖾𝗋𝗏𝗂𝗇𝗀 𝗆𝗒 𝗀𝗈𝖺𝗅 𝗈𝖿 𝖼𝖺𝗍𝗁𝖺𝗋𝗍𝗂𝖼 𝗌𝗍𝗈𝗋𝗒𝗍𝖾𝗅𝗅𝗂𝗇𝗀.

ᵘᵖᵈᵃᵗᵉᵈ ⁰⁷∙²⁰²⁵

BOOKING:
clara@mbartists.co.uk

PATREON (Feedback, Tutorials, Samples)
💧 https://patreon.com/wearehumans 💧

RELEASES ON:
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the universe is a fever dream that will forget itself

­░▒▓██ • 𝚃𝙾𝙼𝙾𝚁𝚁𝙾𝚆 𝙸𝚂 𝙰𝙽𝙾𝚃𝙷𝙴𝚁 𝙳𝙰𝚈 • ██▓▒­░

Ekarow emerged from a need to create connection and share music as medicine during the desolate times of the pandemic, when all that was left of Shambhala’s legendary bass culture and the Kootenay underground scene was silence. Out of that stillness, something powerful began to rise.

Over the years, Ekarow helped breathe life back into the Kootenay music scene, throwing forest raves, co-founding a DJ collective, and curating festivals that pulsed with the wild, communal energy of the West Coast.

Now based in Montréal, he carries that same fire eastward, channeling it into his evolving vision of Medicine Dubstep, a powerful fusion of heavy bass and high vibration. Equal parts sound alchemist and community builder, Ekarow crafts sets designed to move bodies, open hearts, and remind us that even the heaviest drops can heal.

DJ/singer/musician/dancer

main genres: dnb, dubstep
instruments: harp, ukulele and a bit guitar & piano
 - if anyone is looking for samples, just ask (:

Evoke - Adaptation

EVOKE